
As big as the heart of humanity Ignored by his ever-busy wife and children, a middle-aged businessman finds companionship with a former female employee.
Does There’s Always Tomorrow have end credit scenes?
No!
There’s Always Tomorrow does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of There’s Always Tomorrow, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Walter Brennan
Auto mechanic

Margaret Hamilton
Ella

Frank Morgan
Joseph White

Robert Taylor
Arthur White

Alan Hale
Henry

Elizabeth Young
Helen Graham

Maurice Murphy
Fred White

Lillian Leighton
Flower peddler

Dick Winslow
Dick White

Binnie Barnes
Alice Vail

Lois Wilson
Sophie White

Louise Latimer
Janet White

Helen Parrish
Marjorie White
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Challenge your knowledge of There’s Always Tomorrow with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
What is the name of Joseph White's wife?
Alice Vail
Helen Graham
Sophie White
Janet White
Show hint
Read the complete plot summary of There’s Always Tomorrow, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Joseph White is a man who feels sidelined at home, as his wife Sophie White chooses to stay in with their five grown children rather than mark their wedding anniversary. Sophie’s constant focus on the needs and activities of the family leaves Joseph craving a quiet moment and a bit of companionship, something that seems increasingly scarce in a bustling house. One night, when he can’t find a peaceful corner to read his newspaper, he ends up on the porch, trying to savor a little solitude among the sounds of a busy household.
The evening takes a turn with the arrival of Alice Vail, Joseph’s former secretary. Alice and Joseph once shared a deep, though never consummated, affection, and she has spent years away in Europe. Now back in town, she brings a warmth and a sense of history that Joseph hadn’t realized he’d missed. The two rekindle their connection in a gently affectionate way, and Joseph is delighted simply by her company. Their time together includes a theater outing that leaves Joseph feeling buoyed; he learns that Alice has never married, a detail that adds a bittersweet layer to their renewed bond.
Meanwhile, the family life around Joseph continues to swirl with activity. On one of his weekly lodge nights, he must ride the streetcar in the snow because his children have borrowed his car. The sight of him leaving, and the subsequent quiet that follows, triggers the children’s curiosity and concern. They happen to notice him entering Alice’s house, and they park nearby to observe. The car later refuses to start, and the situation—full of practical inconveniences—gives the children a chance to see a gentler, more vulnerable side of their father.
When the tow truck arrives and the household gathers to wait, Alice invites the family inside. The eldest son, Arthur White, is visibly shocked and barely civil to Alice, even as his fiancée Helen Graham and the other siblings, Janet White, Marjorie White, Dick White, and Fred White, extend hospitality and kindness. Alice, with a combination of charm and shrewdness, tells them a story about her long-ago, platonic relationship with Joseph, carefully avoiding the truth of his exact identity while making it clear that she understands his loneliness and the way his family has used him as a helper rather than a father.
Back at home, a subtle transformation occurs. Except for Arthur, the children respond with greater warmth and consideration toward Joseph, recognizing that his loneliness has been real and that he has quietly borne much of the weight of the household. Yet as the next Thursday night approaches, the family is determined to keep him from leaving, knowing he might seek out Alice again instead of returning to the lodge. The tension between family duty and personal happiness becomes a central thread in the story, and it plays out with a poignant blend of humor and heart.
As the moment to part draws near, Alice returns to say goodbye, having decided to return to Europe. She stages a small moment of dramatic tact, pretending that Helen left her purse at Alice’s house, and then completes her “story” with a revelation: the man she fell in love with was never truly in love with her. Outside, she confides in Joseph that Helen warned her about the feelings of his children and that she believes Joseph does love her, yet the happiness of his family weighs more heavily in her eyes. Joseph pleads with her not to leave, but she understands that the more important goal is the well-being of the family, and she steps away.
In the final beat of the tale, a quiet return to normalcy settles over the household. A little later, Joseph joins his wife Sophie White as she walks to the cinema, where she reaffirms her love for him. The momentum of the evening shifts from individual longing to the reaffirmation of a shared life, underscored by the ties that bind a family together even when its members momentarily falter in their attention. The film closes on a note of domestic resilience, with love and family continuity taking precedence over personal loneliness, and with the sense that, despite the complexities and disappointments, the bonds that hold the White household together are stronger than any single moment of neglect.
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