
Shalimar, an Egyptian princess determined to free her land from Bedouin conquerors, joins forces with Prince Haidi, the Caliph of Baghdad’s son. She weaves political intrigue at the royal court while secretly slipping into the marketplace disguised as a dancing girl, using both guile and charm to advance her cause.
Does Princess of the Nile have end credit scenes?
No!
Princess of the Nile does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Princess of the Nile, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Jack Elam
Basra

Lee Van Cleef
Hakar (uncredited)

Wally Cassell
Goghi

Billy Curtis
Tut (uncredited)

Debra Paget
Princess Shalimar / Taura the dancer

Michael Ansara
Capt. Kral

Jeffrey Hunter
Prince Haidi

Michael Rennie
Rama Khan

Dona Drake
Mirva

Edgar Barrier
Shaman

Harmon Jones

Merry Anders
Handmaiden

Lisa Daniels
Handmaiden

Dayton Lummis
Prince Shamin (uncredited)

Lester Sharpe
Babu (uncredited)

Suzanne Alexander
Handmaiden

Robert Roark
Capt. Hussein (uncredited)

Phyllis Winger
Handmaiden

Honey Harlow
Handmaiden (as Honey Harlow)

Genice Grayson
Handmaiden

Jeanne Vaughn
Handmaiden

Kitty London
Handmaiden

Bobette Bentley
Handmaiden

Cheryll Clarke
Handmaiden
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Read the complete plot summary of Princess of the Nile, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
In ancient Egypt, during the year 1249, the shadow of magic and power hangs heavy over the city of Hanwan. Princess Shalimar, [Debra Paget], finds herself trapped when the sinister Shaman ensnares her father, using drugs and dark schemes to keep the royal line under his control. The princess hasn’t given up hope, and she discovers a hidden passage that lets her slip away into the night. Disguised as Taura, a beloved dancer at the Tambourine Tavern, she moves among the oppressed villagers, offering music, mystery, and a glimmer of resistance against the oppressive forces that would keep Hanwan in fear.
Into this fragile balance stride two very different arrivals. Prince Haidi, [Jeffrey Hunter], the son of the caliph of Bagdad, travels with his steadfast ally Captain Hussein, [Robert Roark]. Their presence signals a larger political storm approaching Hanwan. Riding on their path is Rama Khan, a formidable warlord whose army grows by the day, and who conspires with the Shaman to topple the Hanwan rulers and seize the city’s secrets and treasures for himself. The air thickens with tension as Khan’s forces close in, and the people brace for a confrontation that could reshape their destinies.
As tensions escalate, tragedy breaks loose. Captain Hussein is slain by Rama Khan in the chaos that follows, a brutal reminder of the high stakes involved. In that moment of upheaval, Taura, still unaware of the danger she herself would one day embody, strikes Prince Haidi with a dagger. The wound is not mortal, but it sets off a chain of discoveries that will force the prince to reassess whom he can trust. Haidi, seeking counsel from the king’s court about how to repel the invading horde, is drawn into the mystery surrounding Taura and Shalimar, realizing that the dancer he was warned about might be the same elusive princess who longs to free her people.
The plot thickens as Haidi and his advisers turn their attention to the wisdom and secrets held by Shalimar’s father. The king’s conversations reveal a world where love, loyalty, and duty collide with the brutal politics of conquest. Taura’s disguise as a performer grants her access to the hearts of Hanwan’s citizens, and her relationship with Shalimar’s fate becomes a bridge between two worlds: the hidden corridors of the palace and the bustling streets of the tavern. The villagers’ resentment and fear are tempered by her courage, and the dancer’s artistry becomes a symbol of resilience in the face of oppression.
Rama Khan is exacting and ruthless, threatening to cut off even the most vulnerable of villages unless he is granted possession of the princess. The tension between his ambition and the Shaman’s occult schemes creates a dangerous alliance that could unravel the delicate balance of power. Yet the princess’s true identity remains a key to unlocking the city’s future. Haidi’s evolving understanding of who Taura really is—Shalimar in disguise—transforms the dynamics of every encounter, forcing him to weigh political necessity against moral duty.
The climactic clash pits Khan’s legions against a coalition of the determined, the brave, and the cunning. Haidi, now fully aware of Shalimar’s presence and purpose, fights to protect the people of Hanwan while uncovering the Shaman’s treachery. The battle culminates not only in a test of sword and strategy but in a revelation of identity—Shalimar’s courage, Taura’s disguises, and the princess’s lineage converge to challenge Rama Khan’s tyranny. In the final reckoning, the Shaman meets his end, and the oppressive threat to Hanwan is broken, leaving room for rebuilding and a new hope for the realm.
Throughout this sweeping tale, themes of loyalty, courage, and the power of truth rise above the dust of conflict. The film threads together romance and intrigue with grand settings, lush costumes, and dramatic confrontations, painting a vivid picture of a city under siege and the people who refuse to bow to fear. In the shadows of secret passages and moonlit taverns, the characters navigate a web of loyalties, as the fate of Hanwan hangs in the balance and the line between friend and foe becomes increasingly blurred.
As the dust settles, the story lingers on the resilience of those who chose to stand up for each other. Princess Shalimar’s secret is no longer merely a personal refuge but a beacon for a people longing for freedom. Taura’s masquerade becomes a memory of a night when music and courage spoke louder than the blade, and Rama Khan’s dark designs are thwarted by a unity born of reclaimed dignity and hope. The city begins to heal, and the legend of Hanwan endures, inviting audiences to remember that even in the shadows, light can find a path back to the future.

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