The Best Julie Newmar Movies, Ranked
34 credits from 1952 to 2021, ranked by the Movie Echo Score — a blend of critic reviews, audience ratings and lasting impact. The biggest box office hit is Gentlemen Prefer Blondes (1953) with $25K worldwide. Below: the best films by genre and by decade, the most awarded and the newest releases.
The Latest Julie Newmar Movies
The most recent films Julie Newmar is credited on, newest first — starting with Batman vs. Two-Face (2017). Open any of them for the cast, ratings, box office and where to watch.
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Batman vs. Two-Face 2017 · Catwoman (voice) -
Return to the Batcave: The Misadventures of Adam and Burt 2003 · Julie Newmar -
Oblivion 2: Backlash 1996 · Miss Kitty -
Oblivion 1994 · Miss Kitty -
Nudity Required 1990 · Irina -
Ghosts Can’t Do It 1989 · Angel -
Ghosts Can’t Do It 1989 · Angel -
Dance Academy 1988 · Miss McKenzie -
Deep Space 1988 · Lady Elaine Wentworth -
Evils of the Night 1985 · Dr. Zarma -
Reel Horror 1985 · Toy Company Executive (archive footage) -
Streetwalkin' 1985 · Action
The Best Julie Newmar Movies: Questions & Answers
The best-rated, highest-grossing, most awarded and newest Julie Newmar films, answered from the rankings on this page.
What is the highest-grossing Julie Newmar movie?
Gentlemen Prefer Blondes (1953) made the most at the box office, with $25K worldwide, followed by Seven Brides for Seven Brothers (1954) with $14.8K. Together, Julie Newmar's films with box office figures have made $39.8K.
Which Julie Newmar movie won the most awards?
Seven Brides for Seven Brothers (1954) is the most decorated Julie Newmar film, with 2 wins from 8 nominations across the Oscars, Golden Globes, BAFTA and the other ceremonies in the awards database.
What is the best Julie Newmar comedy movie?
Gentlemen Prefer Blondes (1953) is the best-rated of Julie Newmar's comedy films. In other genres: Seven Brides for Seven Brothers (drama).
What is the newest Julie Newmar movie?
The newest film on Julie Newmar's filmography is Catwoman: The Feline Femme Fatale (2021), with Julie Newmar as Self.
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