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Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles 1978

Runtime

202 min

Language

French

French

In 1970s Brussels, the widowed Jeanne Dielman meticulously maintains a strict routine of housework and occasional prostitution to survive. Her days are a precise sequence of domestic tasks, but this fragile balance is threatened when unexpected events disrupt her carefully planned life. As the rhythms of her existence are challenged, Jeanne's composure begins to unravel, leading to a profound and unsettling confrontation with her circumstances.

In 1970s Brussels, the widowed Jeanne Dielman meticulously maintains a strict routine of housework and occasional prostitution to survive. Her days are a precise sequence of domestic tasks, but this fragile balance is threatened when unexpected events disrupt her carefully planned life. As the rhythms of her existence are challenged, Jeanne's composure begins to unravel, leading to a profound and unsettling confrontation with her circumstances.

Does Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles have end credit scenes?

No!

Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles does not have end credit scenes. You can leave when the credits roll.

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Ratings and Reviews for Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles

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Metacritic

94

Metascore

6.9

User Score

Rotten Tomatoes
review

95%

TOMATOMETER

review

78%

User Score

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What is the primary focus of Jeanne Dielman's daily routine?

Full Plot Summary and Ending Explained for Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles

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The film intricately explores the life of a widowed mother whose meticulously structured days revolve around cooking, cleaning, and mothering, while also managing her daily errands over a span of three days. The character, Jeanne Dielman, whose name is revealed solely in the title and a letter she reads to her son, supplements her income by engaging in sexual encounters with a different client each afternoon, just before her son returns from school. For Jeanne, this prostitution is woven into her monotonous routine, carried out with an almost mechanical precision.

However, after a visit from a client on the second day, Jeanne’s meticulously organized life begins to show signs of disarray. She overcooks potatoes during dinner preparation, meanders throughout her apartment with the pot, and forgets crucial tasks such as placing the lid on the urn where she keeps her earnings. Her forgetfulness extends to leaving lights on in various rooms, missing a button on her house coat, and even dropping a recently washed spoon. These gradual deviations from her established routine escalate on the third day when her client arrives.

During the encounter, a complex mix of emotions brews within Jeanne; she grapples with either experiencing an orgasm or feeling a profound disgust for her actions. Following the encounter, she dresses and instead of providing comfort to her client, she shocksingly turns violent, using scissors to stab him to death. After committing this act, she quietly retreats to her dining room table, where she sits in eerie stillness, leaving the audience to ponder the profound implications of her life and choices.

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