
The fragile, volatile emotions of the teenagers reach a breaking point when two inmates are shot, sparking public outcry. Inside the juvenile detention center, the growing tension threatens to erupt into further violence. Authorities call in a psychologist to intervene, hoping he can defuse the unrest and restore order through peaceful means.
Does Riot in Juvenile Prison have end credit scenes?
No!
Riot in Juvenile Prison does not have end credit scenes. You can leave when the credits roll.
See current US streaming, rental, and purchase options for Riot in Juvenile Prison (1959) via JustWatch.
Explore the complete cast of Riot in Juvenile Prison, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Dorothy Provine
Babe

John Hoyt
Col. Ernest Walton

Ann Doran
Bess Monahan

Jerome Thor
Paul A. Furman

Scott Marlowe
Edward R. "Eddie" Bassett

Jack Grinnage
Dink

Richard Reeves
Andy (uncredited)

Marcia Henderson
Grace Hartwell

Richard Tyler
Stu Killion

George Brenlin
Matches (uncredited)

Al McGranary
Governor Pomeroy (uncredited)

Virginia Aldridge
Kitty Anderson

Craig Slocum
Inmate (uncredited)
Discover where to watch Riot in Juvenile Prison online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Wikipedia or JustWatch.
Read the complete plot summary of Riot in Juvenile Prison, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Dr. Paul A. Furman is appointed by the governor to take charge of a youth reformatory, replacing Col. Ernest Walton, and he arrives with a bold, reform-minded plan. Rather than enforcing rigid discipline, he imagines a system built on trust and responsibility, even transforming the facility from an all-boys detention site into a co-ed program that would involve female inmates alongside male wards under a new team of adult supervisors.
As the new regime takes shape, the first wave of arrivals includes two young women, Babe and Kitty Anderson, who are greeted by the steady presence of Grace Hartwell and Bess Monahan, who will oversee the girls. A spark of attraction flickers when Kitty shows interest in Eddie Bassett, a fellow delinquent who watches the changes with wary curiosity. Babe, lively and outspoken, unintentionally complicates the delicate balance by stirring trouble for Kitty, setting off a chain of tensions that leaves Kitty bloodied in a fight and later vulnerable to a brutal assault by another boy. Amid the chaos, Furman himself becomes a target when Eddie lashes out and physically attacks him, testing the limits of the reformist approach.
The experiments in trust collide with stubborn institutional habits as a string of misdeeds leads the governor to reverse course, firing Furman and restoring Walton to the post with the old, harsher routine. The conflict escalates dramatically when Eddie, beaten by a guard named Quillan, seizes the guard’s gun, knocks him out, and seizes control to lead a revolt. The uprising rattles the reform-minded crew and the institution, threatening to spiral into tragedy.
In the end, it is Furman who stands against the turmoil, and with Kitty’s help, works to reach Eddie on a human level. Through patience and persuasion, he succeeds in appealing to the volatile youth to give up before the danger becomes irreversible. The resolution underscores the film’s central tension: whether a system built on trust and reform can withstand the强 pressures of power, fear, and rebellion, and whether compassion can outpace brute force in guiding young minds toward a safer path.

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