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Katharine Houghton, actor
Actor

Katharine Houghton: Movies & Box Office

films
5
on screen
1982–2002
box office
$17.1M
Career at a glance

Katharine Houghton's Career in Numbers

Katharine Houghton's films in numbers — as an actor, not counting appearances as themselves: when they were made, the genres Katharine Houghton works in most and the milestones along the way. The filmography runs from The Eyes of the Amaryllis (1982) to Ethan Frome (1993), and the 1980s were the busiest decade.

Katharine Houghton Movies by Decade

  1. 1980s 2
  2. 1990s 2

The 1980s were Katharine Houghton's busiest decade, with 2 films.

Katharine Houghton Movies by Genre

  • Drama 2
  • Crime 1
  • Fantasy 1

Drama is the genre Katharine Houghton has worked in most, with 2 films, ahead of crime (1).

Katharine Houghton Career Milestones

Biggest box office hit
Billy Bathgate $15.6M worldwide
Newest film
Ethan Frome 1993
5 credits

Katharine Houghton Filmography: Every Movie

Every film Katharine Houghton is credited on, newest first, with the role, the box office and the Movie Echo Score. Re-order the list to see the best-rated films or the biggest hits first.

FAQ

Katharine Houghton: Questions & Answers

How many movies Katharine Houghton has made, the biggest hit, the best-rated film, the award record and more, answered from the filmography above.

How many movies has Katharine Houghton been in?

Katharine Houghton is credited on 5 films, from 1982 to 2002. The filmography on this page lists every one of them, newest first, with the role and the Movie Echo Score.

What is Katharine Houghton's highest-grossing movie?

Billy Bathgate (1991) is Katharine Houghton's biggest box office hit, with $15.6M worldwide, ahead of Mr. North (1988) ($1.22M). Across every film with box office figures, Katharine Houghton's movies have made $17.1M.

Katharine Houghton's biggest hits

What is Katharine Houghton's newest movie?

The most recent film on Katharine Houghton's filmography is AFI’s 100 Years… 100 Passions: America’s Greatest Love Stories (2002), in the role of Self.

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