
Set in early‑20‑century Provence, the film follows young Marcel, the son of science‑teacher Joseph Pagnol and seamstress Augustine. Growing up under his rationalist father's influence, Marcel’s world widens during a summer countryside holiday, where he befriends Lili, a local girl who introduces him to rural customs and a different way of life.
Does My Father’s Glory have end credit scenes?
No!
My Father’s Glory does not have end credit scenes. You can leave when the credits roll.
See current US streaming, rental, and purchase options for My Father’s Glory (1990) via JustWatch.
Explore the complete cast of My Father’s Glory, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Pierre Maguelon
François, father of Lili

Paul Crauchet
Edmond des Papillons, aka Mond des Parpaillouns

Victor Garrivier
Priest of la Treille

Nathalie Roussel
Augustine Pagnol

Michèle Loubet
Ms. Guimard, teacher

Andrée Damant
Woman (uncredited)

Michel Modo
Postman

Didier Pain
Uncle Jules

Maxime Lombard
Mr. Arnaud

Raoul Curet
Mr. Vincent

Jean Rougerie
Bergougnas, secondhand dealer

Julien Ciamaca
Marcel Pagnol, 11 years old

Thérèse Liotard
Aunt Rose

Philippe Caubère
Joseph Pagnol

Victorien Delamare
Paul Pagnol, 5 years old

Joris Molinas
Lili des Bellons

Benoit Martin
Marcel Pagnol, 5 years old

Annick Danis
Maid

René Loyon
Mr. Besson

Benjamin Detriche
Paul Pagnol, 3 years old

Jean-Pierre Darras
Marcel Pagnol, elderly, narrator (voice)

Sébastien Grazzini

Louis Lalanne
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What is the name of the young boy who is the central character of the film?
Read the complete plot summary of My Father’s Glory, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Between the early 1900s and the onset of the First World War, this story follows a boy named Marcel [Julien Ciamaca], born in the country and raised in the bustling port city of Marseilles. His father, Joseph [Philippe Caubère], is a diligent, principled schoolteacher who values hard work, yet he is openly atheistic. Marcel’s world is quietly divided by the clash between his father’s rational, secular view and the deeply rooted Catholic beliefs that circle around his Aunt Rose [Thérèse Liotard] and her husband, Uncle Jules [Didier Pain], a jovial but formally devout priest of a Catholic household. The marriage of Rose to Jules introduces a tension that threads through the family dynamic: two men, two faiths, one shared love of family, and a simmering difference in how they see the world.
One summer, this tension is brought into sharp relief when Jules proposes a shared holiday in Provence, inviting the two households to lodge together in a sunlit, rolling countryside. Jules promises to teach Joseph the art of hunting, a masculine ritual that both fascinates and unsettles Marcel. Marcel longs to join the men, to discover the countryside on his own terms, but he is kept in the dark for much of the early plans. In a moment of mischief and misunderstanding, the adults leave the house early in the morning, assuming Marcel is asleep, and he wakes to realize he has been left behind. This leads to a small, telling moment of bravado: Marcel follows the pair, witnesses Jules’ subtle taunting of Joseph as the two men grapple with the idea of hunting prowess, and then Marcel inserts himself into the moment by revealing the partridges they had been tracking.
As the days pass, Marcel befriends Lili [Joris Molinas], a resourceful local boy who knows the Provençal hills intimately. Lili becomes Marcel’s teacher in the broader world outside Marseille: he introduces him to the land’s textures, paths, and rhythms. Their days are filled with exploration among the hills, where the pine-scented air and sun-warmed rocks become a classroom without walls. Through Lili’s guidance, Marcel experiences the countryside as a living map, a place to test limits and to dream beyond the city’s fences.
The adventure shifts with Marcel’s own wish for independence. He begins to fantasize about living in a cave, away from adults, and he drafts a letter to his parents explaining his decision to disappear into a “new home.” Before the departure, he maps out a plan with Lili, who shares his sense of curiosity and the lure of a more solitary life. On the day of the family’s departure back toward home, Marcel rises early, packs his courage, and makes a final, anxious walk toward the cave he has imagined. Yet fear creeps in as he contemplates life without the familiar, and he finds excuses to delay his supposed hermitage.
Back at the house, the letter Marcel left on his pillow sits there, a silent test of whether his family knows what he intends. He assumes no one has read it, and he braces himself for a future that might not include his own quiet, solitary corner. His parents, however, have read the message, and their reactions hint at the care and concern that underlie their difference in beliefs. The story closes with the family’s journey home, their coach bearing them away from Provence, while Lili watches with a keen sense of both wonder and unresolved longing.
This film unfolds as a tender, observational portrait of childhood discovery against two competing trains of thought—one rooted in secular diligence and the other in religious faith. The Provence landscape—a character in its own right—colors the narrative with a sunlit beauty that contrasts with the friction of adult perspectives. Marcel’s inner life—his curiosity, fear, and longing for autonomy—emerges through small, quiet choices rather than dramatic events, inviting viewers to reflect on the ways families teach and test their children without stepping outside the bounds of everyday life.
Notes on key cast moments (for reference):

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