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Mattia Torre, director
Director

Mattia Torre: Movies & Box Office

films
3
on screen
2011–2018
box office
$2.5M
Career at a glance

Mattia Torre's Career in Numbers

Mattia Torre's films in numbers — as a director, not counting appearances as themselves: when they were made, the genres Mattia Torre works in most and the milestones along the way. The filmography runs from Boris: The Film (2011) to The Vertical Line (2018).

Mattia Torre Movies by Decade

  1. 2010s 3

Mattia Torre Movies by Genre

  • Comedy 2
  • Drama 1

Comedy is the genre Mattia Torre has worked in most, with 2 films, ahead of drama (1).

Mattia Torre Career Milestones

First film
Boris: The Film 2011
Biggest box office hit
Ogni maledetto Natale $2.5M worldwide
Newest film
The Vertical Line 2018
3 credits

Mattia Torre Filmography: Every Movie

Every film Mattia Torre is credited on, newest first, with the role, the box office and the Movie Echo Score. Re-order the list to see the best-rated films or the biggest hits first.

  1. 2018 The Vertical Line (2018) movie poster The Vertical Line Drama
  2. 2014 Ogni maledetto Natale (2014) movie poster Ogni maledetto Natale Comedy
  3. 2011 Boris: The Film (2011) movie poster Boris: The Film Comedy
FAQ

Mattia Torre: Questions & Answers

How many movies Mattia Torre has made, the biggest hit, the best-rated film, the award record and more, answered from the filmography above.

How many movies has Mattia Torre been in?

Mattia Torre is credited on 3 films, from 2011 to 2018. All of them as a director. The filmography on this page lists every one of them, newest first, with the role and the Movie Echo Score.

What is Mattia Torre's highest-grossing movie?

Ogni maledetto Natale (2014) is Mattia Torre's biggest box office hit, with $2.5M worldwide. Across every film with box office figures, Mattia Torre's movies have made $2.5M.

Mattia Torre's biggest hits

What is Mattia Torre's newest movie?

The most recent film on Mattia Torre's filmography is The Vertical Line (2018), which Mattia Torre directed.

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