One Eight Seven 1997

Trevor Garfield, portrayed as an African American science teacher, finds himself battling tumultuous circumstances at Roosevelt Whitney High School in Brooklyn’s Bedford-Stuyvesant neighborhood. When he fails gangster student Dennis Broadway, the latter resorts to threatening Trevor’s life, ominously scrawling the number 187—a police code for homicide—throughout Trevor’s textbook. Unfortunately, the school administration turns a blind eye to this grave threat, leading to a horrifying ambush where Dennis attacks Trevor, stabbing him multiple times with a shiv.

Fast forward fifteen months after this brutal incident, Trevor, now a substitute teacher, transfers to John Quincy Adams High School in the San Fernando Valley of Los Angeles, yet finds himself amidst more chaos. He is assigned to a disruptive class filled with misfits, including the notorious Chicano gang known as “Kappin’ Off Suckers” (K.O.S.), led by the menacing Benito “Benny” Chacón. Benny, a delinquent struggling to meet his probation terms, makes it abundantly clear to Garfield that respect will not be reciprocated.

As tension escalates, fellow teacher Ellen Henry confides in Trevor about Benny’s threats against her life, a concern the school’s administration neglects due to fear of legal repercussions. In the midst of rising tension, an unexpected bond forms between Ellen and Trevor, teetering on the brink of something more profound. However, Trevor’s fragile state—stemming from past traumas—complicates matters, leading to erratic behavior that strains their relationship. Their struggles are compounded by the presence of Dave Childress, an exhausted, alcoholic history teacher who isn’t shy about keeping firearms in the school.

Tragedy strikes when Benny cold-bloodedly murders a rival tagger and then mysteriously vanishes, leaving the volatile César—Benny’s dangerously unstable tag partner—at the helm as the new antagonist. The conflict between Trevor and the K.O.S. intensifies, culminating in the death of Ellen’s dog, Jack, after César sprays graffiti depicting a dog with a depiction of death. In a bizarre turn of events, César becomes the target of a morphine-filled syringe shot through an arrow, waking up to discover that one of his fingers has been severed. After retrieving it, he finds it reattached, albeit with a chilling tattoo reading “R U DUN” to serve as a warning.

Rita Martínez, a Chicana student Trevor has mentored, endures relentless torment from both the K.O.S. and Childress, ultimately leading her to drop out. Stuck in a mire of bureaucratic indifference, the school’s administration fails to step in. The situation escalates dramatically when Benny is discovered dead in the Los Angeles River, apparently a victim of a drug overdose, raising grave suspicions that Trevor may have enacted his own form of justice amidst his rivalry with César and the K.O.S.

With their lives at stake, the K.O.S. resolve to kill Trevor, convinced he is responsible for Benny’s death and the disfigurement of César. This deadly confrontation culminates at Trevor’s home, where they force him into a game of Russian roulette with César—an idea inspired by The Deer Hunter. Trevor confronts César about the futility of his violent lifestyle, proclaiming, > “Your whole way of life is bullshit. Macho is bullshit.” Caught in hesitation, César observes as Trevor, in an act of defiance, offers to take his turn, ultimately pulling the trigger and shooting himself in the head. Driven by his distorted sense of honor, César insists on taking his turn and tragically follows suit, ending both his life and the cycle of violence in a heartbreaking twist.

On graduation day, Rita returns to complete her education alongside former K.O.S. member Stevie. She pays tribute to Trevor by delivering an essay about him during the commencement ceremony, deeply reflecting on the theme of Pyrrhic victory that Trevor had once illuminated in their discussions. The film concludes on a bleak note as Ellen, disillusioned by the turmoil, leaves the school, discarding her teaching certificate into a garbage bin, symbolizing the heavy toll exacted by a failed struggle for change and redemption.