
After completing his studies in London, England, Shakti Thakur returns home to India in a small town where his family resides.
Does Virasat have end credit scenes?
No!
Virasat does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Virasat, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Anil Kapoor
Shakti Thakur

Tabu
Gehna

Milind Gunaji
Bali Thakur

Pooja Batra
Anita

Sulabha Deshpande
Bali's mother

Govind Namdeo
Birju Thakur

Ajith Kollam
Inspector

Neeraj Vora
Sukhiya

Rita Bhaduri
Mausi

Reena
Raja's wife

Tiku Talsania
Bali's Lawyer

Amrish Puri
Raja Thakur

Satyendra Kapoor
Narayandas

Dilip Dhawan
Shakti's brother
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Challenge your knowledge of Virasat with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Which actor portrayed Shakti Thakur, the film's protagonist?
Anil Kapoor
Govinda
Shah Rukh Khan
Aamir Khan
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Read the complete plot summary of Virasat, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Shakti Thakur [Anil Kapoor] returns to his ancestral village after completing his studies in London, bringing along his girlfriend, Anita [Pooja Batra], whom he deeply loves and intends to marry, despite his family’s disapproval. The village, however, feels more like a stage for old feuds than a homecoming, and Shakti quickly senses that nothing has truly changed. He voices a bold plan: to sell his share of the family property and open a chain of restaurants, hoping to bring opportunity beyond the fields and temples that define the land. But his vision clashes with the advice of his father, Raja Thakur [Amrish Puri], the imposing zamindar who believes in duty over flight, reminding his son that education is meant to uplift uneducated brothers and society, not merely indulge personal ambitions. > A man gets an education not to become a selfish being but to uplift his uneducated brothers and society.
The stubborn rift between Raja Thakur and Zamindar Birju [Govind Namdeo], Shakti’s disabled uncle, plus Birju’s son Bali Thakur [Milind Gunaji], poisons any chance of harmony. The village splits along their lines, turning neighborly streets into potential battlegrounds as each faction guards its own piece of land and pride. Bali, obsessed with dominance, keeps pushing to outdo Raja Thakur, feeding a cycle of petty provocations that escalate into violence.
During a troubling excursion with his friends, Shakti revisits childhood memories and stumbles upon an old temple that Bali Thakur has ordered sealed. A reckless act by Bali’s men breaks the lock, and a brutal riot erupts between the two factions. Raja Thakur, determined to quell the flames, contemplates apologizing to his opponents, but Shakti insists that Surkhiya [Neeraj Vora], his ally, should be the one to seek reconciliation. The tension fractures quickly: Surkhiya loses a hand at the hands of Bali Thakur’s men, and homes in Bali’s village are set ablaze in retaliation. To prevent a broader bloodshed, Shakti, with his father’s permission, seeks to legitimize the temple’s opening through government channels, restoring access for all villagers.
Bali Thakur responds with calculated vengeance, hiring goons to sabotage a dam that protects a portion of the village loyal to Raja Thakur. The resulting flood devastates the area, leaving many dead, including infants, and sending a wave of sorrow through Shakti. A goon who placed the explosives is spotted again, and Shakti pursues him, ultimately handing him over to the police. Yet fear for his family keeps the truth about Bali’s involvement from coming out.
In a parallel struggle over land access, Bali uses intimidation to keep a crucial route closed, making travel a daily hardship for many. To break the deadlock, Shakti and his father invite the antagonists to a village Panchayat. The accusations fly with neither side presenting solid evidence, and Bali lashes out at Raja Thakur, insulting him and deepening a wound that proves fatal when Raja Thakur collapses from a heart attack that very night. With his father gone, Shakti steps into the role of lead in the family’s affairs, trying to steer a fragile peace.
Time moves on, and the community negotiates a way to reopen the blocked land path, essential for shorter travel times. The landowner fears Bali’s backlash, especially because his daughter Gehna [Tabu] is involved. Shakti reassures him and even arranges a marriage pact with a well-to-do villager to secure safe passage. Eventually, the owner agrees to open the land, and Shakti proposes to Gehna’s family so the village can move forward. On the day of the wedding, the groom abandons the match under Bali’s intimidation; in a bold turn, Shakti marries Gehna himself, offering stability and acceptance to a cautious home. Anita, the original love of Shakti’s life, learns of the new arrangement, feels sorrow, and chooses to leave—understanding the complexities of duty and choice.
Bali, enraged by the land’s reopening, detonates a bomb during a village festival, causing fresh devastation and deaths on both sides. Shakti protects Bali Thakur’s innocent family, earning a reluctant respect from Birju Thakur, who finally begins to let go of his rancor. The hunt for Bali ends when Shakti finds him and urges surrender to the police to halt the bloodshed once and for all. Bali rejects the offer, and in the ensuing struggle, Shakti unintentionally decapitates him. Although others are willing to shoulder the blame, Shakti accepts responsibility and surrenders, choosing to break the cycle of violence.
In the end, the film presents a layered meditation on education—not as a mere credential but as a tool to uplift and unite a community fractured by pride, fear, and long-held grudges. It elevates the idea that knowledge should empower everyone, especially those who have been overlooked, and suggests that true leadership lies in choosing peace over vengeance.
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