The Twelve Chairs 1977

In 1927, the story unfolds from April to October across a string of Soviet cities—Stargorod, Moscow, Vasyuki, Pyatigorsk, Vladikavkaz, Tbilisi, and Yalta—where a quiet registrar’s life is upended by a startling confession and a promise of wealth. The revelation comes from the mother-in-law, Claudia Ivanovna, who admits she sewed her diamonds into the seat of one of the twelve chairs from their old dining set to hide them from confiscations. The moment is enough to spark a longing for fortune in Ippolit Matveyevich Vorobyaninov, a man who has lived a orderly, uneventful existence until now.

To begin his quest, Vorobyaninov crosses paths with a roguish young con artist, Ostap Bender. Bender isn’t shy about his ambitions: he offers to help locate the missing chair, but only in exchange for a sizable cut of the profits. The arrangement, born of cynicism and opportunism, pulls Vorobyaninov into a partnership that moves at a dizzying pace. Meanwhile, the town’s priest, Father Fyodor, learns of Claudia Ivanovna’s secret and weighs in on the chase, convinced that the truth should be pursued to its bitter end. The trio’s uneasy alliance is fueled by greed and a shared belief that the diamonds could secure a future far from their present constraints, with Bender dreaming of a life in a far-off Rio de Janeiro.

What follows is a country-wide pursuit that threads through a mosaic of colorful, memorable characters and small, telling encounters. Across the years, the group traces clues from one chair to the next, each stop revealing a new layer of human quirks and ambition. They move from one extraordinary scene to another, their pursuit becoming as much a social odyssey as a treasure hunt. The search is not just for wealth but for the meaning of luck, cunning, and the slippery line between cleverness and folly.

As the journey progresses, the trio manages to locate eleven of the twelve chairs and returns to Moscow, having achieved more than they anticipated in terms of experience and intrigue, though not the treasure itself. The thrill of the chase has reshaped them, even as their quest remains unfinished. Then, in a twist of fate, Bender succeeds in uncovering the last chair and informs Vorobyaninov—who has begun to call him Kisa Vorob’yaninov—of the final clue just before they drift toward sleep. The realization sets in that the treasure is indeed hidden in this last chair, a discovery that intensifies the tension between the two men.

Yet the tale takes a dark turn. Kisa Vorob’yaninov chooses to seize the prize for himself. In a swift and brutal moment, he silences Ostap Bender, slitting his throat with a straight razor as the two lie in the dim glow of the room. The moment is abrupt and chilling, underscoring the perilous costs of greed when confronted with such a long-desired fortune. Vorobyaninov’s chance to reclaim the diamonds slips away, as the world has already moved on to its own arrangements.

In the end, the treasure proves elusive not because the journey failed, but because fate intervened in entirely unexpected ways. The Diamonds turn out to be discovered by a Railroad Club caretaker during a routine search, and Comrade Krasilnikov—the club’s manager—has already used the wealth to fund the construction of a gleaming new club. The diamonds’ final resting place remains unsettled, swallowed by the machine of progress and the ruthless logic of stewardship that governs a society in constant motion.

This tale, both a caper and a social snapshot, threads humor with a keen eye for human frailty. It dances through the contradictions of a post-revolutionary world, where wealth, power, and entertainment mingle in a landscape of shifting loyalties and opportunistic dreams. The characters—each drawn with warmth and wit—confront the lure of easy money against the demands of conscience, and the result is a story that lingers long after the last chair has been searched.

• The film blends satire with human drama, balancing lighthearted escapades with the darker notes of ambition and betrayal.

• Across its sprawling journey, it punctures the pretensions of fortune-seekers while celebrating the resilience and resourcefulness of those who navigate a rapidly changing society.

• The interplay between the savvy schemer Ostap Bender and the calculating rival Kisa Vorob’yaninov provides a throughline of tension, punctuated by moments of humor, danger, and moral ambiguity.

• The closing twist reframes the entire quest, turning the pursuit of dazzling wealth into a meditation on what remains after the dust settles—the choices people make and the institutions that endure.

The story’s tone remains consistently measured and accessible, inviting viewers to enjoy the voyage, the eccentric cast of characters, and the timeless question of what people will do for a dream.