Pretty Baby 1950

Runtime

92 mins

Language

English

English

  Here’s “Pretty Baby!”  A young woman living in Manhattan pretends to be the mother of an infant in order to get a seat on the subway.

Here’s “Pretty Baby!” A young woman living in Manhattan pretends to be the mother of an infant in order to get a seat on the subway.

Does Pretty Baby have end credit scenes?

No!

Pretty Baby does not have end credit scenes. You can leave when the credits roll.

Meet the Full Cast and Actors of Pretty Baby

Explore the complete cast of Pretty Baby, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.


Frank Cady

Frank Cady

Janitor (uncredited)

Edmund Gwenn

Edmund Gwenn

Cyrus Baxter

Eleanor Audley

Eleanor Audley

Miss Brendel

Barbara Billingsley

Barbara Billingsley

Edna- Receptionist

George Chandler

George Chandler

Henderson

Zachary Scott

Zachary Scott

Barry Holmes

William Frawley

William Frawley

Corcoran

Fred Aldrich

Fred Aldrich

Train Passenger (uncredited)

John Alvin

John Alvin

Danny (uncredited)

Mary Alan Hokanson

Mary Alan Hokanson

Young Mother (uncredited)

Dennis Morgan

Dennis Morgan

Sam Morley

Betsy Drake

Betsy Drake

Patsy Douglas

Ransom M. Sherman

Ransom M. Sherman

Powers

Raymond Roe

Raymond Roe

Sidney

Tom Wilson

Tom Wilson

Franklyn Farnum

Franklyn Farnum

Subway Commuter (uncredited)

John Maxwell

John Maxwell

Simmons (uncredited)

Cosmo Sardo

Cosmo Sardo

Caravan Club Waiter (uncredited)

Jack Mower

Jack Mower

Subway Commuter (uncredited)

Larry Steers

Larry Steers

Man in Elevator (uncredited)

Edward Peil Sr.

Edward Peil Sr.

Hawkins (uncredited)

Sheila MacRae

Sheila MacRae

Peggy

Kenner G. Kemp

Kenner G. Kemp

Passerby (uncredited)

James Conaty

James Conaty

Caravan Club Patron (uncredited)

Robert Haines

Robert Haines

Waiter (uncredited)

Bess Flowers

Bess Flowers

Caravan Club patron (uncredited)

Harold Miller

Harold Miller

Radio Actor (uncredited)

Buddy Roosevelt

Buddy Roosevelt

Irratated Commuter (uncredited)

Frank Marlowe

Frank Marlowe

Taxi Driver (uncredited)

Abe Dinovitch

Abe Dinovitch

Taxi Driver (uncredited)

Jack Gargan

Jack Gargan

Waiter (uncredited)

Ralph Montgomery

Ralph Montgomery

Bystander (uncredited)

Joe Recht

Joe Recht

Elevator Man (uncredited)

Jack Chefe

Jack Chefe

Waiter (uncredited)

Constance Purdy

Constance Purdy

Stout Lady (uncredited)

Joe Devlin

Joe Devlin

Waiter (uncredited)

Dorothy Vaughan

Dorothy Vaughan

Subway Commuter (uncredited)

George Magrill

George Magrill

Trainman (uncredited)

Sailor Vincent

Sailor Vincent

Caravan Club Waiter (uncredited)

Dick Cherney

Dick Cherney

Elevator Starter (uncredited)

Edward Clark

Edward Clark

Radio Actor (uncredited)

Carl Andre

Carl Andre

Subway Commuter (uncredited)

Rodney Bell

Rodney Bell

Traffic Cop (uncredited)

Hugh Charles

Hugh Charles

Headwaiter (uncredited)

Tom Greenway

Tom Greenway

Chauffeur (uncredited)

Arthur Huotari

Arthur Huotari

Heavy Man (uncredited)

Paul McGuire

Paul McGuire

Paul (uncredited)

Walter Shumway

Walter Shumway

Waiter (uncredited)

Cy Stevens

Cy Stevens

(uncredited)

Take the Ultimate Pretty Baby Movie Quiz

Challenge your knowledge of Pretty Baby with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.


Pretty Baby (1950) Quiz: Test your knowledge of the 1950 film *Pretty Baby* with these ten questions ranging from easy to challenging.

Which advertising agency employee pretends to have a baby to secure a subway seat?

Full Plot Summary and Ending Explained for Pretty Baby

See more

Read the complete plot summary of Pretty Baby, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.


