
Alberto Sordi both directs and stars in this biting comedy, presenting another “story of an Italian” that blends humor with social commentary. The plot follows an arms dealer whose illicit work is exposed; he wants to leave the trade for an honest job, but his family refuses to surrender the bloody profits.
Does While There’s War There’s Hope have end credit scenes?
No!
While There’s War There’s Hope does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of While There’s War There’s Hope, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Alberto Sordi
Pietro Chiocca

Giulio Massimini

Carla Mancini
Hostess

Lorenzo Piani
agente di polizia

Marcella Di Falco
rappresentante d'armi inglese

Milla Johansson
Hostess (uncredited)

Jean-Jacques Moreau
Mercenaro

Enrico Marciani
Forquet

Silvia Monti
Silvia

Alessandro Cutolo
zio di Pietro

Edoardo Faieta
Gutierrez

Roy Bosier
Rabal

Eleonora Spinelli
Elisa

Mauro Firmani
Ricky

Matilde Costa Giuffrida
la madre di Silvia

Eliana De Santis
Giada

Fernando Daviddi
Giovannone

Sergio Puppo
Balcazar

Sami Bahari
Il giornalista

Jean Mas
Colonello francese
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Read the complete plot summary of While There’s War There’s Hope, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Pietro Chiocca is an Italian retailer who sells hydraulic pumps. He realizes he will make money only if he starts selling weapons to poor Third World countries. The business becomes very successful, though tiring and not exempt from risks. Pietro pursues this path with dedication, taking pleasure in outsmarting rivals and resorting to any tactic, no matter how immoral, to secure his deals. This relentless drive forces him to travel constantly, leaving little room for the life of his family. He loves them deeply and keeps the source of their wealth hidden, while they, in turn, seem to take it for granted, always asking for more and spending it with a carefree ignorance.
During a critical deal, he is exposed more directly to the consequences of his arms sales. A journalist Il giornalista publishes a scoop that identifies him openly, stirring public indignation among ordinary people. Pietro is suddenly shamed by his neighbors, his wife, and his children, and the weight of social judgment bears down on him. Yet even as the scandal erupts, his mind remains focused on the next step of the business, a relentless push toward profit that threatens to overshadow the cost of his actions.
In the aftermath, Pietro contemplates stepping away from arms dealing and returning to a less questionable, though far less lucrative, line of work. He explains this to his family, hoping for a return to a more modest lifestyle. But the people closest to him—who have grown accustomed to wealth and security—do not want to give up the comfort they’ve grown used to. They resist the idea of a poorer future and prefer to press on, urging him to keep going and to accelerate preparations for the next deal. The narrative thus sits at the crossroads of ambition, ethics, and family loyalty, portraying a man torn between the thrill of success and the heavy price it exacts on those around him.

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