In the scorching deserts of Uzbekistan, free-spirited travel host Yoko's cheerful facade cracks, revealing a guarded soul beneath. As her reality show falters, she embarks on a solo journey through Tashkent's labyrinthine streets, confronting hidden fears and desires in a poignant quest for self-discovery.
Does To the Ends of the Earth have end credit scenes?
No!
To the Ends of the Earth does not have end credit scenes. You can leave when the credits roll.
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85
Metascore
6.5
User Score
93%
TOMATOMETER
53%
User Score
6.9 /10
IMDb Rating
63
%
User Score
3.6
From 30 fan ratings
Challenge your knowledge of To the Ends of the Earth with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
What is Yoko's profession?
Read the complete plot summary of To the Ends of the Earth, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Yoko, portrayed by the talented Atsuko Maeda, is an ambitious reporter working for a television travel show, embarking on a journey to Uzbekistan with her production team to create an exciting episode. With aspirations of becoming a singer, she presents a contrasting image of her vibrant on-screen personality and her deeper internal struggles when the cameras stop rolling.
The film unfolds through a collection of vivid episodes, showcasing Yoko as she steps into a serene lake, hoping to uncover the secrets of a potentially legendary Uzbeki fish. She enthusiastically raves about the delightful crunch of slightly under-cooked rice in a local dish called plov, and amusingly endures dizzying spins on a fun-park pendulum ride just to capture the perfect reaction for her viewers. One of her earnest attempts leads her to try to free a confined goat named Okoo, only to discover the harsh reality that the goat would face danger from wild dogs if liberated.
As Yoko and her crew explore iconic locations like Samarkand and Tashkent, a magical moment arises at the Navoi Theatre, where she performs an enchanting rendition of Édith Piaf’s “Hymne à l’amour” (with Japanese lyrics) in a fantasy sequence set against the backdrop of the theatre built by Japanese POWs post-war. During their venture at a bustling bazaar, Yoko’s curiosity leads her into a restricted area with a handheld camera, igniting a chaotic chase by the police. Thankfully, they treat her with kindness upon her capture, especially as she grapples with distressing news about her boyfriend, a firefighter who might have been caught in a catastrophic oil refinery blaze in Tokyo Bay. Despite his absence in the film, audiences learn about him through heartfelt text exchanges with Yoko.
In an emotionally charged finale set in the majestic mountains, Yoko and her crew chase the elusive creature once more. It is here that she once again sings “Hymne à l’amour”, allowing herself to dream of glimpsing Okoo running freely in the distance, symbolizing her hopes and longings as she navigates through her adventures.
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