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Swept from the Sea 1997

After a shipwreck, Russian émigré Yanko Goorall, the sole survivor, staggers onto a 19th‑century English farm. The locals distrust him, but servant Amy Foster offers compassion, nursing him back to health. He grows close to Dr. James Kennedy, and a tender romance blossoms between Yanko and Amy.

After a shipwreck, Russian émigré Yanko Goorall, the sole survivor, staggers onto a 19th‑century English farm. The locals distrust him, but servant Amy Foster offers compassion, nursing him back to health. He grows close to Dr. James Kennedy, and a tender romance blossoms between Yanko and Amy.

Does Swept from the Sea have end credit scenes?

No!

Swept from the Sea does not have end credit scenes. You can leave when the credits roll.

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Challenge your knowledge of Swept from the Sea with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.


Swept from the Sea (1997) Quiz: Test your knowledge about the 1997 film Swept from the Sea.

What is the name of the Ukrainian peasant who washes ashore in Cornwall?

Full Plot Summary and Ending Explained for Swept from the Sea

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Read the complete plot summary of Swept from the Sea, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.


Yanko Góral, a Ukrainian peasant, washes ashore on the Cornish coast after his emigrant ship sinks en route to the United States in 1888. The bodies of his fellow passengers are pulled from the sea and buried in a mass grave, and the man’s disheveled arrival unsettles the Swaffer family. Yet one person does not tremble at this stranger’s appearance: Amy Foster, a quiet, solitary woman who visits her parents, Mary Foster and Isaac Foster, every Sunday despite receiving little affection at home. Amy tends to Yanko with simple kindness—washing, feeding, and caring for him—while the town watches with wary eyes, and the next morning the local folk drag Yanko away, forcing him into a life of slave labor.

A few months pass, and a surprising exchange reshapes their fates. Dr. James Kennedy and Mr. Swaffer play a game of chess as Yanko approaches, and the Ukrainian man reveals a gift that wins admiration: astonishing chess moves. The doctor, recognizing Yanko’s intellect, shares his own stories of loss—his wife and child vanished to typhus many lifetimes ago—while the Swaffers welcome Yanko into their home with fair pay and reasonable hours. With time, Yanko learns English and, in turn, the doctor learns chess from him. Feeling a new courage, Yanko buys a fresh suit and musters the nerve to ask Amy to walk with him, stepping toward the possibility of a shared life.

But the town’s boundaries are strong, and Mr. Swaffer, wary of a romance between Yanko and Amy, counsels caution while Amy’s own parents urge restraint, warning that love can complicate a woman’s life. When Yanko ventures to church, the crowd’s hostility leaves him perplexed and hurt. He confides in Amy that to him, their eyes in the crowd look like glass, a mistrustful reflection of a world that cannot accept him. Their bond deepens at a hidden place Amy guards—a cave filled with treasures she calls gifts from the sea—and the two share a private, carefree dance and embrace among the rocks and water.

Trouble rains down again when Amy’s father and his rough friends brutalize Yanko in the streets, nearly drowning him. Amy rushes to his side, and Dr. Kennedy—who has little sympathy for Amy’s “strangeness”—rebukes the men, while Mary reveals the deeper strains behind the family’s pain: the mother recalls a past wrong and the weight of legacy, and Isaac’s father’s judgment lingers over Amy. Afterward, mischief and malice ignite a fire that damages the cave, yet Miss Swaffer arranges for a cottage to be given to Amy and Yanko, and the couple are married in a church ceremony. They consummate their happiness in the cave pool, and soon a son is born, watched over by the doctor’s approving gaze. The family makes a home, and Amy asks Yanko to show their child the sea, a moment the doctor accepts with a quiet smile.

But the world outside remains cruel. The town’s children taunt Amy and brand her a witch, and Yanko’s protective anger grows as he worries for their son’s future. He confides in Dr. Kennedy, who tries to comfort him; Yanko longs for his child to have knowledge and wonder, saying, “I want him to be like you … I want him to love the mystery of our universe.” The doctor pledges to help the boy grow in learning and understanding, even as Yanko falls ill with a fever. Dr. Kennedy treats him, gives Amy medicine, and urges her to stay by his side, but a fever takes hold and culminates in a delirious, sinking vision for Yanko.

In a desperate night, Amy leaves the cottage in a rainstorm with the baby, seeking help. She first visits her parents, but they send her away; she pleads with a neighbor and is rejected; at last she reaches the Swaffers, who agree to watch the child while Mr. Swaffer accompanies Amy back to the cottage. Dr. Kennedy returns to find Yanko dying; Amy arrives and holds her husband as he murmurs a final, hopeful line, “I would change nothing, my love, my gold—we are the lucky ones.” Years pass, and Dr. Kennedy voices his concern that Amy has not grieved properly, only to be gently reminded that even he has lived with his ghosts of loss. Miss Swaffer defends Amy, and the two old friends reconcile. In the end, Amy’s steadfast love remains—and Dr. Kennedy reflects on the man who crossed continents to love and be loved by Amy Foster, a testament to resilience, acceptance, and the redemptive power of a shared life.

Their eyes are like glass.

He came across the world to love and be loved by Amy Foster.

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Swept from the Sea Themes and Keywords

Discover the central themes, ideas, and keywords that define the movie’s story, tone, and message. Analyze the film’s deeper meanings, genre influences, and recurring concepts.


bullyingimmigrant1880safraidwanting a babyinterracialrussianchesstitle directed by femaleillegitimate daughterpassionobsessive lovexenophobiasea voyagemarriagestar crossed loverswind in hairfearmoorlandshipservantfarmshipwreckvomitingindustrial revolutionsacrificecouragedead sontyphoid epidemicstrangerhungerestategangreneswept overboardrural settingillegitimacyboymountaintrainpreachersheepgeesedogministerdeath of husbandhomesicknessgypsyprejudiceeatingfood

Swept from the Sea Other Names and Titles

Explore the various alternative titles, translations, and other names used for Swept from the Sea across different regions and languages. Understand how the film is marketed and recognized worldwide.


Au coeur de la tourmente Amy Foster - Im Meer der Gefühle Lo straniero che venne dal mare Au cœur de la tourmente Érzelmek hullámain El hombre que vino del mar איימי פוסטר והאיש מהים Trazido Pelo Mar Zrozeni z moře Унесённый морем Kochankowie sztormowego morza 너의 폭풍 속으로 碧海奇缘 Роден от вълните Aşk Denizi

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