One Small Hitch 2013

In Los Angeles, Josh Shiffman Shane McRae shares a kiss with a strikingly familiar type of date, and he jokes that he’ll be late for a flight to Chicago for the wedding of his best friend Sean’s mother. Yet the moment shifts when the girl leaves him a pile of wedding magazines to read on the plane, hinting at the kind of day that awaits him.

Meanwhile, in the same city, Molly Mahoney Aubrey Dollar — the maid of honor and the last single woman in a big Irish Catholic clan — wrestles with her bridesmaid dress and a racing heart. The call from her boyfriend Lance [Billy Dec] reveals trouble: his loud, chaotic persona and a cheating incident threaten the couple’s plans. His ringtone, “Here Come the Bride,” becomes a running joke that underscores the tension between romance and reality. Molly heads toward Chicago with more questions than assurances, while her friends and family are eager to meet the man who could change everything.

Back in Los Angeles, Josh’s night takes a turn when he meets another woman, Risa [Cynthia Kaye McWilliams], in a bar while his own nerves about the upcoming trip flicker. But Molly sweeps into the scene in an unsettled mood, and Sean reaches out, worried about his baby Zach and his friend’s procrastinating engagement. A phone call from his mother, Frida Shiffman [Janet Ulrich Brooks], arrives with urgent news from the hospital: Josh’s father, Max Shiffman [Daniel J. Travanti], has terminal cancer. The conversation is blunt and heartbreaking; Max admits his own wish to witness a wedding, and Josh, choosing honesty over comfort, reveals that he is engaged and knows who the woman is. Molly, sensing the weight of the moment, agrees to go along with the ruse, but she faints, and Josh carries her onto the plane so they can reach Chicago together.

The arrival in Chicago unites two families in a flurry of greetings and cautious optimism. The engaged couple is pulled into a web of family obligations, polite questions, and the pressure to present a united front. A playful moment with a little girl arrives when she asks about Molly’s Jewish background, hinting at the cultural colors that color the wedding world they’re navigating. The couple tries to settle into a life that feels like a compromise: a hotel stay is rejected in favor of a storage apartment, and they sleep apart, with Molly reclaiming the bed and Josh taking the sofa.

The next morning, the rhythm of preparations resumes. Max passes down his grandmother’s ring to Josh, a tangible symbol of family legacy and blessing. The siblings’ circle tightens as they visit Sean and his wife, Carla [Rebecca Spence], where Molly’s exhaustion from the pace of events surfaces. A family meal with Molly’s mother Doreen Mahoney [Mary Jo Faraci] and the groom’s circle reveals more about the wedding’s social fabric and expectations, as the bridesmaids joke about pregnancy while Josh awkwardly navigates the ring moment in front of everyone.

As the wedding draws near, old flames reappear. Giselle [Heidi Johanningmeier], once Josh’s girlfriend, returns with an ease that unsettles Molly’s nerves. The family clue-giving is relentless, and a relative’s broad enthusiasm nearly exposes the ruse. Yet everyone agrees that Josh and Molly will walk down the aisle together, a public commitment that glosses over private doubts.

After the ceremony, the couple retreats to their apartment where the night’s mood shifts: Molly, still shaky from the day, seems overwhelmed, and Josh’s efforts to help keep everything moving are careful and sincere. The reveal moment—an unexpected intrusion by Frida and a suggestion that Josh stay longer in the family business of framing art—stretches the line between obligation and desire. The Framery becomes a touchstone for their decision to stay connected to the family, even as Josh’s and Molly’s separate lives blur into one shared path.

The wedding world is alive with color: Giselle’s presence complicates the family’s mood, and a tense but brief reintroduction at the Rockit bar underscores the fragility of old loves. Molly’s spa day with Carla and the broader wedding planning scenes—cake tastings, dress fittings, and a host of well-meaning relatives—form a carnival of moments that test their commitment and complicate their initial plan.

Two moments loom large: a surprise bridal shower that unfolds at the apartment, and a playful, slightly scandalous moment that finally nudges Molly and Josh toward true honesty. A department-store scan of wedding gifts becomes a mirror for their readiness to commit. When Molly tries on a new look, the mood shifts again, and the couple’s dynamic moves from deception to a real choice.

Family drama intensifies as Max faces a heart attack, and Frida pushes for exceptional care, testing the bonds that keep the family together. Josh leans on Giselle in a moment of weakness, and the revelation of the deception threatens to tear the clan apart. Sean’s anger erupts in a sharp confrontation, and Molly steps forward to tell the truth: the engagement was a ruse to protect Max and bring a sense of happiness to the family. In that moment, Josh kneels once more, offering the ring and affirming Molly as the best partner he could hope for. Max—whose illness has hung over everything—returns to the family with a quiet, unspoken blessing, allowing the couple to face the future together with renewed resolve and a shared sense of belonging.