
When his grandfather’s beloved drive-in cinema and home in the remote outback town of Wyndham are threatened with demolition, a resourceful twelve-year-old Aboriginal boy embarks on a remarkable journey. Equipped with traditional survival skills, he must travel across the Australian bush country to confront city developers and protect his heritage and family. Courage and love guide his path in this heartfelt story.
Does Satellite Boy have end credit scenes?
No!
Satellite Boy does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Satellite Boy, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

David Gulpilil
Jagamarra

Richard Evans
Old Man

David Ward
Stockman

Greg Tait
Aboriginal Liaison

Larry Thomas
Stockman

Dean Daley-Jones
Dave

Joseph Pedley
Kalmain

Cameron Wallaby
Pete

Rohanna Angus
Lynelle

Dolores Roberts
Corine

Callum McKenzie
Callum

Jarunba-Mark Weaver
Bellyup

Kaylene Marr
Rosalie

Dougie McCale
George

Pam Barrett
Mrs. Evans

Ted Carlton
Stockman

Buddy Tyson
Stockman

James Salerno Snr
Mine Lawyer

James Salerno
Construction Foreman

Lyncoln Haycroft
Construction Workman

Anika Salerno
Policewoman

Brenden Fielder
Police Man 1

Jeremy Maitland-Smith
Police man 2

Mike Butterfield
Police Man (Kununurra)

Chris Veerhuis
Stringer
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Read the complete plot summary of Satellite Boy, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Ten-year-old Pete Cameron Wallaby lives at a run-down drive-in theatre with his grandfather Jagamarra David Gulpilil, whom he affectionately calls “Jubbi.” The grandfather continually passes down the wisdom of the old ways, shaping Pete’s view of the world in a place where time seems to have slowed. Pete dreams of turning the property into a small restaurant, a goal that sits alongside his hope that his absent mother, Lynelle Rohanna Angus, will return to help. Jubbi remains skeptical about her return to the desolate Kimberley, but Pete keeps hoping. The Kimberley landscape, with its vast horizons and quiet danger, frames their daily life as a mix of routine and risk.
Then a local mining company arrives, laying claim to the land and planning to build a storage facility that would raze everything on the site. Kalmain Joseph Pedley is introduced as a budding arsonist, his hobby of setting abandoned vans aflame landing him in trouble with the law. Yet he remains a loyal, if wayward, companion for Pete as the story unfolds. Pete asks Kalmain to accompany him on a weekend bicycle trip up to the city to appeal to the company officials, hoping to sway their plans.
Kalmain agrees, though he is now on the run from the police, adding a tension-filled edge to the journey. What begins as a simple ride becomes a true walkabout as the boys get lost, facing harsh terrain and uncertain directions. Throughout the ordeal, Pete draws on Jubbi’s steady wisdom to survive, aiming to reach the city and, ultimately, to reconnect with his mother. Lynelle’s plan to take him to Perth so that she can pursue a new life as a beautician provides a hopeful, if challenging, endpoint for Pete’s odyssey.

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