
In a quiet French seaside town, Detective Dermot Kinross investigates the homicide of antiques dealer Maurice Lawes. All clues point to Lawes’s son Toby, and especially to Toby’s fiancée Eve Atwood, whose former husband Ned is intent on acquiring something Lawes owned.
Does That Woman Opposite have end credit scenes?
No!
That Woman Opposite does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of That Woman Opposite, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

William Franklyn
Ned Atwood

Petula Clark
Janice Lawes

Dan O'Herlihy
Dermot Kinross

Phyllis Kirk
Eve Atwood

Jack Watling
Toby Lawes

Balbina
Prue

Wilfrid Hyde-White
Sir Maurice Lawes

Irene Moore
Diana

Jacques Cey
Busson

Guido Lorraine
Prefect Aristide Goron

Andre Charisse
Gaston

Margaret Withers
Lady Helena Lawes

Campbell Gray
Gendarme

Robert Raikes
Bill Morris

Tita Dane
Marie

Concepta Fennell
Peggy
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Read the complete plot summary of That Woman Opposite, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
In a quiet town perched along the French coast, Maurice Lawes, Wilfrid Hyde-White an English antiques dealer, becomes a witness to a night-time murder of a gendarme. The killer spots Lawes at his window and realizes he has been seen, a fact that tensions the already fragile mood of the seaside community. The next evening, the town is shaken again when Janice Lawes, Petula Clark Lawes, discovers that her father has been murdered, deepening the sense that the crime is personal as well as violent.
An official investigation is launched by the local police, joined by private insurance investigator Dermot Kinross, Dan O’Herlihy. The initial theory—that Lawes was killed to prevent his identification—begins to falter as a web of possible motives surfaces. The case widens beyond a single culprit and brings a number of people connected to Lawes under scrutiny, each with their own reasons to value or conceal what he owned or knew.
Toby Lawes, Jack Watling Lawes, is revealed to have been embezzling funds from his father to pay off a blackmailing ex-mistress. Toby’s fiancée, Eve, Phyllis Kirk, lives opposite the murder scene and is found in possession of bloodstained clothing she cannot fully explain, placing her under intense inquiry. Eve’s ex-husband, Ned Atwood, William Franklyn, emerges with a surprising interest in a rare snuffbox from Lawes’ personal collection, the very item that later goes missing and could connect him to the break-in or the murder itself.
As Kinross follows the threads, Eve’s possible involvement comes under particular scrutiny: could she have acted as an accomplice to Toby or Ned, or did she become entangled in events she didn’t fully understand? The investigation methodically weighs alibis, financial motives, and the strange missing snuffbox, all while the survivors contend with grief and fear in a tight-knit coastal town.
Kinross works to untangle the actual sequence of events, sifting through lies and partial truths to piece together a coherent explanation. The solution rests on separating genuine motives from misdirection, distinguishing the casual connections from the decisive links, and identifying who stood to gain most from Lawes’ death. In the end, the private investigator aims to deliver a clear, unambiguous resolution that honors the victims and reveals the culprit behind the double murder.

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