
An aggressive agent turns a hotel porter into an overnight sensation.
Does Stars Over Broadway have end credit scenes?
No!
Stars Over Broadway does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Stars Over Broadway, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Pat O'Brien
Al McGillevray

Frank McHugh
Offkey Cramer

Frank Fay
Announcer

George Irving
Angry Radio Station Executive

Ferdinand Munier
Fat Man Dancing at Sky Club

Rolfe Sedan
Opera Aficionado

Maurice Black
Jim Flugel

George Chandler
Charlie

Sarah Edwards
Woman Dancing with Fat Man

George Beranger
Man Wanting Testimonial

Eddie Kane
Sky Club Headwaiter

Esther Howard
Mary Sporesgate

Bob Montgomery
Man at Champ's Table

Marie Wilson
Molly

Sam Ash
Mustached Man at Champ's Table

Jack Dempsey
Himself

Bill Elliott
Minor Role

Leo White
Man at Bar in Dempsey's

Gino Corrado
Listener in Italy Montage

James Melton
Jan King

Pat West
Man at Champ's Table

Wilbur Mack
Your Honor

Paul Porcasi
Luigi

Emmett Vogan
Archie McNeish

Harry Seymour
Rudolph

Frank Moran
Champ

Harry C. Bradley
Man in Church

Larry McGrath
Man at Champ's Table

Edward Keane
Ford

Broderick O'Farrell
Churchgoer

Jean Muir
Nora Wyman

Milton Kibbee
Hotel Desk Clerk

Emma Tansey
Passerby Giving Money

Spec O'Donnell
Boy Hanging Sign - 'At Your Service, Madame' Number

Rafael Alcayde
John - 'At Your Service, Madame' Number

Eddie Conrad
Freddy

Lillian Worth
Buxom Singer

William Ricciardi
Minotti

Eddie Graham
Witmark's Customer

Florence Fair
Ms. Shaefer

E. E. Clive
Crane

Alma Lloyd
Girl with Joan at Luigi's

Jane Froman
Joan Garrett

Paul de Rincon
Man

Ethel Shannon
Woman
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Challenge your knowledge of Stars Over Broadway with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
What is the profession of Al McGillevray at the start of the film?
Opera singer
Theatrical manager
Radio producer
Hotel porter
Show hint
Read the complete plot summary of Stars Over Broadway, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Al McGillevray, a failed theatrical manager, teeters on the edge of tragedy when he nearly takes his own life. A chance encounter reframes his despair: he hears Jan King, the hotel porter, singing with a spark of real promise, and offers to turn him into an opera star. Jan agrees, and Al throws himself into funding a vagrant voyage to fame, taking on a string of odd jobs just to pay for singing lessons. The stubborn reality of the business is tempered by a patient, ambitious teacher who guides Jan toward a chance at the Met, even as the path proves grueling and uncertain.
The audition at the Metropolitan Opera is a turning point, and Jan is met with warmth and high expectations. Yet the dream quickly presses in: the coach reveals that Jan would need at least five more years of study before he could stage an operatic breakthrough. Faced with a long, demanding road, Al pivots, steering Jan toward the glamour and immediacy of radio fame as a crooner. This new route promises swift, dazzling rewards, even if it means abandoning the traditional opera dream for the moment.
In the midst of this pivot, the pair cross paths with another rising voice, Nora Wyman, at an amateur-hour contest. Nora begs Al to take her under his wing, but he counsels against a career in show business for someone he sees as too good-hearted for the harshness of the industry. The spark between them adds a complicated layer to Al’s business decisions, testing his ability to separate personal feelings from professional obligations.
Jan’s ascent continues as he performs in a noisy club, where his natural charm and talent win him a quick, enthusiastic following. He also meets Joan Garrett, a seasoned and successful singer who lends a hand and helps him navigate the grind of getting regular work. Joan’s presence introduces another mentor figure and a real lift to Jan’s budding career, even as Al weighs the best course for both of them.
Despite the momentum, Jan’s joyride as a rising crooner begins to collide with the realities of duty and discipline. He drinks more, arrives late to shows, and eventually misses a performance entirely, which costs him his position. The setback forces Al to confront the consequences of pushing Jan toward popularity without the stabilizing structure of sustained vocal training.
With Nora’s pleas echoing in his mind, Al eventually agrees to let Minotti—an esteemed teacher—hear Nora sing. Minotti sees potential in her voice, but Al, wrestling with fear of heartbreak and failure, convinces the teacher to withhold a full endorsement for Nora’s sake. The decision devastates Nora, who, overwhelmed by the rejection, steps into traffic in a moment of despair.
In the hospital, Al confronts the consequences of his choices. He reveals the truth to Nora, confessing that he lied out of love, a revelation that reframes his entire motive for steering the careers he touched. When Nora recovers, Al, though financially spent, uses the remainder of his resources to fund Minotti and Jan’s trip to Italy to salvage Jan’s voice and secure a future for him that might outlast Al’s own career.
Time passes, and Al finds himself backstage at Jan’s opera debut, a quiet testament to the stubborn hope that perseverance and generosity can still shape a life. Nora is present as well, watching the emergence of a partnership built on faith and forgiveness. Jan, moved by what he has learned about loyalty and sacrifice, expresses a desire to have Al resume managing him, a gesture that cements their complicated—but deeply cared-for—relationship.
As the curtain falls on this saga of ambition, love, and debt, Nora offers a final, defining choice: singing may have brought her fame, but what she wants most is a future with the man she loves. She decides that her art is not the sole measure of happiness; she would rather be by Al’s side, choosing a life where their bond matters more than a spotlight. In this way, the film folds a debutant’s dream into a quiet, enduring romance, anchored by the sacrifices and redemption that only a tough, compassionate manager could inspire.
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