Tribute to a Bad Man 1956

In Wyoming, rustlers ride off with a string of horses belonging to the wealthy rancher Jeremy Rodack, and in the chaos they shoot him. A young cowboy named Steve Miller discovers the wounded man, bravely digs out the bullet, and manages to save his life, earning a chance to work at the Rodack ranch. James Cagney plays the hard-edged Rodack, and Don Dubbins steps into Miller’s boots as the capable safeguard who becomes entangled in the looming conflict.

Rodack believes in dealing with rustlers himself, preferring lynching over arrest or trial. He shares this harsh philosophy with his partner’s lover, Jocasta Constantine—a former dance-hall girl carrying a burden of shame—in a conversation that fuses authority with insecurity. To Jo, this vigilante code reads more like a personal crusade than law, a stance that will soon be challenged by the man she loves and by the consequences of his choices. Rodney’s approach is described to Jo as a “hanging sickness,” a phrase that captures the brutal philosophy at the heart of his ranch.

“a hanging sickness”

The wrangler McNulty, a persistent optimist in Rodack’s world, soon makes a pass at Jo, igniting jealousy and scrutiny. Rodack himself grows suspicious as he observes them leaving a barn together, and his mistrust erupts into a brutal confrontation: he fires McNulty, then beats him and orders him off the property. This act foreshadows the escalating tension between justice, mercy, and violence that propels the film forward.

Driven by the hunt for the thieves and the murder of a ranch hand named Whitey, Rodack rides to the spread of former partner L.A. Peterson to press questions about whether Peterson and his son Lars were involved. Peterson and Lars deny it, but Rodack’s suspicions harden, and he begins to see a conspiracy among Peterson, Hearn, and Barjak. In a decisive moment, Rodack shoots Peterson and hurls Hearn into a reckoning that will reverberate through the family and the ranch.

Lars Peterson, determined to avenge his father, teams up with McNulty and Barjak, plotting to strip Rodack of his valuable stock by any means. Steve is troubled by the unfolding violence, and Jo urges him to walk away from the cycle of retribution. He has already fallen in love with Jo, and he pleads with her to leave with him, but she remains torn between loyalty, duty, and the possibility of a different life on the run.

As the rustlers intensify their schemes, McNulty tamps down the horses’ hooves, cutting them into bloody stumps to cripple Rodack’s herd. Rodack tracks the trio down, forcing them to dismount and walk barefoot through sand, rock, and cactus toward the jail. Barjak collapses from exhaustion, and McNulty — pressed by the moment — begs for mercy, creating a moment of moral ambiguity on the dusty plains.

A turning point arrives as Rodack comes to a hard, self-reflective decision. He releases the others, choosing restitution and a return to a more measured sense of justice. He returns Lars to the Peterson ranch and suggests that he will make amends, signaling a possible reconciliation between punishment and mercy. Upon returning home, Steve announces his departure with Jo, unable to stay where loyalty and love pull him in different directions. Rodack, while saddened, accepts the reality of their choices, and a moment of quiet tragedy gives way to a renewed sense of possibility.

Yet the ending holds a soft, hopeful shift. Jo—the woman who has haunted Rodack’s vigilante world—experiences a change of heart. In a quiet turn of affection and trust, she decides to stay with Rodack after all, choosing a future where love and responsibility can coexist, rather than a life spent chasing vengeance. The film closes on a note that hints at restitution, personal growth, and a wary, if cautious, peace between a rancher’s rough justice and the possibility of redemption.