
After “Jaws”, another cinematic giant. A director and his crew attempt to make the transition from the small to the big screen.
Does Boris: The Film have end credit scenes?
No!
Boris: The Film does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Boris: The Film, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Thomas Trabacchi
Fabio Carli

Andrea Sartoretti
Screenwriter

Lavinia Biagi
Giovanna Borromeo

Giorgio Tirabassi
Glauco Benetti

Alessia Alciati
Great writer

Pietro Sermonti
Stanis La Rochelle

Paolo Calabresi
Augusto Biascica

Antonino Bruschetta
Duccio Patané

Massimo Popolizio
Massimo

Monica Samassa
Carolina De Luca

Carolina Crescentini
Corinna Negri

Francesco Pannofino
René Ferretti

Massimiliano Bruno
Nando Martellone

Vanessa Compagnucci
Elisabetta

Alberto Di Stasio
Sergio Vannucci

Antonio Catania
Diego Lopez

Alessandro Tiberi
Alessandro

Caterina Guzzanti
Arianna Dell'Arti

Carlo Luca De Ruggieri
Lorenzo

Luca Amorosino
Alfredo

Roberta Fiorentini
Itala

Valerio Aprea
Screenwriter

Massimo De Lorenzo
Screenwriter

Rosanna Gentili
Marilita Loy

Claudio Gioè
Francesco Campo

Eugenia Costantini
Cristina Avola Burkstaller

Karin Proia
Karin

Paolo Bessegato
Emilio Baranes

Vanni De Lucia
Dante Milonga

Adelmo Togliani
Tullio

Federico Pacifici
Brusiani

Giulia Cotugno
Marina Attrice La Casta

Ulf Peter Johansson
Cardinal

Paolo Bontempi
Engineer

Arianna Mattioli
Makeup artist

Roberta Radossi
Scene photographer

Paolo Pacini
Microphonist

Barbara Folchitto
Journalist

Ivan Urbinati
Actor Christmas at the North Pole

Vladimir Aleksić
Don Maurizio

Dario De Luca
Pickled engineer

Veronica Cannizzaro
Damiana

Christian Ginepro
Benedetto

Ambra Gioveni
Maria pickled actress

Arnaldo Ninchi
Doctor Cane

Silvia Siteni
Marilita's assistant

Gianpaolo Quarta
Sebastiano

Andrea Peghinelli
Fan of Martellone

Agnese Torre
Cinema cashier

Xu Hai Tian
Eskimo

Andrea Guzzi
Doctor of Stanis

Sandro Scapicchio
Panelli

Virginia Barone
Chaste girl

Nolasco Cruz Sta Isabel
Jesus

Alessandro Di Robilant
Worldly screenwriter

Frankie Hi-Nrg
Friend of the camp

Claudia Alì
Cinema spectator

Giorgio Angella
Screenwriter who doesn't write

Giuseppe Apa
Cinema spectator

Ilaria Bernardini
Screenwriter Pulp

Matteo Bertocchi
Cinema spectator

Arturo Calabresi
Arturo Biascica

Anna Calabresi
Woman

Daniele Capocefalo
Cinema spectator

Agostino Calabresi
Francesco Totti Biascica

Daniele Costantini
Screenwriter Chekhoviano

Emanuele Gelli
PD congress man

Cristiano Di Meo
Cinepanettone technician

Angela Iacovelli
Mother of René

Stefano Chiappi
Screenwriter cinema

Filippo Gravino
Fearful sScreenwriter

Andrea Pannofino
Cinema spectator

Angelica Leo
Fabiana Ferretti

Nicola Lusuardi
Condescending screenwriter

Gabriele Petrucci
Shit face

Alessandro Saguto
PD congress man

Nicola Piovani
Self

Filippo Vergassola
Polar bear

Giuliano Taviani
Poker player

Arpad Vincenti
Troupe La Casta
Discover where to watch Boris: The Film online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Wikipedia or Letterboxd.
Challenge your knowledge of Boris: The Film with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Who is the disillusioned director who abandons the TV drama at the start of the story?
Read the complete plot summary of Boris: The Film, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
René Ferretti, disillusioned by the poor quality of the TV drama Il giovane Ratzinger, abandons the production after yet another network-imposed demand. He withdraws from the industry and slips into a deep depression. Months pass, and his friend Sergio, recovering from a heart attack, acquires the rights to the political bestseller La casta, and together they glimpse a chance to break into serious cinema with a socially engaged film.
Initially, the network executive Lopez seems supportive and even greenlights the project. Yet early compromises push René away from the investigative core, steering him toward a more metaphorical narrative. Despite this tension, the collaboration attracts top-tier talent, including Marilita Loy. René parts ways with his old TV crew, retaining only Alessandro and Arianna Dell’Arti.
Production soon spirals downhill: the set grows hostile, and René is dismissed by industry professionals as a second-rate director, only to be forced to rehire his former team. Amid a string of setbacks—Stanis La Rochelle’s disruptive presence and Marilita Loy’s instability—René fights to keep the project alive. Things briefly brighten with the casting of rising star Francesco Campo, but Campo’s sudden death from a heroin overdose halts filming.
René and Sergio eventually learn that Lopez never had official network approval. Sergio suffers another heart attack as the pressure mounts. Under duress, the network persuades them to repackage the footage as a Christmas comedy: Natale con la casta. René capitulates, transforming his art film into this crude, commercially successful holiday offering. Yet the success feels hollow, and he grows increasingly repulsed by the final product. Disillusioned with the film industry, he returns to television and resumes filming Il giovane Ratzinger, now resigned to its mediocrity.

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