
Julia Jenz is babysitting two sleeping children when an unknown man arrives, saying his car has broken down and asking to use the phone. She discovers the house phone is dead, convinces him to leave, but the incident quickly turns sinister as she realizes the danger remains inside, amplifying the night’s terror.
Does When a Stranger Calls Back have end credit scenes?
No!
When a Stranger Calls Back does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of When a Stranger Calls Back, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Gary Jones
X-Ray Technician

Billy Mitchell
Actor (uncredited)

Carol Kane
Jill Johnson

Charles Durning
John Clifford

Jenn Griffin
Club Girl 1

Jill Schoelen
Julia Jenz

Bobby Stewart
Detective 2

Terence Kelly
Medical Examiner

Kevin McNulty
Dr. Schifrin

Karen Elizabeth Austin
Skid Row Woman

Jerry Wasserman
Detective Brauer

Duncan Fraser
Club Owner

Cheryl Wilson
Mrs. Schifrin

Babs Chula
Agent

Michèle Lonsdale Smith
Center Woman 1

John Destry
Detective 1

Meredith Bain Woodward
Realtor

Sheelah Megill
Center Woman 2

Gene Lythgow
William Landis

Rebecca Mullen
Club Girl 2

Jarrod Thalheimer
Frat guy #1 (uncredited)
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Challenge your knowledge of When a Stranger Calls Back with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
What is the name of the teenager who is babysitting at the beginning of the film?
Julia Jenz
Jill Johnson
Emily Carter
Laura Hayes
Show hint
Read the complete plot summary of When a Stranger Calls Back, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Julia Jenz arrives at Dr. Schifrin’s house for a routine babysitting gig. Soon after the parents leave, a mysterious man knocks on the door, claiming his car is broken and asking to come inside to use the phone. Julia refuses him admittance, but offers to call the auto club. The phone is dead, and to prevent revealing this detail, she lies and says she already called the auto club. The auto club never arrives, and the man returns again and again, begging for help. Julia hopes he’ll simply leave, yet the conversations grow increasingly tense and sinister. As she moves through the shadowy rooms of the house, she senses that something is not right—someone is inside. The intruder is eventually seen in the house, and Julia narrowly escapes, leaving the scene with a racing heart. In the wake of the confrontation, the truth becomes heartbreakingly clear: the children Julia was hired to watch were abducted, and they were never found or heard from again.
Five years pass, and Julia has become an introverted college student, her nerves forever frayed by the trauma she survived. The haunting disturbances persist in her apartment, and she becomes convinced that the long-ago intruder is stalking her even now. The sense of danger only deepens as the fear edges toward paranoia, blurring the line between reality and memory.
Enter Jill Johnson, now a counselor at the college, who offers a steady hand to help Julia confront the lingering trauma and the present-day fear. She reaches out to John Clifford to come to Julia’s aid and help unravel who might be stalking her. Jill supports Julia in taking practical precautions, including purchasing a gun for protection, and she teaches her how to use it with careful, careful guidance. The bond between them grows as Jill’s empathy and practical planning clash with Julia’s lingering dread.
With Jill’s encouragement, Julia begins to put some distance between herself and the danger she imagines, choosing to stay with Jill for safety rather than face the apartment alone. As the investigation develops, Jill and John revisit the old case and theorize that the stalker may be a ventriloquist who can throw his voice, the same trick that allowed the original kidnapper to seem outside Julia’s window when he spoke to her years ago. Their deductions sharpen the tension: if the perpetrator has learned to blend into the spaces around them, Julia’s sense of safety becomes an illusion.
The case takes a dramatic turn when Julia suffers a self-inflicted gunshot wound to the head while at her apartment. She survives, but the wound leaves her in a coma. Jill vows to track the stalker and protect Julia, even as the danger seems to close in from every side.
John closes in on the suspected abductor, tracing him to a club where the man performs as a ventriloquist, precisely the talent the investigators suspected. Yet the culprit gets away in that moment, slipping back into the night. John does not give up; he follows a trail to the perpetrator’s home and discovers unsettling evidence—the pictures of Julia in the hospital and of Jill’s apartment, testimony to the danger that has haunted them across years.
Back at Jill’s apartment, the tension erupts. A carton of juice bearing the faces of the abducted children appears, and the taunting perpetrator, now wearing makeup that lets him disappear against the walls, launches a brutal attack. Jill is shot, and John arrives just in time to shoot and kill the intruder, ending the immediate threat.
In the aftermath, Jill lies recovering in the hospital while Julia remains in a coma in another room. When Jill is wheeled to Julia’s room, a moment of quiet reunion unfolds—the two women, connected by fear and resilience, share the hope that Julia may wake and reclaim the life that was interrupted years before. The story closes on a note of cautious relief, rooted in the fragile possibility of healing and the enduring bond between the two survivors.
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