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Does The Secret Life of Walter Mitty have end credit scenes?
No!
The Secret Life of Walter Mitty does not have end credit scenes.
![The Secret Life of Walter Mitty](https://atm.fra1.digitaloceanspaces.com/movies/the-secret-life-of-walter-mitty.jpg)
The Secret Life of Walter Mitty
2013
In this whimsical comedy-adventure, Walter Mitty's mundane life as a photo editor is punctuated by vivid daydreams of derring-do. When he falls for Cheryl, his crush, and gets sent on a quest for the perfect shot, reality blurs with fantasy. Will Walter's imagination be enough to save him from monotony or will he find true escapades in the unlikeliest of places?
Runtime: 114 min
Box Office: $188M
Language:
Links:
Ratings:
![Metacritic](/images/common/movies/metacritic-logo.png)
54
Metascore
7.5
User Score
![Metacritic](/images/common/movies/rt-logo.png)
52%
TOMATOMETER
71%
User Score
![Metacritic](/images/common/movies/imdb-logo.png)
7.3 /10
IMDb Rating
![Metacritic](/images/common/movies/tmdb-logo.png)
72.0
%
User Score
Check out what happened in The Secret Life of Walter Mitty!
Walter Mitty (a bespectacled corporate drone) spends his days stuck in the humdrum world of negative assets management at 'Life' magazine. His mind, however, is a whirlwind of adventure and escapism as he daydreams about thrilling escapades to distract himself from the tedium of his job. His professional life is further complicated by an unrequited crush on Cheryl, his co-worker, whose radiant presence only serves to heighten his sense of inadequacy. Mitty's workday is punctuated by interactions with photojournalist Sean O'Connell (whose photographs are nothing short of breathtaking), who entrusts Mitty with his latest negatives and a thoughtful gift in appreciation of his diligent efforts. The missing negative #25, deemed the "quintessence" of Life magazine, sparks a high-stakes quest to locate it before corporate transition manager Ted Hendricks can swoop in and dismantle the organization.
As Walter frantically searches for the elusive negative, Cheryl intervenes with an unexpected insight: she suggests that the photos could be decoded as cryptic clues leading to Sean's whereabouts. They pore over three particular images, including a thumb adorned with a distinctive ring and another featuring a curved piece of wood. The third photograph – a hauntingly beautiful depiction of a boat – sets Mitty on a course to Greenland, where he hopes to find O'Connell.
Upon arriving in the icy capital city of Nuuk, Walter meets with a local bartender who divulges that Sean has departed on a ship. To reach him, Mitty must embark on a perilous journey by postal helicopter, piloted by an inebriated driver. The pilot's thumb, familiar from one of the earlier photographs, serves as a beacon of hope for Mitty. Initially hesitant to board the chopper, he finds newfound confidence – fueled by Cheryl's rendition of "Space Oddity" in his imagination – and joins the pilot on their journey. As they near the ship, however, it becomes clear that the helicopter cannot land upon it. Misinterpreting the pilot's instructions, Mitty leaps towards the vessel instead of a nearby dinghy, missing his mark and plummeting into icy waters teeming with sharks. Stranded in the frigid sea, he loses a vital box of radio components before being plucked from the water by Sean's ship.
As Mitty's gaze falls upon the remnants of O'Connell's clementine cake, he uncovers not only a sweet treat but also a cryptic trail that leads him to the land of fire and ice. The discarded wrapping paper holds the key to deciphering O'Connell's next destination: Iceland, where the photographer is capturing the majesty of Eyjafjallajökull volcano. With a burst of adrenaline, Mitty trades his urban landscape for rugged terrain, hurtling down a longboard towards the village of Skógar. His arrival coincides with O'Connell's flight over the volcano, but fate has other plans as an eruption forces Mitty to flee and heed the call back to New York.
The consequences of his failure to recover the negative are severe: Hendricks, his editor, terminates Mitty's services, marking a first in his illustrious career. Meanwhile, Cheryl, once a confidante, has seemingly reconciled with her estranged husband. Disillusioned and adrift, Mitty returns home to find solace in his mother's warm embrace. There, he carelessly discards the wallet O'Connell had bestowed upon him, oblivious to its significance.
As fate would have it, Mitty's mother shares a memory of meeting O'Connell, a conversation that had gone unheeded by Mitty during one of his daydreams. The revelation sparks a chain reaction, leading Mitty to uncover the truth about the wallet and the negative. It transpires that the enigmatic message on the wrapping paper was more than just a playful jest; it was an invitation to look within, literally. Unfortunately, Mitty's literal interpretation had led him astray.
Undeterred, Mitty sets his sights on the Himalayas, only to find O'Connell basking in the majesty of a rare snow leopard. When pressed about the negative, O'Connell reveals that the message was indeed meant to be taken literally – the image was hidden within the wallet itself. His failure to heed this warning has far-reaching consequences.
Mitty's next move takes him to Los Angeles, where he finds himself ensnared in a web of bureaucratic red tape during a misunderstanding stemming from his travels through Yemen and Afghanistan. With time on his hands, Mitty reaches out to Todd Maher, a representative at eHarmony who has remained a steady connection throughout his adventures.
As Mitty assists his mother in liquidating her prized piano, he finds himself transported to a recollection of his past exploits, but noticeably absent is the wallet that once held all his cherished keepsakes. His astute mother, however, remains one step ahead, having retrieved it from the trash and presenting it to him with a knowing glint in her eye. Upon opening the wallet, Mitty's fingers stumble upon a small manila envelope, its dimensions akin to those of a single-frame 35mm negative. With newfound confidence, he makes his way to the Life magazine offices, confidently claiming that the photograph within is none other than the coveted shot O'Connell sought for the publication's final issue. The rebuked Hendricks, meanwhile, bears witness to Mitty's sudden assertiveness in front of his newly assembled staff.
In a bold display of vulnerability, Mitty reunites with Cheryl, revealing the depth of his admiration and inspiration from their encounters. It is during this candid moment that he learns the truth about her ex-husband: his visit was nothing more than a routine refrigerator repair, rather than any romantic overture. As Mitty shares tales of his escapades with Cheryl, he finally admits to still being mystified by the enigmatic Negative #25.
The pair then stumbles upon the final issue of Life magazine at a newsstand, its cover proudly dedicating itself to the publication's esteemed staff. The accompanying photograph, none other than the very same from Negative #25, captures Mitty sitting outside the Life building, intently studying a contact sheet. Hand in hand with Cheryl, Mitty continues their leisurely stroll down the street, basking in the warm glow of newfound connection and shared understanding.