
Having been removed from his position as police chief, Jesse Stone fights to regain his job while investigating a disturbing double homicide linked to organized crime. He must use his instincts and sharp detective skills to navigate a complex web of deceit and uncover the truth behind the shocking crime.
Does Jesse Stone: Benefit of the Doubt have end credit scenes?
No!
Jesse Stone: Benefit of the Doubt does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Jesse Stone: Benefit of the Doubt, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Robert Carradine
Arthur Gallery

William Devane
Dr. Dix

William Sadler
Gino Fish

Gloria Reuben
Thelma Gleffey

Saul Rubinek
Hasty Hathaway

Kathy Baker
Rose Gammon

Stephen McHattie
Commander Healy

Tom Selleck
Jesse Stone

Kohl Sudduth
Luther 'Suitcase' Simpson

Jeremy Akerman
Councilman Carter Hanson

Brian Heighton
Stan

Christopher Killam
Steven

Jeff Geddis
William Butler

Christine Tizzard
Amanda

John Maclaren
Jim Gammon

David Christoffel
H. Henry Uppman

John Beale
Doc Perkins

Robert Racki
Mr. Thompson

Brian MacWilliam
Luther's Dad

Sheena Larkin
Rose's Mom

Colm Magner
Hal the Doorman

Vito Rezza
Anthony D'Angelo
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Challenge your knowledge of Jesse Stone: Benefit of the Doubt with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Who reinstates Jesse Stone as temporary police chief of Paradise?
Hasty Hathaway
Carter Hanson
William Butler
Luther "Suitcase" Simpson
Show hint
Read the complete plot summary of Jesse Stone: Benefit of the Doubt, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Jesse Stone, Tom Selleck, still longs for the Paradise, Massachusetts police chief post he lost when the town’s council president backed his son-in-law for the job. An explosion destroys Chief William Butler, Jeff Geddis, and Officer Anthony D’Angelo, Vito Rezza, in their police cruiser, turning a quiet town into a maze of questions. Curiously, the former town council president, Hastings “Hasty” Hathaway, Saul Rubinek, seems to have anticipated the tragedy before the current council was officially notified. In the aftermath, Jesse is reinstated as temp chief by Carter Hanson, Jeremy Akerman, and he starts chasing a clue that could connect Butler’s death to a wider pattern of corruption. The battered calendar on Butler’s desk bears a cryptic mark: the letters “2AH10” on the April 24 page, a detail that becomes a spine for the investigation.
Jesse’s sense of isolation grows as he tries to reassemble his old team, only to find that his deputy Luther “Suitcase” Simpson, Kohl Sudduth, and his longtime assistant Rose Gammon, Kathy Baker, have moved on. The gap leaves him to push forward largely on his own, relying on the uneasy alliances he can still muster. Thelma Gleffey, Gloria Reuben, remains in Jesse’s orbit as a steady presence in a city tangled in crime, while Gino Fish, William Sadler, continues to loom in town, ostensibly running a boxing business that serves as a front for illegal drugs. The danger isn’t just personal anymore—Amanda, Christine Tizzard, Gino’s executive assistant, drops a critical thread: Gino answers to a boss whose identity is still a mystery, a revelation that keeps Jesse chasing shadows as the town slides deeper into trouble. Meanwhile, Jesse’s world expands to include Dr. Dix, William Devane, his loyal but troubled psychotherapist, and State Homicide Commander Healy, Stephen McHattie, who carries the heavier burden of oversight in a case that tests every limit of trust.
A routine traffic stop uncovers a sharper thread: an assassin named Arthur Gallery, Robert Carradine, has been tailing Jesse. The would-be killer’s deer rifle, discovered with a flashlight mounted on the barrel, hints at a planned daylight hit—and Jesse realizes the tools are as important as the motives. The case tightens around a dangerous truth: someone in power is orchestrating a drug empire, and the pieces are starting to fit. Jesse doesn’t surrender to despair; he wields “carefully applied pressure” to Hasty Hathaway, twisting the tale until the ex-president’s grip on the drug trade becomes undeniable. It’s a high-stakes game of cat and mouse, and the 2AH10 clue becomes a lifeline that could drag a hidden boss into the light. Hathaway’s panic spreads; he rings his own people, urging them to accelerate their plans for the next drug sale and the murder that would shield the operation.
The shipyard confrontation crystallizes the truth. Gallery makes a final attempt to kill Jesse with the deer rifle, but Jesse—shrewd and relentless—tricks his would-be killer into exposing himself, and Gallery is brought down by Jesse’s own customized 1911A1 pistol. With the hit now exposed and the web of corruption unmasked, Simpson returns to the fold, and whispers of Rose’s return linger on the breeze. The town can finally breathe a tentative sigh of relief: Jesse’s status as chief, once denounced as a temporary arrangement, seems poised to become permanent after he proves the man responsible for the crime was not him, but those who weaponized fear to shield an empire.
The title Benefit of the Doubt becomes less a motto and more a cautionary creed. It captures Jesse’s central belief—and Dr. Dix’s—that police officers who appear corrupt deserve every reasonable doubt until proven otherwise. In a world where power can warp judgment and loyalty is hard-won, Jesse Stone’s gritty justice asks the city to weigh trust against truth, and to decide whether the community can move forward with a chief who has faced the worst and still chosen to stand for the light. The story closes on a note of wary optimism: the suspect is exposed, the threat disarmed, and the path ahead, while never simple, is a little clearer because the right choices were made when it mattered most.
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