
Mary Tudor’s quest for true love collides with royal politics when Henry VIII arranges her marriage to the King of France. Attempting to escape to America with her lover, she’s captured after being “un‑hatted” on the ship. Henry promises she may choose a second husband if she consents to the French match. After King Louis dies, the Duke of Buckingham kidnaps Mary and forces a marriage, but she’s rescued by her lover in a dramatic beach battle.
Does The Sword and the Rose have end credit scenes?
No!
The Sword and the Rose does not have end credit scenes. You can leave when the credits roll.
See current US streaming, rental, and purchase options for The Sword and the Rose (1953) via JustWatch.
Explore the complete cast of The Sword and the Rose, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

James Robertson Justice
King Henry VIII

Richard Todd
Charles Brandon

Rupert Evans
Bargeman

Patrick Cargill
French Diplomat

Rosalie Crutchley
Queen Katherine

Russell Waters
Sailor

Thomas Heathcote
Wrestling Second

Michael Gough
Duke of Buckingham

Glynis Johns
Princess Mary Tudor

John Serret
French Squire

Peter Copley
Sir Edwin Caskoden

Ewen Solon
Guardsman

Bryan Coleman
Earl of Surrey

Robert Le Béal
Royal Physician

Jean Mercure
King Louis XII

Paddy Ryan
Bargeman

Anthony Sharp
French Diplomat

Bob Simmons
French Champion

Richard Molinas
Father Pierre

Norman Pierce
Innkeeper

D.A. Clarke-Smith
Cardinal Wolsey

Caven Watson
Captain Bradhurst

Ernest Jay
Lord Chamberlain

Hal Osmond
Costermonger

Helen Goss
Princess Claude

John Vere
Lawyer Clerk

Arthur Brander
First Mate

Fernand Fabre
Ambassador of France

Jane Barrett
Lady Margaret

Philip Lennard
Chaplain

Phillip Glasier
Royal Falconer

Gaston Richer
Grand Chancellor

Douglas Bradley-Smith
Squire
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Who portrays Mary Tudor in the film?
Read the complete plot summary of The Sword and the Rose, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Mary Tudor, Glynis Johns, falls in love with a new arrival at court, Charles Brandon, Richard Todd. She persuades her brother, James Robertson Justice King Henry VIII, to appoint him Captain of the Guard, a move that sets up a tense balance between affection and power. Henry, intent on securing peace, aims to marry Mary to the aging Louis XII of France, [Jean Mercure], as part of a broader treaty. Meanwhile, Mary’s longtime suitor, the Duke of Buckingham, grows wary of the common-born Brandon and cherishes his own hopes of winning Mary. This is a story where personal longing collides with political strategy, and every choice could tilt the balance of an aging realm.
Brandon’s bold presence at court upsets the order, and he eventually resigns his commission, deciding to sail to the New World. Mary, defying the stern counsel of her lady-in-waiting, Lady Margaret Jane Barrett, disguises herself as a boy and follows him to Bristol, driven by a mix of passion and loyalty. Henry’s men catch up with the lovers at Bristol, and Brandon is thrown into the Tower of London. Henry offers clemency in exchange for Mary’s hand to Louis, a trade that would bind the English crown to French interests, at least for the time being. The stakes are high, and each side calculates how much they’re willing to sacrifice for a future that may or may not come to pass.
In a separate web of deceit, the Duke of Buckingham pretends to assist in an escape, only to scheme to have Brandon killed. The plan falters when Buckingham believes Brandon perishes in the Thames, though he survives. Mary goes ahead with the arranged marriage to Louis, hoping to gain influence over the aging king; she even encourages him to drink and stay active, a choice that worsens his frailty. Louis’s heir, Francis, makes it clear he intends to keep Mary for himself after Louis’ death, complicating any hopes of a swift reunion with England. The moral lines blur as alliances shift and affection becomes a political tool in a world where power often dictates the heart.
Back in France, Buckingham spins another layer of treachery and returns with a ruthless plan to secure Mary by force. He tells Lady Margaret that Brandon is dead and presses his own bid to rescue her. But Lady Margaret soon discovers that Brandon is alive, and the pair hasten back to France to confront the danger. Louis dies, and Buckingham arrives on the scene to bring Mary home to England, insisting that Brandon is dead and trying to compel her to wed him. Charles arrives just in time, rescues Mary, and wounds the traitor in a duel. The couple’s bond is sealed by marriage, and Henry, moved by mercy and affection, grants Mary the chance to choose her second husband. In a final turn of events, Charles Brandon is elevated to Duke of Suffolk, and the crown finally recognizes the couple’s right to a shared future.

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