
Rosa is a successful psychologist and author whose seemingly perfect life with her husband Frederik, and their two children, is shattered when she discovers Frederik is having an affair and his mistress is pregnant. Seeking help from the very psychologist she is, Frederik's actions trigger a crisis that forces both of them to confront their choices and question the future of their marriage in a darkly comedic and tragic exploration of relationships.
Does Love and Other Catastrophes have end credit scenes?
No!
Love and Other Catastrophes does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Love and Other Catastrophes, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Caspar Phillipson
Ejendomsmægler

Lars Ranthe
Frederik

Lisbet Dahl
Hannah

Mads Wille
John

Bebiane Ivalo Kreutzmann
Puk

Frederik Meldal Nørgaard
Mand på hotel

Benedikte Hansen
Kat

Ellen Hillingsø
Sonja

Paw Henriksen
Vagn

Helle Pilar Larsen
Dame på bar og negleklinik

Sofie Stougaard

Christine Albeck Børge
Rosa

Jens Askær Iversen
Alex

Ole Lemmeke
Læge

Bettina Dreier
Model
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Read the complete plot summary of Love and Other Catastrophes, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Two University of Melbourne film studies roommates, Mia and Alice, begin a new chapter in a chic, sunlit apartment as they juggle studies, romance, and the search for a suitable housemate. The pair have just moved in, eager to share a space that feels modern and alive, yet they face the practical scramble of finding someone who fits their lives as perfectly as the place fits their tastes.
Mia, driven by a fierce dedication to her studies and a touch of romantic restlessness, becomes entangled in a battle with the university administration. Her quest to pull her favorite lecturer into his new department sets off a cascade of paperwork, deadlines, and procedural roadblocks that stand in the way of a smooth transfer. Complicating matters, her relationship with her girlfriend Danni begins to strain under the weight of distance and competing priorities. When Mia eventually ends things, Danni responds in kind, pursuing another love interest in part to provoke a reaction or perhaps to test Mia’s resolve.
Meanwhile, Alice, a meticulous perfectionist, faces a different kind of deadline: her four-year-delay thesis on “Doris Day as Feminist Warrior.” She longingly searches for the ideal partner, a person who can meet her exacting criteria, but the field of candidates seems frustratingly thin. In a twist of fate, she falls for Ari, a classics student who also works as a part-time gigolo—an alluring but deeply unsuitable match for someone with her exacting standards. At the same time, Alice attracts the notice of Michael, a shy medical student who quietly admires her from the edges of the social scene.
As the day unfolds into a party, the plans, tensions, and affections of Mia and Alice begin to unravel in unpredictable ways. The story threads together themes of desire, ambition, and the messy reality of love, suggesting that even the most carefully laid plans can be upended when hearts collide and lives intersect.
Omnia Vincit Amor… Love Conquers All.

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