
Noël Schoudler has built a vast empire on three pillars—sugar, banking and the press—and governs his enterprises and household with absolute authority. As the patriarch’s grip tightens, his own son François begins to question and confront his father’s rule, setting the stage for a fierce family power struggle.
Does The Possessors have end credit scenes?
No!
The Possessors does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of The Possessors, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Bernard Blier
Simon Lachaume, bras droit de Noël

Emmanuelle Riva
la secrétaire de Noël

Pierre Brasseur
Lucien Maublanc, le cousin oisif

Jean Gabin
Noël Schoudler, le patriarche financier

Julien Bertheau
Le père de Lesquendieu

Dominique Rozan
Un courtier à la bourse

Jean Desailly
François Schoudler, le fils

Louis Seigner
Raoul Leroy

Jean Lanier
Voisart, l'agent de change de Lucien

Pascal Mazzotti
Le chauffeur

Françoise Christophe
Jacqueline Schoudler, la bru

Aimé Clariond
Gérard, marquis de La Monnerie

Nadine Tallier
Sylvaine Dual, l'amie de Maublanc

Daniel Lecourtois
Albéric Canet

Jean Ozenne
le professeur Émile Lartois

Pierre Leproux
L'impresario de Sylvaine Dual

Jacques Monod
Anatole Rousseau, ministre des finances

Michèle Nadal
La sténo du journal

Jean Murat
Le général Robert de La Monnerie

Jean Wall
Pierre Leroy

Annie Ducaux
Adèle Schoudler, femme de Noël

Patrick Millow
Jean-Noël Schoulder, le petit fils

Françoise Delbart
Isabelle de la Monnerie
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Read the complete plot summary of The Possessors, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Noël Schoudler, Jean Gabin, stands as the autocratic patriarch at the helm of a sprawling family network that includes a bank, a newspaper, and a sugar refinery, all tightly woven under his stern, centralized control. While he is away on a business trip to the US, his son François Schoudler, Jean Desailly, grows restless with the old, staid order and begins to inject the newspaper with a new pulse, pushing for modernization and expansion. On Noël’s return, the clash is immediate and intense: the father reacts with fury and resolves to teach his son a hard, unmistakable lesson.
To test François’s managerial nerve, Noël offers him the chance to take charge of the run-down sugar business, leaving him to steer it as he pleases. François, though eager and earnest, discovers that he lacks the expertise the grand enterprise demands. The ambitious young man begins a bold program of modernization, hoping to Georgia-fy the operation and drive growth. Yet growth requires capital, and capital is not easily conjured from thin air; François is forced to confront the brutal reality that money must be found from outside.
Desperation nudges François toward a figure who embodies both charm and scheming: Maublanc, their cousin and a notorious playboy who bears a personal grudge against the Schoudlers. Maublanc, Pierre Brasseur, harbors several grievances against Noël’s clan—one of which is a bitter sting over a publicity snub for his mistress, Sylvaine Dual, a friendship-nurturing flame that Maublanc keeps close to his own heart. Sylvaine Dual, Nadine Tallier, becomes a pawn in Maublanc’s larger game, as he pretends to be helpful while secretly orchestrating a far more dangerous plan. He convinces the brokers that the Schoudler empire is running out of capital, and he signals them to leak this narrative to depress the stock price and seize control by buying a winning stake at a rock-bottom price. The motive is as much personal as it is financial, a classic collision of family power and market manipulation.
Meanwhile, Noël’s trusted aide, Simon Lachaume, Bernard Blier, is a figure whose own loyalties and past actions tie into the unfolding intrigue. Lachaume’s hard-edged savvy is part of the machinery that keeps Noël’s world turning, and his recent private entanglements—having allegedly enabled a pregnancy involving Noël’s niece—add another layer of tension to the family dynamics. In the midst of these private violences and public schemes, the stock market becomes the battlefield where old money, new money, and personal vengeance collide.
To complicate matters, there are other key actors circling the family’s fate. François relies on the help of today’s financiers, including a loyal secretary who tends to Noël’s business meticulousness, Emmanuelle Riva, as well as the brokered world of trading overseen by figures like Dominique Rozan in his role as a stockbroker. The broader cast also includes the impresario behind Sylvaine Dual, Pierre Leproux, whose backstage influence hints at a deeper network of influence—and entertainment—surrounding the Schoudler fortunes.
As the scheme unfolds, the rumor mill accelerates: the share prices waver, the market responds with fear, and François finds himself increasingly exposed to the ruthless calculus of capital. Maublanc’s gambit is precise, calculated to provoke a crisis that would enable him to buy a controlling interest while the Schoudlers reel from the blow. The pressure mounts as the stock exchange becomes a stage where each broker’s whisper can tilt the balance of power, and the pressure intensifies the emotional stakes for those who stand to lose the most.
In a turning point that tests nerve and resolve, François faces a grim suggestion from Maublanc about the “decent thing to do” when the future looks so precarious. The young man’s fragility under pressure leads to a devastating act that redirects the course of the family saga. Noël, returning to the pulse of the market, consults the very audience he tries to reassure—the brokers—to demonstrate that his empire remains solid. He speaks with the confidence of a seasoned patriarch, and the market’s faith momentarily stabilizes, lifting the stock price and complicating Maublanc’s previously cunning plan.
Ultimately, the plot’s momentum reverses as Noël’s presence and authority recalibrate the balance of power. The investors’ confidence returns, and Maublanc’s attempt to topple the Schoudlers falters in the face of Noël’s steady leadership and his ability to pivot the family’s fortune back toward stability. The film closes on a sober reminder of the fragile balance between family loyalty, corporate ambition, and financial maneuvering—a balance that can be both a source of strength and a catalyst for peril when a single miscalculation threatens everything.

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