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Maria Ouspenskaya, actor
Actor

Maria Ouspenskaya: Movies, Awards & Box Office

films
18
on screen
1937–1999
box office
$32.9K
nomination
1
Born
July 29, 1876
Birthplace
Tula, Russia
Full name
Maria Alekseyevna Ouspenskaya
Citizenship
Russian, American
Occupations
Actress, Acting teacher
Years active
1915-1949
Career at a glance

Maria Ouspenskaya's Career in Numbers

Maria Ouspenskaya's films in numbers — as an actor, not counting appearances as themselves: when they were made, the genres Maria Ouspenskaya works in most and the milestones along the way. The filmography runs from Conquest (1937) to A Kiss in the Dark (1949), and the 1940s were the busiest decade.

Maria Ouspenskaya Movies by Decade

  1. 1930s 4
  2. 1940s 13

The 1940s were Maria Ouspenskaya's busiest decade, with 13 films.

Maria Ouspenskaya Movies by Genre

  • Drama 9
  • Comedy 2
  • Romance 2
  • Sci-Fi 1
  • Crime 1
  • Horror 1
  • History 1

Drama is the genre Maria Ouspenskaya has worked in most, with 9 films, ahead of comedy (2).

Maria Ouspenskaya Career Milestones

First film
Conquest 1937
Biggest box office hit
Waterloo Bridge $31.1K worldwide
Newest film
A Kiss in the Dark 1949
18 credits

Maria Ouspenskaya Filmography: Every Movie

Every film Maria Ouspenskaya is credited on, newest first, with the role, the box office and the Movie Echo Score. Re-order the list to see the best-rated films or the biggest hits first.

1 nomination

Maria Ouspenskaya: Awards & Nominations

1 nomination across 1 award body. Every ceremony is listed newest first, with the category and the film.

All movie awards
Biography

Who Is Maria Ouspenskaya?

Maria Ouspenskaya was born in Tula, Russia in 1876. Credited on films since 1937, as an actor. The background, training and the roles that shaped the career.

Maria Ouspenskaya was born Maria Alekseyevna Ouspenskaya on July 29, 1876 in Tula, Russia, where she grew up amidst a culturally rich environment that nurtured her artistic talents. She first studied singing in Warsaw before moving to Moscow to pursue acting, eventually becoming a founding member of the First Studio of the Moscow Art Theatre. Under the rigorous mentorship of Konstantin Stanislavski and his assistant Leopold Sulerzhitsky, she honed a method‑based approach that would later influence generations of performers. When the Moscow Art Theatre toured Europe and arrived in New York City in 1922, Ouspenskaya chose to remain in the United States, launching a decade‑long Broadway career while also teaching at the American Laboratory Theatre. In 1929 she co‑founded the School of Dramatic Art with fellow expatriate Richard Boleslawski, mentoring future stars such as Lee Strasberg and an adolescent Anne Baxter. Her dedication to pedagogy extended to dance, as she opened the Maria Ouspenskaya School of Dance on Vine Street in Los Angeles, where pupils like Marge Champion refined their craft. Throughout the 1930s she balanced teaching with occasional film work, but financial pressures eventually pushed her toward Hollywood full‑time. Her film debut came with Dodsworth (1936), earning an Academy Award nomination for Best Supporting Actress, a distinction she repeated for Love Affair (1939). Ouspenskaya’s distinctive Russian accent became a trademark, allowing her to portray a variety of European characters, from the poignant mother in The Mortal Storm (1940) to the eerie Romani fortune‑teller Maleva in The Wolf Man (1941) and its sequel Frankenstein Meets the Wolf Man (1943). She continued to appear in notable productions such as The Rains Came (1939), Waterloo Bridge (1940), Kings Row (1942), and Dr. Ehrlich's Magic Bullet (1940), cementing her reputation as a versatile character actress. Maria Ouspenskaya’s career was tragically cut short when she suffered a stroke and a fatal house fire on December 3, 1949, in Los Angeles. She was interred at Forest Lawn Memorial Park in Glendale, leaving behind a legacy that endures through both her cinematic performances and her profound influence on acting methodology. A 2024 biographical documentary, She‑Wolf in Hollywood: The Story of Maria Ouspenskaya, draws upon her UCLA archives to celebrate her contributions to stage, screen, and education.

Works with

Who Maria Ouspenskaya Makes Movies With

The actors and directors Maria Ouspenskaya shares the most films with. Frank Reicher comes first, with 3 films together, followed by Claude Rains (3).

FAQ

Maria Ouspenskaya: Questions & Answers

How many movies Maria Ouspenskaya has made, the biggest hit, the best-rated film, the award record and more, answered from the filmography above.

How many movies has Maria Ouspenskaya been in?

Maria Ouspenskaya is credited on 18 films, from 1937 to 1999. The filmography on this page lists every one of them, newest first, with the role and the Movie Echo Score.

What is Maria Ouspenskaya's highest-grossing movie?

Waterloo Bridge (1940) is Maria Ouspenskaya's biggest box office hit, with $31.1K worldwide, ahead of The Wolf Man (1941) ($1.63K). Across every film with box office figures, Maria Ouspenskaya's movies have made $32.9K.

Maria Ouspenskaya's biggest hits

Has Maria Ouspenskaya won an Oscar?

Maria Ouspenskaya has been nominated for an Oscar but has not won one yet. Across every ceremony in the awards database, Maria Ouspenskaya has 0 wins from 1 nomination.

What is Maria Ouspenskaya's newest movie?

The most recent film on Maria Ouspenskaya's filmography is Monster by Moonlight! The Immortal Saga of ‘The Wolf Man’ (1999), in the role of Self (archive footage).

Who does Maria Ouspenskaya work with most often?

Maria Ouspenskaya shares the most films with Frank Reicher (3 films), Claude Rains (3 films) and Scotty Beckett (3 films).

The Best Maria Ouspenskaya Movies, Ranked

Top rated, most awarded and biggest box office hits from 18 credits.

See the ranking

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