The First Noelle 2022

In the scorching summer of 1971, Father Brennan, portrayed by Kendra C. Johnson, entered a recently built Church’s confessional, his eyes clouded by the burden of a chilling revelation. The ambiance was thick with the fragrance of fresh stone and the soft murmurs of prayers. Approaching the steadfast Father Harris, played by Charles Dance, Brennan presented a photograph that threatened to unravel the very fabric of their faith. In this image, an innocent cherub was encircled by three solemn Church figures—an image fated to be tainted by the sinister truths it unveiled.

The photograph’s reverse side bore the name “Scianna,” a label that seemed to encapsulate a myriad of damned secrets. As Brennan probed Harris with unsettling inquiries regarding the photograph’s origins, unease seeped into their dialogue. Harris faded to pallor as Brennan’s voice grew heavy with foreboding. He detailed a grotesque ceremonial ritual, wherein a devout Catholic woman was manipulated into surrendering her purity to the chilling grip of Satan, with an innocent child conceived from this unholy pact at its core.

In a chaotic turn, the duo’s confrontation erupted into a frenzied chase, echoing in the half-finished site, leading to a disastrous clash where a falling pole shattered a stained glass window, resulting in a catastrophic calamity that left Father Harris grievously injured.

Across the ocean in Rome, Cardinal Lawrence, masterfully depicted by Bill Nighy, welcomed a young American novice, Margaret, enacted by Nell Tiger Free. This kind-hearted figure had previously guided Margaret through her tumultuous childhood struggles, now delicately preparing her for the critical moment of taking her nun’s vows. The cobblestone streets bore witness to their journey, as protests unfolded around them—a potent mix of cries for justice and the unmistakable aroma of incense.

Despite the social turbulence, Cardinal Lawrence reminisced about the motivations behind the protests, distinguishing between those aspiring for economic justice and the youthful defiance aimed at the very authority they contested.

As the narrative unfolds in this rich milieu, Margaret finds herself at the gates of an ancient Abbey, embraced by Sister Silva, played by Sonia Braga, whose compassion radiated warmth. Within these hallowed walls, Margaret encounters Carlita, portrayed by Nicole Sorace, a girl ostracized by peers, and in her, Margaret recognizes a kindred spirit desperately seeking acceptance. As the golden glow of sunset enveloped Rome, Margaret stood at a pivotal juncture, ready to embark on a path of enlightenment while confronting the memories of her turbulent past.

However, Margaret’s journey hits an unforeseen twist when she uncovers that her roommate, Luz, enacted by Maria Caballero, leads a hidden life, defying the very precepts of the Church by reveling in nightlife at local clubs. Torn between her curiosity and the strict expectations of the Church, Margaret is drawn into the allure of this double life.

A night out with Luz spirals into a whirlwind of excitement, where a charming stranger named Paolo, played by Andrea Arcangeli, sweeps her off her feet, drawing her further away from the Abbey’s solemnity. However, the following day brings a chilling confrontation with disturbing visions, igniting an eerie dread in Margaret that intertwines her fate with the ominous secrets lurking within the Abbey’s confines.

Desperate to unravel the mysteries surrounding her existence, Margaret turns to Father Brennan, who implores her to investigate hidden files pertaining to a sinister ritual conducted by the Church, revealing the dark pursuit of progeny sired by the devil. As Margaret delves deeper, she learns of a possible evil incarnate residing within Carlita.

In a moment of urgency, Brennan reveals the necessity of discovering whether Carlita’s birth aligns with the dark prophecy of being born at “the Mark of the Beast.” As their investigation surges, Margaret’s world begins to fracture under the weight of dreadful discoveries.

Margaret’s psychological decline progresses amidst escalating tensions. Confronted by accusations from the nuns and witnessing harrowing visions reminiscent of her past, her unraveling sanity fuels the narrative’s tension. Amidst protests and chaos, her tragic encounters lead to Paolo’s death, further entrenching her in a path of deep despair.

Determined to unveil the truth, Margaret sneaks into Sister Silva’s office, discovering chilling documents that not only unveil the Church’s dark past regarding Scianna but also suggest Carlita may share a catastrophic birthmark that could determine her fate. Caught in a desperate struggle, Margaret strives to safeguard these secrets even as the nuns close in on her and Carlita.

Though imprisoned, a glimmer of hope emerges—Father Gabriel arrives to liberate her, aided by the damning evidence Margaret carefully concealed. Together with Brennan, they delve into the harrowing files, unraveling the grim project aimed at birthing children from Satan’s loins. The puzzle reveals not merely one, but two offspring in existence, intertwining their destinies.

The shocking discovery that Margaret herself bears the mark of the Antichrist propels her into a harrowing race against time. The chilling realization of her pregnancy intensifies the stakes, driving her to seek an escape but meeting obstacles at every turn, culminating in a tragic confrontation with Lawrence as the Church seeks to reclaim its power.

As Margaret grapples with her new reality and the shocking revelations of her past, she finds herself propelled into an ultimate showdown with her fate, one where survival and truth become the focal points in a tale fraught with terror and resilience.