
A sexually repressed school teacher releases her pent up passions in a series of shocking crimes.
Does Mademoiselle have end credit scenes?
No!
Mademoiselle does not have end credit scenes. You can leave when the credits roll.
See current US streaming, rental, and purchase options for Mademoiselle (1966) via JustWatch.
Explore the complete cast of Mademoiselle, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Jeanne Moreau
Mademoiselle

Pierre Collet
Marcel

Charles Lavialle
Farmer in Flood (uncredited)

Paul Barge
Young Policeman

Annie Savarin
Rose (uncredited)

Umberto Orsini
Antonio

Jacques Chevalier
3rd Policeman (uncredited)

Ettore Manni
Manou

Gérard Darrieu
Boulet

Gabriel Gobin
Police Sergeant

Claire Ifrane
Lucie (uncredited)

Keith Skinner
Bruno

Georges Douking
The Priest

Laure Paillette
Milk Woman (uncredited)

Denise Péronne
Maria (uncredited)

René Hell
Peasant (uncredited)

Jacques Monod
Mayor

Antoine Marin
Armand

Jean Gras
Roger

Rosine Luguet
Lisa

Georges Aubert
René

Jane Beretta
Annette

Mony Reh
Vievotte

L. Chevallier
Old Peasant (uncredited)

Valerie Girodias
Josette (uncredited)

Robert Larcebeau
2nd Farmer in Fire (uncredited)

Catherine Parquier
Young Girl (uncredited)
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Which actress portrays the schoolteacher known as Mademoiselle?
Read the complete plot summary of Mademoiselle, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
In a quiet corner of rural France, a small farming village becomes the stage for jealousy, envy, and a creeping sense of danger when an itinerant Italian logger named Ettore Manni and his young son Bruno Keith Skinner sleep in a barn nearby. What starts as curiosity and wandering glances soon grows into something more troubling as Manou’s casual closeness with the village women stirs resentment among the men, who see his presence as a threat to their own standing and routines. The atmosphere in the village darkens as rumors spread about fires and a flood that seem to follow in his wake.
The real tension, however, centers on the local school teacher known as Mademoiselle Jeanne Moreau. Admired by many for her poised exterior and refined manners, she hides a private life that contrasts sharply with her public persona. Behind the doors of her apartment, she sports city footwear and chic clothing, and she dresses in more suggestive attire for occasions when she quietly toys with the village’s harmony. The fires and the flood are not accidents to her; they are instruments of a dangerous fixation aimed at Manou, a calculated attempt to draw his gaze and prove her pull over him.
In parallel, Manou’s son Bruno witnesses a disturbing double life. He sees the subtle kindness she sometimes shows in the classroom alongside sharper, sociopathic impulses that she unleashes in private. She initially favors him as a pupil, only to alternately demean and humiliate him with verbal abuse. Bruno gradually pieces together evidence that points to Mademoiselle, not his father, as the true orchestrator of the havoc—but as an outsider in the village, he keeps quiet.
The charade grows more ominous when livestock are poisoned, a devastating blow that the villagers misconstrue as the work of Manou. In a bid to restore order, a portion of the community takes matters into their own hands, seeking to punish the father before the truth can surface. Amid the escalating fear, Mademoiselle and Manou share a charged encounter in the forest, followed by a passionate night that leaves her returning to the village with the impression of someone who has been violated. The villagers press her for answers, and she confirms the worst with a single, chilling admission: “Yes.” Then she slips back into her apartment, leaving the truth unopened to the rest of the community.
As the tension peaks, the men of the village finally find Manou and strike him down, ending his presence in a brutal act that shakes everyone to their core. Mademoiselle departs the village with her secrets intact for the moment, but Bruno—the boy who saw too much—knows the truth and spits at the woman as she disappears from sight. The story leaves a lingering sense of tragedy, showing how appearances can mask dangerous depths and how the cruelty of rumors and fear can drive a community to lethal extremes.

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