
Maeve returns home to Belfast after a long absence. Her arrival in the city stimulates a series of memories of childhood and adolescence both in herself and other people.
Does Maeve have end credit scenes?
No!
Maeve does not have end credit scenes. You can leave when the credits roll.
See current US streaming, rental, and purchase options for Maeve (1981) via JustWatch.
Explore the complete cast of Maeve, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Brid Brennan
Roisin

Mary Jackson
Maeve Sweeney

Niall Cusack
Soldier

Mike Vernon
Seeker of Lost Knowledge

Mark Mulholland
Martin Sweeney

George Shane
Causeway Man

John Keegan
Liam Doyle

Brendan Burns
Soldier

Raymond Gardner
Young McQuade

Trudy Kelly
Eileen

Nuala McCann
Young Maeve

Carmel Grehan
Carmel Noonan

Aingeal Grehan
Joan O'Neill

Mel Austin
Joe Sweeney

Justin Duff
Colm Sweeney

Billy Doyle
Frank Doyle

Sheila Graham
Mrs McIlroy

Hugh McCarthy
Airport Security

Lucie Jamieson
Woman in Hospital

Dave Smythe
Man at Party

Rob Gotobed
Man at Party

Jackie Donnelly
Taxi Driver

Bríd Davidson
Young Roisin

Peter Quigley
Brother-in-law

Austin Herron
Soldier

Steve Donaldson
Soldier

Michael Kinsella
Soldier

Gerry McLoughlin
Soldier

Margaret McDonald
Checkpoint Security

Seamus McGarry
Checkpoint Security
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Read the complete plot summary of Maeve, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
In Belfast during the Troubles, a soldier knocks on Martin Sweeney’s door and warns him about a bomb. While waiting it out, the soldier writes to his daughter, Maeve, Mary Jackson who is at a party.
Maeve has just landed at the airport and boards a bus bound for Belfast. While on the bus, the film flashes back to a younger Maeve visiting her then-boyfriend, Liam Doyle, John Keegan. Shortly after getting off the bus, there is another flashback to Maeve confronting her sister Roisin, Bríd Brennan. Later that day, loyalist marches are happening on their street. As the family watch the marches on TV, something is thrown at and smashes their window. The flashback ends with the family moving out of the dominantly unionist street.
While Maeve is riding home in a taxi, they are stopped by soldiers because of an active bomb threat. There, she’s reunited with her parents, who are already waiting outside.
Roisin is stopped by soldiers while coming home from work. They question her and bring her home. By the fireplace, she tells Maeve the story of a sleepover during a friend’s birthday where a soldier walked into the room and got into bed between them, stating that he’s dying to have sex with one of them. The soldier left after they screamed.
In a flashback, Maeve and Liam walk into a pub. Maeve expresses desire to leave because her uncles, Joe and Colm, are also there. Joe buys them drinks and invites them to their table. He tells the story of when he and Colm buried a box of gelignite under a flowerbed in Martin’s house, an operation which landed Mark Mulholland as Martin a year in the Crumlin Road Gaol. As they’re laughing, Maeve gets up and says, “You did that to your own brother and he never told on you.” When Joe suggests that her mother, Eileen, might have informed on them, she states that her mother Trudy Kelly kept the family together while he was in prison. She smashes the glasses on the table and runs out, with Liam running after her. She tells him that she has to get away from Belfast.
Roisin tells Maeve a story about a masked man attempting to hijack the taxi she and Eileen were in. Roisin and the driver got out, but Eileen leapt at the man and berated him. The man lunged back. Two other men intervened and told them to get back in the taxi and drive away.
In a flashback, Maeve waits in the van while a man opens the van door and asks whether they came from the Free State in an accusing manner. The memory shifts again to Maeve and Liam on a hill, where they argue about how the past should be remembered, with Maeve insisting that his view excludes her and erases her presence.
Back home, Maeve tells Roisin she’s worried about her in case she ends up “giving in.” Roisin responds begrudgingly, to which Maeve tells her, “Women’s sexuality is so abused that it’s almost an act of liberation to turn yourself into a sex object.”
They go out for the night, joining up with two of Roisin’s friends. They get into a taxi with a drunk man already in it. He harasses Maeve while Roisin’s friends egg him on. The film flashbacks to Liam giving Maeve a visit in London. The two are now broken up. He confronts her about moving to London and not knowing what she’s doing, and she replies saying she has a right to not know what she’s doing.
Maeve, Roisin and Eileen go into a pub. Liam is also there, but they don’t interact. The women leave, laughing. As they’re walking home, a gunshot rings out in the distance, followed by automatic fire. They run down the road and stop at a brick wall. More gunshots ring out, and they drop down and sit, laughing.
Maeve and Eileen are at home talking. Eileen recounts her perspective of the time she saw Maeve off at the airport. She gets worked up when she reminds Maeve that she never looked back to say goodbye. The film flashbacks to Maeve in class at a convent. Later, she’s in a hospital bed talking to Roisin, who leaves when three nuns show up, demanding that Maeve explain herself. The scene fades out here. A scene of Maeve crying in the hospital bed is shown, and a woman comforts and sings to her.
Maeve walks out of a bookstore and runs into Liam. They have an argument about the aims of the Irish republican movement. She laments that the movement doesn’t include women’s rights in it. He sees her protestations as a hindrance to the movement.
Maeve, Roisin and Eileen are at the Giant’s Causeway. A man squats beside Maeve and starts talking to her. She leaves, and the man continues soliloquying.
Martin retells an instance where he was being chased by police forces and a man was forcing him to drive at gunpoint. The newspapers had falsely stated his van was being used as a getaway car. The film ends with him saying, “First time they got me into Castlereagh, I thought I’d break. See, I used to think these things would never happen to me. Even when they did. Cos you see, that’s the only way to go on. Aye. All the time I’m afear’d it is going to happen.”

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