
Manorama, the daughter of a wealthy, orthodox family, is wed against her wishes, leaving her childhood friend Deodhar—who harbors a hidden love for her—devastated. After a tragic event strikes her and the rigid customs appear unjust, Deodhar resolves to confront the tradition and fight for what is right, risking everything for her.
Does Prem Rog have end credit scenes?
No!
Prem Rog does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Prem Rog, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Rishi Kapoor
Devdhar 'Dev'

Dina Pathak

Raza Murad
Raja Virendra Pratap Singh

Kulbhushan Kharbanda
Chote Thakur Virendra 'Vir' Singh

Padmini Kolhapure
Manorama

Nanda

Raj Kapoor

Tanuja Samarth
Raj Rani

Om Prakash
Poojari

Shammi Kapoor
Bade Raja Thakur

Sushma Seth
Badi Maa

Vijayendra Ghatge
Kunwar Narendra Pratap Singh (as Vijayendra Ghadge)

Bindu Desai
Chamiya

Leela Mishra

Dulari
Premvati

Kiran Vairale
Radha

Rajendranath Malhotra
Radha's husband

Monty Nath
Chote Thakur Vikram Singh (as Monty)
Discover where to watch Prem Rog online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Wikipedia or Letterboxd.
Challenge your knowledge of Prem Rog with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Who is the poor orphan protagonist who falls in love with Manorama?
Devdhar
Kunwar Narendra Pratap Singh
Raja Virendra Pratap Singh
Raj Rani
Show hint
Read the complete plot summary of Prem Rog, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Devdhar is a poor orphan whose childhood is inseparably linked to a magnetic friendship with Manorama, the only niece of the wealthy and powerful Bade Thakur and daughter of Virender Singh, known in the village as Chhote Thakur, who shares a secret affair with Chamiya. When the kind-hearted Thakur helps Devdhar travel to the city for higher studies, there seems to be a sliver of opportunity for a brighter future. Eight years pass, and Devdhar returns to his village to find Manorama grown into a young woman whose presence rekindles old memories. He loses his heart all over again, cherishing a hope that she might feel the same, yet Manorama’s feelings aren’t immediately aligned with his longing. The moment Devdhar contemplates asking for her hand, he crosses paths with Kunwar Narendra Pratap Singh, Manorama’s wealthy prospective husband who has captured her attention. Devdhar keeps his pain private, and the only people who glimpse his struggle are his cousin Radha and Manorama’s mother, Chhoti Maa, who become the quiet witnesses to a heartbreak that could alter many lives.
Kunwar Narendra Pratap Singh admires Manorama deeply, and the couple’s betrothal represents a union of wealth and status that seems to fit the village’s expectations. But tragedy interrupts this trajectory when Narendra Pratap Singh dies in a road accident just three days after the wedding, leaving Manorama suddenly widowed and vulnerable. The shock of loss falls hard on her, and at home she faces the peril of having her head shaved, a traditional act imposed by the family’s customs, even as Chhoti Maa and Bade Thakur resist. In this moment of crisis, Raj Rani, the sister-in-law of Narendra Pratap Singh, intervenes with resolve and steps in to protect Manorama, taking her away from immediate danger and bringing her into a more hopeful orbit. The path she carves is not easy, but she begins to help Manorama reconstruct her life with quiet dignity, aided by Raj Rani and her young son, who becomes a symbol of a possible, gentler future.
The tides of fate shift again when tragedy strikes in a brutal way: Raja Virendra Pratap Singh, Manorama’s brother-in-law, rapes her, and she returns to her parental home in shame and fear. Hearing of this, Devdhar acts with quiet determination; he resolves to rebuild Manorama’s life and restore her faith in life and love, no matter how steep the odds. Yet his pursuit draws the ire of the powerful Thakur and clashes with the village’s entrenched traditions that favor the old order. The conflict intensifies as Devdhar confronts the walls built by the ancients and the expectations of a caste-bound society, standing up for the woman he loves and insisting on a chance for happiness that defies the status quo.
As Manorama opens up about the events that followed her widowhood, she reveals the depth of her torment and the toll it has taken on her heart. Her stories spark fear and anger in her father and brother-in-law, who react with furious hostility toward Devdhar, swearing to end his life to protect their reputation and to compel Manorama back into a life she no longer recognizes. The tension explodes into a village-wide struggle where tradition confronts compassion, duty clashes with desire, and a younger generation fights for a chance at a brighter, freer future. In the end, after a climactic confrontation and a renewed, honest dialogue between love and loyalty, the youngsters find a path toward reconciliation and reunite, choosing hope over despair and a future that honors both their hearts and their humanity.
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