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Not on the Lips 2003

Paris, October 1925: a musical farce follows Gilberte, a flirt who loves husband Georges but craves more affection. Georges negotiates with American Eric Thomson, Gilberte’s former husband from an annulled U.S. marriage. Gilberte and sister Arlette beg Eric to stay silent while Charly pursues Gilberte and Arlette tries to match him with Huguette, sparking a tangled kiss fiasco.

Paris, October 1925: a musical farce follows Gilberte, a flirt who loves husband Georges but craves more affection. Georges negotiates with American Eric Thomson, Gilberte’s former husband from an annulled U.S. marriage. Gilberte and sister Arlette beg Eric to stay silent while Charly pursues Gilberte and Arlette tries to match him with Huguette, sparking a tangled kiss fiasco.

Does Not on the Lips have end credit scenes?

No!

Not on the Lips does not have end credit scenes. You can leave when the credits roll.

Meet the Full Cast and Actors of Not on the Lips

Explore the complete cast of Not on the Lips, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.


Take the Ultimate Not on the Lips Movie Quiz

Challenge your knowledge of Not on the Lips with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.


Not on the Lips (2003) Quiz: Test your knowledge of the characters, plot twists, and key moments from the French comedy "Not on the Lips".

Who is Gilberte Valandray's husband?

Full Plot Summary and Ending Explained for Not on the Lips

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Read the complete plot summary of Not on the Lips, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.


Gilberte Valandray [Sabine Azéma] is the socialite wife of a wealthy Parisian businessman, Georges Valandray [Pierre Arditi], and she has long kept a hidden past: a previous marriage in America that was never validated. Only her spinster sister Arlette [Isabelle Nanty] knows the secret, a quiet triangle of trust that Gilberte guards as part of her carefully curated social life. Secure in her husband’s confidence, Gilberte moves through a circle of admirers—flirtations that stay strictly on the surface. Among them are Faradel [Daniel Prévost], a middle‑aged dilettante, and Charley [Jalil Lespert], a young avant‑garde artist. Gilberte’s world becomes even more entangled when her young friend Huguette [Audrey Tautou] enters the mix, attracted to Charley in her own right. The delicate balance is disrupted when Georges unexpectedly invites an American visitor, Eric Thomson [Lambert Wilson], to dinner, a man who turns out to be Gilberte’s first husband in disguise. Embarrassed and cornered, Gilberte pleads with Eric to safeguard the secret she has kept for years.

Ten days later, a glittering soirée at the Valandrays’ house centers on Charley’s new play, “Âmes primitives,” a work imagined to unfold in Mexico. Eric weighs the idea of renewing his marital claim on Gilberte, while she tries to fend him off by hinting that Charley could be more than a mere acquaintance. Faradel offers practical help by giving Charley access to his bachelor flat, and Charley brings Huguette there—with Gilberte in tow. Meanwhile, Eric, who is poised to take over the lease on that very flat, hands the address to Georges, weaving further confusion into a web of loyalties and lies.

The following afternoon brings all the characters to Faradel’s bachelor flat, each arriving under a different pretext, and they are greeted by the sharp eyes of Madame Foin [Darry Cowl], the building’s concierge. As Georges believes he has finally unearthed Gilberte’s secret, Arlette steps forward to reclaim the truth—declaring that she is, in fact, Eric’s first wife and that the couple is reconciled. Eric clings to the lie with a surprising relish, a moment of personal triumph at being kissed on the lips he once thought forbidden. In the meantime Charley has fallen under Huguette’s spell, and, against the backdrop of revelations and reconciliations, Georges and Gilberte find themselves restored to a peaceful equilibrium, their marriage once again buoyed by the old, complicated thread of trust and deception that began it all.

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Not on the Lips Themes and Keywords

Discover the central themes, ideas, and keywords that define the movie’s story, tone, and message. Analyze the film’s deeper meanings, genre influences, and recurring concepts.


360 degree well camera shotmarriageamericankissfarceartistmounted deer headmale virginschoolquai malaguais parisladderamerican indian costumenative american costumecookingmobsterbusinesscontractcubisto cuneiform artflash forwarddinnerhedgeeiffel tower parisconciergefrench lawfrenchhygienicsgermsfour men in love with the same womanspeechmoneyveilanimal cageporcupinedresssoireemaskbachelor flatteaflowersliecastanetssing alongthree couplesmirrornervousnesskitchenhiccupsunfaithfulnessfaithfulnesswriting a letter

Not on the Lips Other Names and Titles

Explore the various alternative titles, translations, and other names used for Not on the Lips across different regions and languages. Understand how the film is marketed and recognized worldwide.


입술은 안돼요 Mai sulla bocca Только не в губы Nicht auf den Mund En la boca no Не по устните Nos Lábios Não Тільки не в губи

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