
Madame Jouve narrates the tragic tale of Bernard, whose happy life with his wife Arlette and son Thomas is shattered when his former lover Mathilde, now living with Philippe, moves in next door. Their past passion resurfaces, spiraling into destructive obsession, offering a somber study of human desire and madness.
Does The Woman Next Door have end credit scenes?
No!
The Woman Next Door does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of The Woman Next Door, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

François Truffaut

Gérard Depardieu
Bernard Coudray

Fanny Ardant
Mathilde Bauchard

Henri Garcin
Philippe Bauchard

Philippe Morier-Genoud
Doctor

Serge Papagalli
Journalist

Roger Van Hool
Roland Duguet

Véronique Silver
Madame Odile Jouve

Michèle Baumgartner
Arlette Coudray

Muriel Combe
Nicole

Nicole Vauthier
Hotel concierge

Olivier Becquaert
Thomas Coudray

Catherine Crassac
Woman in the Hotel's Staircase (uncredited)

Jacques Preisach
Man in the Hotel's Staircase (uncredited)

Roland Thénot
Estate Agent (uncredited)
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Read the complete plot summary of The Woman Next Door, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
In a quiet village near Grenoble, Bernard Coudray, Gérard Depardieu, enjoys a stable life with his wife Arlette Coudray, Michèle Baumgartner, and their young son Thomas Coudray, Olivier Becquaert, as they navigate the rhythms of small-town living. One day, a married couple, Philippe Bauchard, Henri Garcin, and Mathilde Bauchard, Fanny Ardant, move into the house next door, quietly shaking up the routine.
Bernard and Mathilde are stunned to meet again, recalling a stormy affair from years past when they were both single, an affair that ended with pain and regret. At first, Bernard avoids Mathilde, but a chance supermarket encounter rekindles long-buried desires. The two, outwardly good neighbours, begin to pursue an affair in secret, weaving a dangerous double life into their ordinary days while their families go about with routine civility.
As the affair deepens, the strain of balancing two households, two careers, and two secret loyalties becomes almost unbearable. It is Bernard who cracks first, publicly displaying his violent passion for Mathilde at a garden party, and then retreating. The two households struggle to move forward, trying to preserve appearances even as the affair casts a shadow over daily life.
But Mathilde, scorned and increasingly fragile, collapses publicly at the tennis club and is hospitalized with depression. When she is released, the situation has shifted: to distance themselves from Bernard, her husband moves them out of the village. The fragile equilibrium is broken one night when a bang from the shutter of the empty house next door rouses Bernard. He goes to investigate and finds Mathilde waiting in the darkness. What follows is intimate and devastating: they make love on the bare floor, and she pulls a gun from her handbag, shooting first Bernard and then herself, ending a brutal season of longing and consequences.

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