
Unemployed car salesman Peter, urged by his girlfriend Cynthia, pitches a proposal to the head of a fuel company aimed at making petrol stations more appealing to drivers. After the executive dismisses his idea, Peter accepts an offer from a rival firm, where he implements his vision and quickly rises to great success.
Does Something Always Happens have end credit scenes?
No!
Something Always Happens does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Something Always Happens, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Naunton Wayne
Man Refusing to Help Peter

Ian Hunter
Peter Middleton

George Zucco
Proprietor of the Maison de Paris

Michael Powell

Maire O'Neill
Tenement Mother

Peter Gawthorne
Mr. Hatch

Muriel George
Mrs. Badger

Nancy O'Neil
Cynthia Hatch

John Singer
Billy

Barry Livesey
George Hamlin

Louie Emery
Mrs.Tremlett

Anthony Holles
Tony

Janet Fitzpatrick
Girl

Townsend Whitling
Blue Point Executive

Millicent Wolf
Glenda
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Challenge your knowledge of Something Always Happens with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Who is the unemployed car salesman at the start of the film?
Peter Middleton
Mr. Hatch
George Hamlin
Billy
Show hint
Read the complete plot summary of Something Always Happens, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Peter Middleton is an unemployed car salesman who lives hand-to-mouth days, but his instincts and a big heart push him toward opportunity. He rescues a hungry street urchin, Billy, from a vendor’s grasp and takes him in, while his landlady, Mrs. Badger, proves unexpectedly kind-hearted and willing to overlook their cash-poor situation. The trio’s makeshift arrangement is fragile, yet there’s a shared sense of possibility in their small, crowded room as Peter looks for a way to turn luck into something sustainable.
A chance encounter sparks a turn of fortune. An acquaintance mentions a client who wants to purchase a 1934 Bentley, and Peter—driven by hunger for a commission—sets out to find one. His bold inspection of the car unsettles the chauffeur, and in the scramble, Peter accidentally bumps into Cynthia Hatch. When he claims the car as his, she invites him to a fine restaurant, all the while letting him believe she, too, is out of work. The staff at the restaurant knows her, but she asks the maitre d’ to pretend not to recognize her, playing a sly game to test Peter. As the evening unfolds, Peter confesses that he has no money, and Cynthia seizes the moment to push him toward meeting her father, the powerful head of several petrol-related companies, Mr. Hatch. Her motives are layered and shrewd, and the dynamic between the two of them begins to tilt.
Mr. Hatch proves a stern barrier to Peter’s schemes, laughing off Peter’s pitch and politely, but decisively, turning him away. He even jokes that Peter should go see a rival company, Blue Point, suggesting a path Peter hadn’t considered. The idea is audacious, but Peter is drawn to the challenge. He follows the hint and travels to Blue Point, where he is hired as their manager. The shift is swift and exhilarating: Peter’s ideas breathe new life into the flagging outfit, and he starts to assemble a new team, including bringing [Cynthia Hatch] back into his orbit—this time as his secretary—though he still doesn’t fully grasp her true connection to Mr. Hatch. What begins as a clever hijack of a losing company becomes a test of loyalty, risk, and trust.
Under Peter’s leadership, Blue Point surges ahead. The once-stalled enterprise begins to outpace Hatch’s own empire, and the mood shifts from cautious optimism to hard-edged competition. Peter starts to map out a bold plan: anticipate a bypass that could reshape the petrol business and secure prime sites along the route before Hatch learns of it. Yet the campaign hits a snag—George Hamlin, Blue Point’s publicist, bungles the messaging so badly that Peter feels betrayed and contemplates replacing him. George’s misstep opens a window for Hatch, who counterpunches by outbidding Peter for the critical sites. The setback lands hard, and Peter is forced to pause and regroup.
The plot thickens as a personal revelation threads through the business drama. Peter sees money flowing from Mr. Hatch to Cynthia and, in a moment of hurt and misinterpretation, believes she has betrayed him. When he confronts her, she denies the accusation and drops a crucial truth: Hatch is her father. The emotional fulcrum of the film shifts from business strategy to the uneasy balance of family loyalty, love, and ambition. Peter learns that the bypass will not be built for another fifteen years, a delay that reshapes every assumption he has about timing, risk, and reward. Hatch, noticing the way his daughter has been involved, offers to sell some of his holdings to Peter, hoping to hedge against the coming reframe of the industry. Peter accepts, aware that the timing could still work to his advantage, even as Hatch realigns his own plan in anticipation of the future.
The tension between trust and manipulation comes to a head as Hatch discovers how the dynamics of the deal were evolving. He isn’t angry so much as impressed by Peter’s nerve and acuity, and the respect between the two men begins to tilt the scales in Peter’s favor. In a pivotal moment, Peter encounters [George Hamlin] again outside Hatch’s office, confirming who the real traitor was all along. The realization cements Peter’s resolve and marks a turning point in the game: the rival’s tactics have failed to derail him, and the ethical complexity of the situation begins to land squarely in his lap. The final reconciliation is not only professional but deeply personal, as Peter and [Cynthia Hatch] gradually recognize the depth of their bond beyond the games and schemes that surrounded them.
In the end, the story blends ambition with affection, showing how a clever, courageous plan can be forged in the crucible of rivalry and disguise. The atmosphere remains crisp and measured, with a touch of romance simmering beneath the surface as the true connections emerge. The characters move through a world where money, influence, and trust collide, and where a determined man and a savvy woman navigate the shifting sands of loyalty, power, and love. The film closes on a note of cautious optimism: the future is uncertain, but the protagonists have learned to read the signals, align their goals, and face whatever comes with a shared resolve.
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