
Schroeter’s ‘Macbeth’ merges Shakespeare’s tragedy with Verdi’s opera in a studio‑bound TV experiment shot with electronic cameras. He re‑scored Verdi for violin, accordion, piano and oboe, with Argentinian tango, bolero rhythms. The cast sings in harsh, shrill tones while vivid colours accentuate the performance. Audiences found presentation unsettling.
Does Macbeth have end credit scenes?
No!
Macbeth does not have end credit scenes. You can leave when the credits roll.
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Challenge your knowledge of Macbeth with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Which title does King Duncan grant to Macbeth after the victory over the Norwegian and Irish forces?
Thane of Glamis
Thane of Cawdor
Prince of Cumberland
Duke of Inverness
Show hint
Read the complete plot summary of Macbeth, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
In the Middle Ages, Scotland finds itself the stage for a grim power drama: a combined Norwegian and Irish invasion is brought to heel with the aid of two Scottish nobles, Macbeth and Banquo, while the traitorous Thane of Cawdor falters under treachery. The weight of the moment shifts when Cawdor is condemned to death by Duncan, who then awards Macbeth the rightful title as reward for loyalty and victory. The news lands with a mix of awe and fear in Macbeth’s camp, for the prophecy sparks a dangerous curiosity about what might come next.
Across their ranks, the nobles whisper about fate and ambition, and soon Macbeth and Banquo learn of the Three Witches who greet them with prophecies that seem to bend the future: Macbeth is hailed as the Thane of Cawdor and, beyond that, a future king; Banquo, while not destined to rule, will sire a line of kings though he will never sit upon the throne himself. The moment seems to open a door that neither man can simply close. After this encounter, Macbeth sits to write to his wife, and the letter that arrives triggers a reaction as sharp as a blade.
At home, the machinations deepen. The king names his eldest son Malcolm as Prince of Cumberland, the clear heir, which instantly irks Macbeth and stirs Donalbain to keep vigil over their own anxieties. The royal party travels to Macbeth’s own castle, where Lady Macbeth extends a surface of courtesy and hospitality to Duncan and his retinue, all the while hiding a steely resolve beneath her gracious smile. The scene is intimate, yet razor-edged with double meanings as the host’s warmth masks a deadly plan.
When the moment comes, Macbeth moves with a chilling resolve after his wife’s urging, slipping into Duncan’s chamber once the guards have been drugged. Duncan awakens briefly and utters Macbeth’s name, sealing the tragedy with a single, decisive act: he is murdered. Macbeth frames the guards for the crime and, once their deceit is uncovered, makes sure they cannot expose the truth. The murder sets off a rapid chain of consequences: Malcolm and Donalbain flee in fear, and the court circles tighter around Macbeth as rumors of conspiracy swirl through the castle and beyond.
As Macbeth consolidates power, the dangers multiply. Banquo becomes a target, and Macbeth, fearful of a rival lineage, dispatches two murderers to kill Banquo and his son Fleance; the plan succeeds in one sense—Banquo dies—but Fleance escapes into the night, leaving Macbeth with a gnawing sense that the prophecy may still unfold in unforeseen ways. Macbeth eliminates the two hired assassins, ensuring there will be no loose ends that could threaten his crown. The tension sharpens when Banquo’s ghost appears at a banquet, unsettling the assembled nobles and driving Macbeth toward a frenzied search for reassurance from the source of the prophecy—the witches.
Desperate for guidance, Macbeth seeks out the witches again, and they perform their occult rites as they conjure visions and speak in ambiguities that suggest invincibility. They plant ideas that mislead him into believing he cannot be harmed by anyone born of a woman and that no forest will advance to threaten him until some impossible condition is met. The line between certainty and paranoia becomes blurred as Macbeth clings to the sense of security these prophecies offer, even as his realm grows more divided and unstable.
Across Scotland, fear spreads as Ross takes charge of more brutal tasks: he moves to Fife to oversee the slaughter of Macduff’s family, while Macduff himself travels to England to join Malcolm in seeking assistance from a foreign throne. An alliance forms, led by the English king with Siward at the helm, and the united forces prepare to move against Macbeth. The conspirators know they face a treacherous foe who has already murdered to secure his throne, and they steel themselves for a long and brutal struggle.
In the climactic march on Dunsinane, the invaders hide their numbers by bearing branches from Birnam Wood, a stratagem that lends the countryside a deceptive air of forest magic. The battle roars to life as the two sides clash inside Macbeth’s stronghold, until the head-to-head duel with Macduff ends the tyrant’s rule. Macduff reveals a cruel twist of fate: he was delivered by Caesarean section, making him eligible to avenge the king’s death. In a final, triumphal moment, Macduff beheads Macbeth, and the crown returns to Malcolm, now recognized as the rightful king of Scotland. As the dust settles, Donalbain wanders with the witches once more, leaving the audience with the sense that fate, once set in motion, may never truly be laid to rest.
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