
Amateur historian Philippa Langley’s discovery of a possible long-lost burial site sparks a national debate and challenges established historical accounts. Driven by her conviction, she tenaciously pursues the truth, confronting skepticism from experts and working to identify the remains. Her quest ultimately aims to rewrite the story of King Richard III, a monarch whose reputation has been unfairly tarnished by centuries of controversy and misunderstanding.
Does The Lost King have end credit scenes?
No!
The Lost King does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of The Lost King, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Sally Hawkins
Philippa Langley

Steve Coogan
John Langley

Harry Lloyd
Richard III, Pete

Robert Jack
Alex

Adam Robb
Max

Benjamin Scanlan
Raife

Helen Katamba
Awusi

James Fleet

Jenny Douglas
Kirsty

Jessica Hardwick
Bookseller

John-Paul Hurley
Buckingham

Lewis Macleod
Tony

Phoebe Pryce

Shonagh Price
Kelly

Sinead MacInnes
Discover where to watch The Lost King online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Wikipedia or Rotten Tomatoes.
See how The Lost King is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where The Lost King stands among top-rated movies in its genre.
Overall, The Lost King delivers a charmingly modest biopic anchored by Sally Hawkins’ nuanced performance, while its broader execution feels uneven. Critics highlight the film’s warm, droll tone and effective British humor, yet note a lack of focus and occasional thematic muddling. Audience reactions echo this split, praising the inspirational story and humor but pointing to predictable structuring and an overbearing score. Consequently, the film offers an enjoyable yet uneven experience that may appeal to fans of historical underdog tales.
The Movie Echo Score Breakdown for The Lost King
Art & Craft
In terms of art and craft, Stephen Frears provides steady direction and competent production design that underscore the film’s period setting. Reviewers commend the film’s fine workmanship and understated visual palette, though some criticize a muddled thematic presentation and occasional superficiality. The cinematography and editing maintain a measured pace, supporting the narrative without standout innovation. Overall, the craftsmanship is solid but not exemplary.
Character & Emotion
When evaluating character and emotion, Sally Hawkins’ portrayal emerges as the film’s strongest element. Critics and viewers alike describe her performance as effortless, nuanced, and capable of carrying the story despite peripheral weaknesses. Supporting roles, particularly Steve Coogan’s, receive modest praise but are viewed as secondary. The chemistry between characters is functional, though occasional moments feel cursory. In sum, the character work is compelling, anchored by a standout lead.
Story & Flow
The story and flow present a mixed picture. While the narrative’s true‑story premise and underdog spirit are praised, many reviewers point to uneven pacing, predictable three‑act structuring, and sidetracked subplots such as the phantom king device. Critics note that the film struggles to reconcile its thematic ambitions, resulting in occasional narrative drift. Thus, the plot is engaging but inconsistently executed.
Sensory Experience
Regarding sensory experience, the film’s score by Alexandre Desplat draws divergent reactions; some find it charming, others label it overbearing and intrusive. Visual style remains modest, with a restrained color scheme that matches the British setting, and sound design is competent but unremarkable. The overall sensory package supports the story without elevating it, leading to an average impression.
Rewatch Factor
The rewatch factor is moderate. Viewers appreciate the inspirational arc, British humor, and Hawkins’ magnetic presence, which can reward repeat viewings. However, the predictable structure, occasional tonal flatness, and intrusive music diminish long‑term novelty. Critics describe it as a feel‑good, serviceable dramatization rather than a memorable classic. Consequently, the film is pleasant on a second viewing but may not compel frequent revisits.
64
Metascore
6.5
User Score
77%
TOMATOMETER
92%
User Score
6.7 /10
IMDb Rating
65
%
User Score
3.2
From 9 fan ratings
4.00/5
From 4 fan ratings
Challenge your knowledge of The Lost King with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Who was Philippa Langley overlooked by for a promotion?
her male superior
her ex-husband
her coworkers
the Richard III Society
Show hint
Read the complete plot summary of The Lost King, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Living in the heart of Edinburgh, Philippa Langley finds herself struggling after losing a coveted work promotion to a more attractive and less experienced colleague. Despite her efforts to confront her dismissive boss about the unfair decision, she is left feeling dejected. Dealing with her own challenges, including myalgic encephalomyelitis (often referred to as “ME”), her ex-husband, John Langley, reminds her of the importance of keeping her job to support their two teenage sons.
While attending a performance of Richard III, Philippa resonates deeply with the character, feeling that he has been profoundly misunderstood – labeled as a hunchback, usurper, and child murderer by history. She begins to experience vivid visions of Richard, leading her to join the local Richard III Society, where she finds a community that believes he has been unfairly vilified by the Tudor narrative.
As she grapples with her ME, Philippa gradually begins to detach from her work environment while managing her health with medication and engaging with her Richard apparition. Her extensive research reveals conflicting accounts about Richard’s burial, with some claiming he was interred in the Leicester Greyfriars priory choir area, while others suggest his remains were discarded in the River Soar. An account from around 1600 mentions a shrine erected by Leicester’s mayor, Robert Herrick, claiming, > “Here lies the body of Richard III, sometime king of England.”
Philippa decides to attend a lecture in Leicester about Richard, concealing her true intentions from John. There, she encounters Dr. Ashdown-Hill, who is investigating the genealogical lineage of Richard III’s family and suggests searching for Richard’s remains in Leicester’s open spaces, as many have historically avoided constructing over ancient abbeys. During an exploration of Leicester, Philippa becomes convinced that an “R” painted in a parking lot marks Richard’s burial site and later confesses her plans to John.
Determined, Philippa reaches out to Richard Buckley, an archaeologist at the University of Leicester. Initial skepticism accompanies his response; however, when funding for his project is cut, he revisits Philippa’s idea. He discovers a historical map highlighting Robert Herrick’s property, indicating a potential connection to the public shrine. Together, they superimpose the old map onto a contemporary one and deduce that the shrine corresponds to the area of Philippa’s “R”.
With renewed vigor, Philippa and Buckley approach the Leicester City Council for support. Even though university advisor Richard Taylor expresses concerns about the risks tied to Philippa’s amateur estimation, the Council grants approval for excavation to boost local interest. Unfortunately, when ground-penetrating radar reveals no significant finds, funding dwindles. Undeterred, Philippa turns to the Richard III Society for crowd-funding, which successfully provides global financial backing for three trenches.
On the first day of the dig, Buckley informs Philippa that while the dig certificate is signed, her name has been conspicuously omitted. Despite this, she insists on focusing the excavation at the designated “R” location, where they quickly uncover human remains. Buckley initially speculates it could be an extramural graveyard associated with monks. Tensions rise as Philippa confronts Taylor for commandeering credit for the project. As they begin to uncover the skeleton, the osteologist identifies it as that of Richard III, a man with a pronounced spinal curvature and evidence of a fatal skull injury.
Following this breakthrough, leaders from the University of Leicester rush to assume control of the excavation efforts, re-engaging Buckley. In February 2013, Taylor triumphantly presents their findings at a press conference—though Philippa finds herself sidelined along with much of her contribution. In a touch of poetic justice, Buckley is later awarded an honorary doctorate for the undertaking.
In a poignant farewell, Richard appears to Philippa one last time at Bosworth Field, expressing his gratitude before vanishing. The film concludes with his funeral, fit for a king, taking place in Leicester Cathedral, while the closing credits reveal that the royal family’s website has officially acknowledged Richard as the rightful King of England from 1483 to 1485, correcting historical misconceptions. In recognition of her relentless pursuit for the truth, Philippa is honored with an MBE for her groundbreaking work.
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