
When one falls, another brings him home. Lt. Col. Michael Strobl, a volunteer military escort accompanies the body of Lance Cpl. Chance Phelps to his hometown in Wyoming.
Does Taking Chance have end credit scenes?
No!
Taking Chance does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Taking Chance, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

John Magaro
Rich Brewer

Ann Dowd
Gretchen

Guy Boyd
Gary Hargrove

Mike Colter
MGySgt Demetry

Kevin Bacon
LtCol Mike Strobl

Blanche Baker
Chris Phelps

Gordon Clapp
Tom Garrett

John Bedford Lloyd
General Kruger

Tom Aldredge
Charlie Fitts

Enver Gjokaj
Corporal Arenz

Noah Fleiss
Army Sergeant

Emily Wickersham
Kelley Phelps

Liza Colón-Zayas
Ticketing Agent

Nicholas Art
Nate Strobl
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Read the complete plot summary of Taking Chance, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Based on the recollections of LtCol Mike Strobl, the film follows a Marine lieutenant colonel as he shifts from the front lines to a deeply introspective, almost ceremonial duty: overseeing the funeral arrangements for fallen brothers in arms. The story centers on Strobl’s decision to personally accompany the remains of a Marine, a Private First Class whose life ended far from home, and to see the journey from Dover Air Force Base to Dubois, Wyoming through to its quiet, dignified end.
Strobl’s path is less about battlefield glory and more about bearing witness to loss. He confronts the weight of duty in a role normally assigned to Non-Commissioned Officers, a stark contrast to the active combat he once envisioned for himself. As he travels with the casket, he comes face to face with the humanity behind every casualty, discovering that the fallen are not just names but people who touched the lives of those around them. The film emphasizes how these moments—quiet, personal, and grief-stricken—reframe Strobl’s understanding of service and honor.
At the funeral and memorial service, Strobl encounters the realization that Private First Class Chance Phelps was not just another casualty but an exceptional soldier who inspired his peers. After a script of ceremonial duties and shared memories, he spends time in a local Veterans club, where he confesses to the ranking veteran that he feels a pang of envy for the active duty enjoyed by those in the line of fire. The veteran’s reply is blunt and kind: the work Strobl has been asked to do is, in its own way, a high honor—one that supports families in their darkest hours and preserves the memory of a fallen comrade.
This conversation becomes a turning point. Strobl recognizes that his task—being present for the grieving, guiding their final rites, and carrying their loved one home—offers a meaningful, if painful, duty that honors the fallen as much as any battlefield achievement could. He completes the assignment with care, returning home to his wife and young daughters, carrying with him the quiet resolve that comes from witnessing sorrow and bearing it with dignity.
The emotional arc culminates in reflection. Strobl later writes about the entire experience—the emotions stirred by the farewell rituals and the people he met along the way—and shares his essay with a wider audience. Published in the blog Blackfive on April 23, 2004, the piece spreads across the internet, turning a personal journey into a broader meditation on sacrifice, memory, and the sometimes understated honor found in serving families who mourn.

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