Thirisoolam 1979

The film features an ensemble led by Sripriya, K R Vijaya, M. N. Nambiar, V. K. Ramasamy, Jai Ganesh, Major Sundarrajan, Thengai Srinivasan, and Sivaji Ganesan.

An upright businessman surrounded by associates who chase shady deals finds himself in a deadly dispute that ends when he accidentally shoots one of his close partners dead during a confrontation. Fleeing from the police, he loses contact with his pregnant wife, and the two are torn apart by circumstance.

Many years pass. The wife lives in Delhi with their young son, while the now-wealthy husband presides over a sprawling estate in Kashmir. A niece arrives in Delhi and persuades the son to take charge of her uncle’s estate in Kashmir, setting the stage for a reunion that once seemed impossible. In Kashmir, a lookalike of the son arrives, initially pursuing a romantic interest with a wealthy girl, but his true identity is soon revealed as the twin brother of the son, introducing a twist that tests loyalty and family bonds.

With renewed hope, the father begins to reconnect with his long-lost wife, a moment of joy that briefly brightens their rediscovered life. Yet trouble looms when a group of crooked partners, led by a cunning antagonist, chase after a valuable necklace stolen from a Delhi temple, convinced that it now rests with the family. The pursuit intensifies as the partners kidnap the wife and imprison and torture the husband, driving the film toward a high-stakes rescue.

It falls to the two sons—the one who stayed behind and the one who arrived as a lookalike—to mount a daring rescue, outsmart the villains, and restore the broken family to its former unity. Across Delhi and Kashmir, the story unfolds with suspense, tension, and emotional beats that explore duty, forgiveness, and the enduring power of kinship. In the end, the narrative affirms that love and loyalty can prevail even when danger and deception threaten to pull a family apart.