
Adi, a gay teenager, spends the summer in his secluded Danube Delta village. After a brutal street attack, his life is irrevocably altered. He finds himself facing a chilling shift in his parents' attitudes and a fracturing of the village's peaceful facade. The incident exposes underlying tensions and prejudices within the community, forcing Adi to confront a difficult reality and navigate a changed world.
Does Three Kilometres to the End of the World have end credit scenes?
No!
Three Kilometres to the End of the World does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Three Kilometres to the End of the World, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Bogdan Dumitrache
The Father

Adrian Titieni
The Priest

Crina Semciuc

Alina Berzunțeanu
Femme des services sociaux

Laura Vasiliu
The Mother

Emanuel Pârvu

Gabriel Radu
Tocu

Serbanescu Florin

Robi Urs

Laurentiu Bãnescu

Valeriu Andriuță
The Police Chief

Vlad Ionut Popescu

Vlad Brumaru
Le gendarme

Bianca Anastasiu

Richard Bovnoczki
Zentov

Ciprian Chiujdea
Adi

Ingrid Micu-Berescu
Ilinca

Daniela Vitcu

Miruna Soare

Vlad Crudu

Bogdan Tulbure

Costel Zamfir

Catinca Hantiu

Visarion Udatu

Oana Matei

Ana Novic

Sorin Manea

Oana Draghicioiu

Silvia Matei
Discover where to watch Three Kilometres to the End of the World online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Wikipedia or Rotten Tomatoes.
See how Three Kilometres to the End of the World is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where Three Kilometres to the End of the World stands among top-rated movies in its genre.
Three Kilometres to the End of the World delivers a socially resonant indictment of rural homophobia through a disciplined formal approach, earning praise for its precise direction and measured pacing. Critics note the film’s competent performances and clear visual style, yet several reviewers point to an overreliance on dialogue and a limited exploration of the protagonist’s inner life. The result is a solid, if not groundbreaking, drama that satisfies festival audiences but may leave viewers seeking deeper character nuance wanting more.
The Movie Echo Score Breakdown for Three Kilometres to the End of the World
Art & Craft
In terms of direction and visual execution, the film is widely regarded as precise and skillful. Reviewers highlighted the director’s measured pacing and competent handling of rhythm, as well as the overall polished production. Some criticism mentioned a structural reliance on dialogue, but this did not outweigh the positive appraisal of the film’s craft. Overall, the artistic execution is assessed as strong and technically sound.
Character & Emotion
When evaluating acting and emotional depth, critics acknowledged nuanced performances that convey the protagonist’s anguish effectively. Positive comments focused on the film’s ability to evoke empathy without heavy moralizing. However, a few reviewers observed a lack of curiosity toward the main character’s perspective, suggesting limited character development. The balance of these views leads to a moderately positive assessment of character work.
Story & Flow
The narrative structure received mixed feedback, with praise for its rhythmic handling and compelling thematic premise. Critics appreciated the film’s persuasive indictment of fundamentalism, yet noted predictability and an overemphasis on dialogue that hindered narrative momentum. Some felt the story lacked sufficient substance to fully sustain its ambitions. Consequently, the story aspect registers as moderately positive but tempered by noted shortcomings.
Sensory Experience
Sensory elements such as visual tone and compositional precision were generally well received. Reviewers cited the director’s precise framing and the satiric visual undertones that enrich the viewing experience. While specific commentary on sound design was limited, the overall sensory impression aligns with a competent, cohesive aesthetic. This yields a solid but not outstanding rating for sensory experience.
Rewatch Factor
Regarding rewatch value, critics recognized the film’s relevance for festival audiences and its well‑told core premise, which may encourage repeat viewings. Nonetheless, observations about predictable drama and limited character insight suggest diminished long‑term appeal for broader audiences. The combination of these factors results in a modest rewatch potential rating.
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