Mysteries of Lisbon 2011

As the story unfolds, we meet João Arrais (João Arrais), a young orphan navigating the challenges of life within a Portuguese school under the care of the kind-hearted Father Dinis (Adriano Luz). Set against the backdrop of the Revolução Liberal, João’s innocent nature is brutally challenged as he faces relentless bullying from a classmate who cruelly accuses him of being the child of a criminal. The hardships compound when João falls ill, seemingly marking the climax of his disastrous fate.

In the midst of his suffering, a surprising glimmer of hope appears in the form of a nurturing woman who stays by his bedside with a maternal gaze. Upon his recovery, Father Dinis reveals that this figure is none other than João’s long-lost mother, Countess Ângela de Lima (Maria João Bastos). Imprisoned in her home by her oppressive husband, the Count of Santa Bárbara (Albano Jerónimo), she has led a life steeped in quiet despair. Father Dinis plays a pivotal role in facilitating her escape while her husband fights for his revolutionary beliefs.

As the narrative progresses, we learn that João’s genuine lineage is linked to Pedro da Silva (João Baptista), a young nobleman struggling against poverty and the burdens of status. The situation intensifies when Ângela’s father, the Marquis of Montezelos (Rui Morrison), dismisses da Silva’s marriage proposal and instead opts for the infamous assassin Knife Eater (Ricardo Pereira) to eliminate the financially burdened nobleman. A poignant encounter unfolds as da Silva seeks refuge with Father Dinis, recounting his tale until his untimely demise.

Transforming into a gypsy, Dinis trails Ângela to the countryside, where she gives birth to João. He confronts Knife Eater and secures the assassin’s silence when learning about the plot orchestrated by Ângela’s father to abduct and murder the newborn. Father Dinis, with unwavering resolve, takes on the role of João’s protector while Ângela is forced into marriage with the Count of Santa Bárbara.

In the present, the Count maliciously spreads rumors of Dinis’s presumed affair with Ângela. When Dinis approaches him for a confrontation, he stumbles upon the Count’s dying moments, attended by his devoted maid and lover, Eugénia (Joana de Verona). Dinis also crosses paths with Knife Eater, now known as Alberto de Magalhães, who has returned from Brazil, dripping with wealth accrued through dubious means, and who mockingly taunts the Count’s falsehoods. Following the Count’s death, Ângela chooses to reject her inheritance, opting instead to leave João with Dinis before seeking refuge in a convent.

The narrative deepens as mysteries surrounding Father Dinis’s life begin to unravel, thanks in part to Friar Baltasar da Encarnação’s revelations about his past. Once known as Álvaro de Albuquerque, he had been embroiled in a forbidden romance with the Countess de Vizo, leading them to flee to Italy, where tragedy struck during childbirth. The aftermath of this loss saw Dinis placed in the care of a French nobleman, setting into motion a series of life-altering events.

As Dinis matured, he found himself caught up in Napoleon’s army in Spain under the alias Sebastião de Melo. Meanwhile, Alberto de Magalhães, having reinvented his life, now enjoyed a stable marriage with Eugénia, who once served as the Count’s mistress. However, the past resurfaces in the form of Elisa de Montfort, a vengeful French duchess, determined to settle the score regarding her previous financial entanglements with him.

The intricate connections between characters escalate further when Dinis confides in Elisa regarding her mother’s tragic end. Tensions mount as De Magalhães confronts her, driven by anger, but it is Dinis who intervenes just in time to prevent catastrophe, revealing the depth of animosity lingering between Elisa and De Magalhães.

The evolving tale emphasizes Dinis’s psychological struggles, particularly with his love for Blanche de Montfort, a relationship marred by tragedy caused by her jealous husband, Benoît. Years later, as João grows into a contemplative poet, he encounters Elisa, whose striking resemblance to his mother captivates him. This sparks a love story riddled with vengeance as Elisa persuades him to challenge De Magalhães to a duel. Yet, in a twist, De Magalhães reveals the chilling truths of their shared history and his involvement in the accidental death of Elisa’s twin brother, Arthur.

As João faces his impending fate, he finds peace in dictating his memoirs, haunted by the memories of his mother’s steadfast presence during his childhood ailments. The film reaches its conclusion as João embarks on a journey to a distant colony, irrevocably altered by the harrowing truths unearthed about his family’s complex legacy.