Patsy Douglas Betsy Drake works at a bustling New York advertising agency, where the days are filled with pitches, deadlines, and a constant hum of creativity. To secure a coveted seat on a crowded subway, she conjures up an ingenious ruse: she pretends to be traveling with a baby, using a lifelike doll discarded by the firm’s ad department. The plan takes a surprising turn when the doll’s supposed father—a cranky, short-tempered client named Cyrus Baxter [Edmund Gwenn]—ends up sitting beside her. Baxter’s chauffeur has just left in a huff after a traffic snafu, and he’s in a mood to hear quiet admiration. The moment he overhears that Patsy has named her “child” Cyrus after him, he lights up with unexpected warmth and curiosity, and he begins to strike up a casual, almost protective friendship. He even lets Patsy believe that he works as Baxter’s loyal watchman, keeping an eye on things.

As the agency’s bosses, Sam Morley [Dennis Morgan] and Barry Holmes [Zachary Scott], try to reel Baxter in for a big contract, he makes one stipulation: Patsy must be kept happy. It’s a condition that bafflingly benefits the agency, and the pair soon realize that keeping her close may be the key to winning Baxter’s business. Patsy’s performance at the meeting—quietly charming and unassumingly persuasive—helps Baxter feel seen in a way he hasn’t experienced in years, and his temper begins to soften. Yet Morley and Holmes aren’t prepared for the emotional consequences of Patsy’s ruse; they discover that she has been quietly fired, only to be rehired and upgraded from secretary to a more prominent role, all within the span of a few days.

What starts as a simple deception evolves into a delicate dance of loyalty, longing, and obligation. Patsy continues the masquerade, maintaining the belief that she’s genuinely assisting Baxter, while Morley frets that the truth will surface and threaten the entire campaign. Baxter, meanwhile, grows increasingly fond of this improbable partnership, and his improved temperament surprises everyone around him. When Morley and Holmes finally piece together the truth, Patsy is torn between confession and the practical need to protect hundreds of jobs that would be lost if Baxter walks away.

The agency’s calculus grows heavier with each revelation. To avert disaster, Morley reveals a cunning plan: he’ll keep the ruse alive until he secures Baxter’s signature, even if it means Patsy must continue the pretense a little longer. Then a pivotal moment arrives: Morley shows Baxter a photo of the baby—only to reveal it’s a picture of his partner’s child, not Patsy’s at all. Baxter senses a family resemblance, puzzling over a likeness to Holmes and the possibility that the father figure might actually be Holmes himself. In a bid to pacify the situation, Morley arranges for Holmes to start dating Patsy, a move that ignites unexpected jealousy in Holmes, who finds himself falling in love without fully realizing it.

As the truth looms closer, Patsy contemplates a life beyond the lie. She decides she will raise her own child on her terms and steps away from the agency, much to Baxter’s dismay. Baxter, in a last-ditch effort to salvage the situation, hires a private investigator, Corcoran, to track Patsy down. The investigation confirms there is no baby to claim, and Morley—not only a shrewd boss but a man capable of real feeling—admits that he, too, is in love with Patsy. With the truth out, a buoyant Baxter resolves to pursue Patsy with renewed resolve. In a light, hopeful finale, Morley intercepts Patsy on a subway, persuading her to step off at City Hall for a proper marriage, sealing a future built on honesty, affection, and the shared dream of a life beyond the empty ruse.

This story blends wit, workplace dynamics, and romantic misdirection in a way that keeps the focus on character, loyalty, and the choices we make when love and livelihood hang in the balance. A Brooklyn-to-midtown, big-city romance grounded in the era’s advertising world, it explores how a single, clever deception can ripple into real connection—and how love can emerge when honesty finally takes center stage.

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Pretty Baby Themes and Keywords

Discover the central themes, ideas, and keywords that define the movie’s story, tone, and message. Analyze the film’s deeper meanings, genre influences, and recurring concepts.


advertising industryadvertising jingletycoonsurrogate-grandfatheroffice workermimeograph machinevindicationmanhattan new york citybaby high chairbaby foodadvertising campaignlove hate relationshipadvertising agencytitle sung by characterfalling off a ladderscene during opening creditsbaby dollboss gives dictationbased on storycharadewatchmancommutingsecretarymistressworking single mothersubway carprivate investigatorsubway traincity hallimpersonationdeceptioninfantemployer employee romancemotherhoodchauffeurfalse accusationreference to hiawatha the poemdismissalmarriage proposalsubway stationtransformationnew york citybad tempermimeographed documentcinderella storyjob promotionsubway lockertheme songends with a kissromantic comedy
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