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The Glass Wall 1953

Runtime

82 mins

Language

English

English

Peter Kuban, a Hungarian refugee who jumped ship in New York harbor, faces deportation unless he can locate Tom, the ex‑GI he saved, whose testimony can prove Kuban’s lawful entry. The ten‑hour hunt throws the city into chaos. He has ten hours; if Tom isn’t found within 24 hours he’ll be branded a fugitive and lose U.S. citizenship, a manhunt.

Peter Kuban, a Hungarian refugee who jumped ship in New York harbor, faces deportation unless he can locate Tom, the ex‑GI he saved, whose testimony can prove Kuban’s lawful entry. The ten‑hour hunt throws the city into chaos. He has ten hours; if Tom isn’t found within 24 hours he’ll be branded a fugitive and lose U.S. citizenship, a manhunt.

Does The Glass Wall have end credit scenes?

No!

The Glass Wall does not have end credit scenes. You can leave when the credits roll.

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Challenge your knowledge of The Glass Wall with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.


The Glass Wall Quiz: Test your knowledge of the 1953 film *The Glass Wall* with these ten questions ranging from easy to challenging.

What is the name of the Hungarian refugee who stows away on a ship bound for New York?

Full Plot Summary and Ending Explained for The Glass Wall

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Read the complete plot summary of The Glass Wall, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.


Peter Kuban [Vittorio Gassman] is a Hungarian displaced person and a survivor of World War II Nazi concentration camps. He stows away in Trieste on a ship bound for New York City. However, he is spotted by ship officials and held for American authorities. When the ship arrives in New York, he claims that he qualifies for entry under an exception for those who helped Allied soldiers during the war, but all he knows about the paratrooper he hid from the enemy is that his name is Tom, that he plays the clarinet in a jazz band in Times Square and that before they parted company in Europe, he gave him his military wristwatch which Peter now wears on his wrist. The immigration authorities, led by Inspector Bailey [Douglas Spencer], say that without better documentation he must be sent back to communist Hungary on the same ship, which departs the next morning.

Kuban escapes by leaping off the ship to the dock below, but breaks some ribs, then begins his search for Tom. Peter’s picture and a caption of him being wanted is plastered over the front page of the city’s tabloids, turning him into a wanted man and intensifying the urgency of his flight.

He encounters unemployed factory worker Maggie Summers [Gloria Grahame] in a crowded restaurant. When she steals a coat off a rack, Maggie is spotted and flees. Peter follows after her and helps her elude the police. They retreat to Maggie’s apartment, where she tends his injury as best she can. When her landlady, Mrs. Hinckley [Elizabeth Slifer], threatens eviction for being behind on her rent, Peter gives Maggie all the money he has. Eddie Hinckley, the landlady’s bullying son, barges in and sexually harasses Maggie. Peter bursts out of hiding and starts fighting him, but he is quickly overwhelmed. Maggie knocks Eddie out with a chair and flees with Peter, driven by a growing sense of solidarity and desperation.

The Hinckleys notify the police, claiming Peter was the attacker. He becomes a person of interest in an aggravated assault investigation, described as dangerous and possibly armed. Meanwhile, Tom [Jerry Paris] discovers Peter’s picture on a discarded newspaper and wants to rush to the immigration department, but his girlfriend Nancy [Ann Robinson] convinces him to attend an important audition instead. Tom impresses band leader Jack Teagarden [Jack Teagarden], but leaves abruptly to try to help Peter, balancing his dreams with the urgent need to aid a fellow traveler.

The fleeing couple try to hide out in the subway, but they are recognized. The police grab Maggie, but Peter manages to escape. While Maggie is questioned by authorities, she meets up with Tom. After hearing Tom’s account, Inspector Bailey begins to believe Peter’s story, but only if they can reach him before the ship departs at 7 am. If Peter is found after that deadline, he would be guilty of a felony for jumping ship, deported, and forever ineligible for admission to the United States.

The trio drives around in a tense scramble, searching for him. Suffering from his injuries, Peter slips into an unoccupied taxi and collapses. Burlesque dancer Tanya [Robin Raymond] gets involved after work and recognizes him from the newspaper photo. She takes him to her apartment to rest and eat. In a quiet moment, her disguise as Tanya gives way to her true identity as Bella Zakoyla, a fellow “Hunky.” Her immigrant mother approves, but her criminal brother fears police getting involved, arguing that Peter’s predicament is the United Nations’ problem. He slips away, leaving a note apologizing to Tanya for causing trouble.

Acting on Freddie’s assertion, Peter heads toward the United Nations building early in the morning. He is spotted and the authorities close in on him. Maggie, Tom, Bailey, and two officers pursue Peter through the halls of the U.N. Unable to find anyone who will intervene on his behalf, he delivers a heartfelt soliloquy to an empty meeting room of the U.N. Human Rights Commission, addressing the imagined representatives of the world’s nations and insisting that peace and freedom depend on granting rights to every individual. As the chase tightens, Peter panics, climbs to the roof, and leaps toward the street—only to slip and fall backward onto the parapet. In a final turn, Maggie and Tom reach him, and the sound of Tom’s voice reaching Peter helps him find his footing. The pursuit ends with the three of them together on the roof, where they are finally reassured that Peter is safe and that their shared hope for a better future remains within reach.

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The Glass Wall Themes and Keywords

Discover the central themes, ideas, and keywords that define the movie’s story, tone, and message. Analyze the film’s deeper meanings, genre influences, and recurring concepts.


police officermale male relationshipclarinet playertimes square manhattan new york citydisplaced personhungarian refugeemother son relationshiphorn and hardart cafeteriaautomatstealing a coatmiddle aged stripperfugitivewrongly accusedmother daughter relationshipnightclubworking mothertaxi driverunited nations buildingglass wallhappy endingbroken riboverdue rentnagging girlfriendsaving a lifepenny arcadeno place to goparatrooperburlesque dancercentral park manhattan new york citydeportation threatfreighterjazz clubjumping off a shipnew york cityconcentration camp survivorbloodship stowawayimmigration officernew york city subwaylandladytorture victimsexual assaultshoulder scarmother slaps her sonreflection in waterstreet lifefoot chasestanding on a building rooftop ledgeattempted suicideco written by director

The Glass Wall Other Names and Titles

Explore the various alternative titles, translations, and other names used for The Glass Wall across different regions and languages. Understand how the film is marketed and recognized worldwide.


Il muro di vetro Les Frontières de la vie A Muralha da Esperança Die gläserne Mauer

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