Maa Ayana Chanti Pilladu 2008

Runtime

145 mins

Language

Telugu

Telugu

Released 25 July 2008, Raja Vannem Reddy’s Telugu film stars Sivaji as Bullabbayi and Meera Jasmine as sister‑in‑law Rajeswari. A remake of the Tamil hit En Purushan Kuzhanthai Madiri, Bullabbayi loves Rajeswari despite her feigned disinterest and fights step‑brother Veerababu over property. He rescues Chintamani (Sangeeta) from a brothel sale, hides her, and after Veerababu’s men attack, accidentally seduces her.

Released 25 July 2008, Raja Vannem Reddy’s Telugu film stars Sivaji as Bullabbayi and Meera Jasmine as sister‑in‑law Rajeswari. A remake of the Tamil hit En Purushan Kuzhanthai Madiri, Bullabbayi loves Rajeswari despite her feigned disinterest and fights step‑brother Veerababu over property. He rescues Chintamani (Sangeeta) from a brothel sale, hides her, and after Veerababu’s men attack, accidentally seduces her.

Does Maa Ayana Chanti Pilladu have end credit scenes?

No!

Maa Ayana Chanti Pilladu does not have end credit scenes. You can leave when the credits roll.

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Full Plot Summary and Ending Explained for Maa Ayana Chanti Pilladu

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Read the complete plot summary of Maa Ayana Chanti Pilladu, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.


Bullabbayi is a man whose affections for his sister-in-law, Rajeswari, shape his sense of duty and his idea of living with integrity. He longs to be flawless in both character and conduct, believing that true virtue should guide every choice. Although Rajeswari acts cool and distant at first, she harbors genuine feelings for him, a secret she keeps even as the family dynamics deepen.

A long-standing property dispute puts Bullabbayi at odds with his half-brother, Veerababu. In a dramatic attempt to rescue a vulnerable girl named Chintamani from a brutal fate at the hands of Veerababu—who plans to sell her to him—the patriarch pays money, takes Chintamani into his care, and places her in his outhouse with instructions that she should depart the next day. But the situation spirals after Veerababu’s men stage an attack on him, and Bullabbayi ends up seducing Chintamani in a moment of peril and confusion.

In a bid to stay true to his own sense of honesty, Bullabbayi reveals everything to his father-in-law and begs him to halt any arranged marriage connected to the scandal. Yet the father-in-law refuses to intervene, leaving Bullabbayi to grapple with the consequences of his actions. Disturbingly, Bullabbayi finds himself confessing the incident to Rajeswari again, not wanting to deceive her who believes him to be pious and flawless. The revelation drives Rajeswari to the brink, and she makes a dramatic attempt on her own life—only to be saved by Bullabbayi.

Despite the turmoil, Rajeswari initially refuses to share a conjugal life with him. A few days later, her father intervenes again, appealing to her sense of honor and urging her to reconsider. Moved by his sincerity and innocence, Rajeswari gradually opens up, allowing him into the bedroom, and the couple begins a seemingly content domestic life. This fragile harmony is complicated when both women—Rajeswari and Chintamani—become pregnant, creating a moral and practical maze for Bullabbayi to navigate.

The story unfolds with questions that haunt the family: How will Bullabbayi manage the realities of two pregnant wives? Will Chintamani become part of the life of Rajeswari in any meaningful way? Will Rajeswari forgive and accept the unfolding situation, or will she remain wary of Bullabbayi’s acts? What will happen to the property dispute with Veerababu, and how will Veerababu react to these developments? The answers to these intertwined concerns drive the climactic moments of the film, shaping the fate of the family and testing the boundaries of loyalty, honesty, and forgiveness.

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