
Ray Cooper is consumed by grief and seeking justice after his wife's death, which he believes is connected to a pharmaceutical company’s actions. Driven to uncover the truth about a withdrawn life-saving drug, he and his daughter Rachel find themselves facing a dangerous and corrupt system. As Ray fights for answers, his pursuit of justice escalates, forcing him to confront powerful enemies and protect his family from harm.
Does Sweet Girl have end credit scenes?
No!
Sweet Girl does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Sweet Girl, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Jason Momoa
Ray Cooper

Manuel Garcia-Rulfo
Amos Santos

Isabela Moner

Adria Arjona
Amanda Cooper

Katy M. O'Brian

Nelson Franklin
Martin Bennett

Amy Brenneman
Diana Morgan

Brian Howe
Pete Micelli

Justin Bartha
Simon Keeley

Lex Scott Davis
FBI Detective Sarah Meeker

Michael Raymond-James
FBI Detective John Rothman

Reggie Lee
Dr. Wu
Discover where to watch Sweet Girl online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Wikipedia or Rotten Tomatoes.
See how Sweet Girl is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where Sweet Girl stands among top-rated movies in its genre.
Sweet Girl delivers a competent but uneven cinematic experience, anchored by Jason Momoa's earnest lead performance yet hampered by a thin script and inconsistent tone. Critics and users note moments of solid action and occasional visual clarity, but overall the film suffers from predictable plot turns and a lack of narrative cohesion. The cumulative effect results in a modestly received action thriller with limited lasting appeal.
The Movie Echo Score Breakdown for Sweet Girl
Art & Craft
In terms of art and craft, the film presents a utilitarian visual style with a restrained color palette and clear but unremarkable fight choreography. Critics commend the visceral stunt work while noting repetitive impact, and users describe the cinematography as serviceable yet forgettable. The editing maintains clarity but offers little flair, leading to an overall competent but uninspired aesthetic.
Character & Emotion
Character and emotion receive mixed treatment, as Momoa's portrayal of grief is frequently highlighted as a strength, while supporting performances are seen as flat. Critics describe the cast as thin and dialogue stilted, whereas some users acknowledge compelling moments in the father‑daughter dynamic. The overall character work is modest, with occasional resonance amid generally underdeveloped roles.
Story & Flow
The story suffers from uneven pacing and a convoluted structure. Critics point to a strong opening that quickly loses momentum, with a twist that undermines earlier setup and a script described as muddled and generic. User feedback reflects similar concerns, noting a promising premise that falters in later acts. Consequently, the narrative coherence remains inconsistent throughout.
Sensory Experience
Sensory experience combines clear but modest sound design with an understated musical score. Critics observe that fight scenes convey necessary information without flash, and users find the score only occasionally notable. Visual styling stays within a muted palette, contributing to functional but unexciting ambiance. Overall, the sensory elements support the action without delivering memorable impact.
Rewatch Factor
Rewatch factor is limited, as the film offers a brief diversion for action fans but lacks depth to sustain repeated viewings. Critics suggest it may appeal to viewers with a specific grudge against corporate antagonists, while users describe it as a summer diversion with few reasons to return. The combination of predictable plot and thin storytelling reduces enduring appeal.
46
Metascore
4.9
User Score
24%
TOMATOMETER
49%
User Score
5.5 /10
IMDb Rating
66
%
User Score
2.3
From 13 fan ratings
3.25/5
From 8 fan ratings
Challenge your knowledge of Sweet Girl with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
What illness does Amanda Cooper suffer from?
a rare form of cancer
heart disease
diabetes
infectious disease
Show hint
Read the complete plot summary of Sweet Girl, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
In Pittsburgh, a woman named Amanda Cooper finds herself battling an aggressive form of cancer. Her husband, the skilled survival expert Ray Cooper, learns the heartbreaking news that a crucial medication needed for Amanda’s treatment has been retracted just days before it was set to commence. This dire situation arises from the actions of BioPrime’s CEO, Simon Keeley, who bribed the manufacturer to halt production. During a live debate featuring Congresswoman Diana Morgan, who was campaigning against the exploitative practices of large pharmaceutical companies, Ray makes a desperate call, threatening Keeley with dire consequences if he does not reverse his decision. Unfortunately, his threats are dismissed, and Amanda soon succumbs to her illness, leaving Ray shattered alongside their daughter, Rachel (played by Isabela Merced). In a bid to empower Rachel, Ray imparts survival skills and boxing techniques to her.
Fast forward six months, Ray gets contacted by journalist Martin Bennett, who claims to possess incriminating evidence against BioPrime. They arrange a meeting on a subway, unbeknownst to them that they are being shadowed by Rachel and a hitman named Amos Santos. Bennett divulges that BioPrime has been corrupting anyone who questions their illegal practices, but before he can reveal more, Santos fatally stabs him. In a brutal twist, Santos attacks Ray, leaving him and Rachel unconscious on the subway platform.
Two years roll by, and Ray is still consumed by rage, obsessively tracking Keeley’s movements. He devises a plan to infiltrate a charity auction hosted by BioPrime, aiming to confront Keeley. During this risky maneuver, Ray discovers that Keeley defers to BioPrime’s chairman, Vinod Shah (played by Raza Jaffrey), after a violent confrontation that results in Keeley’s death.
Ray and Rachel take refuge in a hotel, and as tension brews between them, Rachel reaches out to FBI Agent Sarah Meeker in an effort to seek justice against BioPrime. The following day, mercenaries invade their motel, leading to another lethal confrontation initiated by Ray.
As they plot against Shah, Rachel utilizes a disposable phone to relay updates to Agent Meeker. Ray devises a scheme to isolate Vinod, but their plan goes awry when Santos attacks. When Ray attempts to extract information from Shah, the situation spins out of control, culminating in Shah’s death at Santos’ hand.
The stakes escalate as Ray and Rachel return to the city where Ray finds himself cornered by the FBI due to their previous encounters. In a gripping revelation, it becomes clear that Rachel has inherited her father’s mission of vengeance after Ray succumbed to his injuries during the subway incident. In a frantic flight from the FBI, Rachel faces incredible challenges, culminating in a dramatic altercation with Santos in a diner. Even after being overpowered, she summons her strength and retaliates.
With unwavering determination, Rachel accesses Morgan’s campaign office, confronting her and secretly recording her confession of being involved with BioPrime, detailing the alarming extent of the corruption and the orchestration of Bennett’s and Ray’s killings. After submitting this damning evidence to the FBI, Rachel prepares for her next chapter, acquiring a fake passport and converting her funds into Cryptocurrency as she steps onto a plane—embarking on an uncertain journey ahead.
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