- Born
- September 2, 1896
- Birthplace
- Louisville, Kentucky, U.S.
- Full name
- Amanda E. Randolph
- Citizenship
- American
- Occupations
- Actress, singer, pianist
- Years active
- 1919-1967
- Spouses
- Arthur Sherman, Harry Hansberry
- Children
- 2
Amanda Randolph's Career in Numbers
Amanda Randolph's films in numbers — as an actor, not counting appearances as themselves: when they were made, the genres Amanda Randolph works in most and the milestones along the way. The filmography runs from The Black Network (1936) to The Last Challenge (1967), and the 1950s were the busiest decade.
Amanda Randolph Movies by Decade
- 1930s 3
- 1940s 2
- 1950s 4
- 1960s 2
The 1950s were Amanda Randolph's busiest decade, with 4 films.
Amanda Randolph Movies by Genre
- Comedy 4
- Drama 2
- Western 1
- Action 1
- Crime 1
- Fantasy 1
- Music 1
Comedy is the genre Amanda Randolph has worked in most, with 4 films, ahead of drama (2).
Amanda Randolph Career Milestones
- First film
- The Black Network 1936
- Biggest box office hit
- Pocketful of Miracles $10.2K worldwide
- Newest film
- The Last Challenge 1967
Amanda Randolph Filmography: Every Movie
Every film Amanda Randolph is credited on, newest first, with the role, the box office and the Movie Echo Score. Re-order the list to see the best-rated films or the biggest hits first.
- 1967
The Last Challenge as Sally (uncredited) · Western - 1961
Pocketful of Miracles as Annie's Neighbor (uncredited) · Comedy Worldwide box office: $10.2K - 1953
Mister Scoutmaster as Savannah, the Maid · Comedy - 1952
Bomba and the Jungle Girl as Linasi · Action - 1952
She’s Working Her Way Through College as Maybelle (uncredited) · Comedy - 1950
No Way Out as Gladys (uncredited) · Crime - 1944
Eggs Don’t Bounce as Mandy (uncredited) · Comedy - 1943
Cabin in the Sky as Churchgoer (uncredited) · Fantasy - 1939
Lying Lips as Matron · Drama - 1938
Swing! as Liza Freeman · Drama - 1936
The Black Network as Mezzanine Johnson · Music
Who Is Amanda Randolph?
Amanda Randolph was born in Louisville, Kentucky, U.S. in 1896. Credited on films since 1936, as an actor. The background, training and the roles that shaped the career.
Amanda E. Randolph was a pioneering African-American actress, singer, and pianist whose career spanned nearly five decades and broke significant barriers in American entertainment during the early to mid-20th century. Born on September 2, 1896, in Louisville, Kentucky, to a Methodist minister father and a teacher mother, Randolph began her professional journey at the remarkably young age of 14, playing piano and organ in Cleveland, Ohio, to help support her family. She achieved a historic milestone as the first African-American performer to star in a regularly scheduled network television show with DuMont's The Laytons in 1948, and later that same year became the first African-American woman to host her own daytime television program with Amanda, airing weekdays at noon. Her musical talents were equally groundbreaking; she recorded rare piano rolls of hot jazz and blues for the Vocalstyle company in Cincinnati around 1919 under the name "Mandy Randolph," making her the only known black female pianist to create such recordings, and she composed and performed original songs including "I'm Gonna Jazz My Way Right Straight Thru Paradise" and co-authored "Cryin' Blues" with H. C. Washington.
Randolph's extraordinary versatility extended across multiple entertainment mediums, from vaudeville and Broadway to radio and film, establishing her as one of the most prolific African-American performers of her era. She launched her film career in 1936 with Black Network and subsequently appeared in several Oscar Micheaux productions, including Swing, Lying Lips, and The Notorious Elinor Lee, while also taking Broadway roles in The Male Animal and Harlem Cavalcade. Her radio work was extensive, featuring regular roles on Abie's Irish Rose, Kitty Foyle, and Miss Hattie alongside Ethel Barrymore, and she became a familiar voice to television audiences as Ramona Smith on The Amos 'n' Andy Show from 1951 to 1953. Additionally, Randolph served as the voice of Petunia in several Famous Studios Little Audrey cartoons during the late 1940s and early 1950s, including Butterscotch and Soda and The Lost Dream. She later assumed the title character in The Beulah Show from 1953 to 1954, succeeding her younger sister Lillian Randolph, with whom she occasionally collaborated throughout their careers. In her personal life, she married Harry Hansberry, owner of the famous Harlem speakeasy "The Clam House," helped operate the establishment during a four-year hiatus from show business, and later opened her own Los Angeles restaurant, "Mama's Place," in 1955. Randolph continued working steadily until her final days, including a recurring role as Louise the Maid on The Danny Thomas Show, and she died from a stroke on August 24, 1967, at age 70, leaving behind a profound legacy as a trailblazing entertainer who paved the way for future generations of African-American performers in Hollywood and beyond.
Amanda Randolph: Questions & Answers
How many movies Amanda Randolph has made, the biggest hit, the best-rated film, the award record and more, answered from the filmography above.
How many movies has Amanda Randolph been in?
Amanda Randolph is credited on 11 films, from 1936 to 1967. The filmography on this page lists every one of them, newest first, with the role and the Movie Echo Score.
What is Amanda Randolph's highest-grossing movie?
Pocketful of Miracles (1961) is Amanda Randolph's biggest box office hit, with $10.2K worldwide. Across every film with box office figures, Amanda Randolph's movies have made $10.2K.
Amanda Randolph's biggest hits What is Amanda Randolph's newest movie?
The most recent film on Amanda Randolph's filmography is The Last Challenge (1967), in the role of Sally (uncredited).
Who does Amanda Randolph work with most often?
Amanda Randolph shares the most films with Glenn Ford (2 films) and Jack Elam (2 films).
The Best Amanda Randolph Movies, Ranked
Top rated, most awarded and biggest box office hits from 11 credits.
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