
John Sawyer, once a distinguished barrister, has descended into cynicism and alcoholism after his wife left him. When his daughter’s boyfriend is charged with murder, the desperate father sees a chance at redemption. He gathers his shattered resolve to mount a defense in court, confronting his own demons while seeking justice.
Does Stranger in the House have end credit scenes?
No!
Stranger in the House does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Stranger in the House, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Geraldine Chaplin
Angela Sawyer

James Mason
John Sawyer

Ian Ogilvy
Desmond Flower

James Hayter
Harry Hawkins

Sheila White
Hazel (uncredited)

Pippa Steel
Sue Phillips

Yootha Joyce
Shooting Range Girl

Bobby Darin
Barney Teale

Marjie Lawrence
Brenda

Moira Lister
Mrs. Flower

Megs Jenkins
Mrs. Christoforides

Rita Webb
Mrs. Plaskett (uncredited)

Fred Wood
Protester Against Execution (uncredited)

Toni Palmer
Doorwoman

Michael Danvers-Walker
Chelham

Julian Orchard
Policeman (uncredited)

Victor Harrington
Singing Party Guest (uncredited)

Ivor Dean
Insp. Colder

Clive Morton
Col. Flower

Lisa Daniely
Diana Sawyer

Paul Bertoya
Jo Christoforides

Bryan Stanion
Peter Hawkins
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Read the complete plot summary of Stranger in the House, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
John Sawyer was once a brilliant defence lawyer, but his life has slipped into alcohol and neglect. His wife has left him, his sister is ashamed of him, and his daughter, Angela Sawyer, who still shares his increasingly shabby mansion, despises him. She moves within a wild circle of friends led by two affluent boys, among them her cousin, Desmond Flower. Two outsiders also drift into this circle: an American criminal on the run, Barney Teale, and a Cypriot immigrant named Jo, Jo Christoforides.
Angela falls for Jo, drawn to his rough-edged charm. After a vicious fight with Jo, Barney is immobilised and Angela hides him in the attic of her house, where he is shot dead by an intruder. The murder weapon is planted on Jo, who is arrested and put on trial. Nobody in town wants to defend him, so Angela begs her father to take his case.
John does not believe the case against Jo and launches his own investigation, slowly rebuilding his life as he goes. Through careful observation and questioning, he uncovers who stood to gain from Barney’s death. It was his nephew, Desmond, whom Barney had humiliated when he hired him a prostitute. He confronts Desmond in his parents’ house and, in a moment of quiet moral reckoning, makes him see that his only path is to confess. As the night ends, Angela, moved by gratitude, takes his arm.

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