
Amidst the turmoil of Gaza, two siblings find comfort and connection through music and friendship. Mohammed Assaf and his band passionately play makeshift instruments, driven by the ambition to perform at the renowned Cairo Opera House. As Mohammed pursues his dreams, he faces the hardships of a war-torn environment, discovering that the pursuit of his passion is a struggle worth enduring.
Does The Idol have end credit scenes?
No!
The Idol does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of The Idol, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.
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66
Metascore
6.8
User Score
84%
TOMATOMETER
65%
User Score
3.1
From 1 fan rating
5.00/5
From 3 fan ratings
Challenge your knowledge of The Idol with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
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2003
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Read the complete plot summary of The Idol, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
The Idol reimagines a remarkable arc from Gaza to global stages, focusing on Mohammed Assaf, a gifted wedding singer who rises from a refugee camp to win Arab Idol in 2013. The film begins in 2005, within the tight-knit world of a young musician and his family. Mohammed forms a band with his tomboy sister Nour and two friends, turning small wedding gigs into a lifeline and a beacon of possibility. The music carries more than melody—it carries hope for a community living under siege and separation, and it begins to carve a path for Mohammed to become more than a local talent.
As Mohammed’s voice dazzles those who hear him, Nour’s health crisis changes the family’s course. Nour collapses during a performance and is diagnosed with kidney failure, forcing a painful choice: ongoing dialysis or a kidney transplant which is far beyond the family’s means. The film follows Mohammed’s resolve to use his singing to fund Nour’s treatment, a driving force that deepens the bond between siblings and tests the family’s finances and faith. Mohammed immerses himself in training, and a new friendship forms during Nour’s dialysis sessions with Amal, a patient who shares Nour’s struggle. The emotional weight is clear: Nour’s illness becomes both catalyst and tragedy, shaping Mohammed’s ambitions while weaving in themes of sacrifice, duty, and the limits of care in a community under pressure.
Years pass, and by 2012 Mohammed returns to the stage, this time under the banner of Palestinian Idol. Yet the reality of Gaza’s restrictions threads through every moment: travel to Ramallah is blocked, and his performance is transmitted by a precarious Skype link from a makeshift studio. The electricity that powers Gaza’s streets and studios flickers, threatening every note and heightening the sense of fragility surrounding Mohammed’s dream. The longing to perform in person collides with logistical barriers, pushing Mohammed toward a moment of doubt. Yet the memory of Amal’s courage, and the steadfast support of his family, rekindle his determination to press on.
The obstacle course shifts when Mohammed decides to audition for Arab Idol, a decision that will test every ounce of his resilience. Crossing into Egypt from Gaza—an ordeal in itself—he faces a near-impossible journey that culminates in a tense encounter at the Rafah Border Crossing. A fake passport lands him in a precarious hood of legitimacy, and a border clerk’s listening ear through a religious song becomes his unlikely ticket to proceed, even as he’s warned about the possibility of never returning. In Cairo, the audition scene becomes a turning point: slots are scarce, but fate smiles when a young singer helps Mohammed secure a slot after hearing him sing from a bathroom stall. The path ahead opens to Beirut, and a new chapter begins as Mohammed earns a place in the main competition.
As Arab Idol unfolds, Mohammed’s presence ignites a surge of Palestinian pride. The film captures how his growing acclaim reframes identity and resilience for a people who watch every performance with hopeful awe. The pressure edges higher with each round, and a panic attack threatens to derail a crucial rehearsal. In a quiet moment of solidarity, a judge offers encouragement, and Amal’s voice—reaching him by phone—reminds him of what is at stake. With renewed resolve, Mohammed finds his rhythm again, delivering performances that blend technical skill with the raw emotion of his journey.
The narrative builds toward a climactic arrival: the show culminates in real-life footage of Mohammed Assaf winning Arab Idol, a moment that the film frames as both a personal triumph and a communal one. The final passages reflect on what comes after the finale, offering a snapshot of life beyond the competition while honoring the improbable ascent from a Gaza band to a continental stage. The Idol, at its core, is a portrait of endurance, family loyalty, and the power of music to transmute hardship into shared hope, a reminder that the human spirit can cross borders even when borders themselves seem unyielding. If you watch closely, the film’s resonance lingers in the ways a single voice can become a beacon for a people’s pride and perseverance.
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