Anything Can Happen 1952

Giorgi Papashvily José Ferrer arrives for his initial immigrant inspection on Ellis Island and soon finds work on New York’s bustling Lower East Side. His friend, Nuri Bey Kurt Kasznar, who had already settled in and speaks English, shows him the ropes and promises an easy outdoor job with fresh air. Instead, they end up hauling buckets and pouring hot tar on rooftops, a grueling start that mirrors the rough-and-tumble reality many newcomers face.

Giorgi, who didn’t speak a word of English when he arrived, throws himself into learning the language, practicing troublesome consonants like “W” and “V” in the mirror with stubborn determination. He shares a house with fellow Georgians, a tight-knit circle that includes Tariel Godiedze Mikhail Rasumny, Pavli George Voskovec, and Sandro Otto Waldis, among others, creating a lively immigrant household that becomes his new family. One day, police cite Giorgi and his friends for picking flowers in Central Park, a charge he refuses to admit to since he didn’t actually commit the act. He appears before a judge on principle, explaining the situation with honesty and quiet dignity. The arresting officer admits there was no proof Giorgi had picked any flowers, and the judge, touched by his character, finds him not guilty and shakes his hand, thanking him for brightening the courtroom.

In a nearby courtroom, the court reporter Helen Watson Kim Hunter is drawn to Giorgi’s simple yet eloquent defense. She is moved by his honesty and warmth, and she invites him to her home to identify some folk tunes she has been recording. Giorgi proves he has a good voice as well, and a fast, genuine friendship blossoms between them, the kind that holds real promise in a life of immigration and slow gains. Helen’s work and her passion for folk music become a bridge between Giorgi’s past and his uncertain future in a new land.

Through Helen, Giorgi discovers that another musician she has recorded is none other than his old country friend and now missing link, Uncle John Oscar Beregi Sr.. Uncle John is a chef in New York and a well-known Georgian presence in the city, a figure Giorgi has hoped to reconnect with since his arrival. This leads Giorgi to move into Uncle John’s bustling, colorful household, where he enters a close-knit world of Georgian emigres and learns to navigate life beyond the factory floors. The household also includes a broader cast of characters like Luba Godiedze Gloria Marlowe and Anna Godiedze Eugenie Leontovich, who, along with Madame Greshiani Natasha Lytess and others, enrich Giorgi’s experience with stories, songs, and shared meals that remind him of home while pushing him toward a new horizon.

As Giorgi’s ties to Helen deepen, he dreams of becoming a citizen and even of marriage. Yet romance is not a simple path for him; he wrestles with self-doubt in matters of the heart, while Uncle John offers his own worldly wisdom from years of immigrant life. A practical turn arrives when Uncle John, ever the navigator of their complex world, urges Giorgi to consider a California move. He even resigns from his own job and declares he will join Giorgi if he goes west. The decision ushers the group from New York’s crowded streets to the sun-soaked promise of Southern California, where they meet a reclusive Georgian neighbor and begin anew in a landscape that seems to offer bigger chances of stability and a fresh start.

In California, Giorgi purchases a house and a farm, a bold step that marks him turning from hopeful immigrant to settled, striving family man. Helen’s professional life pulls her away from a romance that feels unsure to her, while her bedridden aunt’s advice only adds to her inner conflict. She confesses to her aunt that she doesn’t feel the expected chill toward Giorgi and wonders if she is truly ready to marry anyone until she’s certain. Her aunt, practical and blunt, reminds her that feeling that chill can come from a cold shower, a witty line that underscores the complexities of love and decision in the immigrant experience.

Meanwhile, a sudden frost threatens the orange crop on Giorgi’s new California land. Helen, visiting the farm, acts with decisive urgency—orders the workers to light fires and keep the trees warm, determined to save a future that now hinges on this fragile harvest. Moved by the moment and Giorgi’s quiet earnestness, she agrees to marry him, and the couple’s engagement becomes a public, joyful turning point. Giorgi’s news is celebrated by Nuri Bey and the friends who have traveled from New York in a car to share in the moment, signaling that their shared journey as immigrants has begun to pay off.

Tragically, Uncle John’s health fails as the story nears its close. A citizenship test seals his status as a U.S. citizen, a bittersweet reward that arrives just before his passing. The narrative lingers on the resilience of Giorgi and Helen, the bonds of the Georgian immigrant community, and the soft, patient rhythm of their American dream—built on honesty, music, hard work, and a love that grows even in the face of hardship.