jackass: best and last 2026

The film opens with never-before-seen footage from 1998, described as the birth of Jackass. A young Johnny Knoxville and his friends gear up for a reckless stunt: Knoxville wears a Kevlar vest beneath a cache of Hustler magazines and shoots himself in the chest. After a tense moment of faux Russian roulette, he fires, and the crew bolts away, laughter turning the moment into a crude, adrenaline-fueled memory.

The opening sequence introduces the core group for this farewell: [Johnny Knoxville], [Steve-O], [Wee Man], [Chris Pontius], [Preston Lacy], Poopies, Danger Ehren, [Rachel Wolfson], [Zach Holmes], Jasper, and [Dave England] emerge for their signature intro, set to a pulsing tune that nods to the original vibe—like a neon-lit reinterpretation of the classic “Holding Out For a Hero” vibe, but shot with the kinetic flair of a music-video pastiche. They bob and weave through stunts, taking hits and getting up with the same rough-around-the-edges humor fans expect, ending with [Wee Man] delivering a playful knock to Knoxville as the group teases the audience with the familiar energy of chaos and camaraderie.

For the very last time: Johnny Knoxville greets viewers with the cult-like line that has come to symbolize the franchise, and the film follows with the iconic creed of the crew. The moment is punctuated by a direct, unapologetic line that captures the stubborn, goofy spirit that underpins Jackass.

The film jumps between classic “Jackass” stunts and new ideas made specifically for this entry. Knoxville walks with [Chris Pontius] and [Steve-O] as he reflects that this could be the final Jackass film, a thought that tugs at his emotions even as Pontius jokes about being in touch with his feelings. The blend of old and new keeps the energy raw, sometimes tender, and always unafraid to push boundaries.

THE BEST

• Golf Course Airhorn — A throwback from the earliest chapters, with the crew blowing airhorns to distract golfers, provoking startled swings and chaotic reactions as clubs and balls fly in their direction.

• Escaped Convict — Drawing from the pilot era, Knoxville appears in an LA County jumpsuit, with officers arriving to arrest him before the gag is revealed as part of the show.

• Abduction — A revived classic, reuniting the crew for a fake kidnapping setup that culminates in a public, awkward moment at a taco stand.

• Butt X-Ray — The first big x-ray gag, where a toy car’s invasion of the body becomes a hilariously bewildering medical image.

• Silence of the Lambs — A new take on the cobra-in-the-dark premise, with the crew pranking each other in a fear-inducing setup; Bam Margera’s terrified reaction adds an extra edge to the sequence, highlighting his well-known aversion to snakes.

• High Five — A towering, office-based stunt featuring a gigantic hand delivering a spectacular strike that knocks Bam Margera to the floor, leaving him coated in flour.

• Big Red Rocket — Knoxville is strapped to a massive rocket above a lake; the initial attempt ends in a mishap when the rocket falls apart, followed by a second launch that sends him soaring over the water.

• Poo Cocktail Supreme — Steve-O endures a port-a-potty launch that splatters him with waste in a way that only this crew could deliver.

• Bad Grandpa — Knoxville, in the guise of Irving Zissman, visits a male strip club and becomes part of the act in a way that pushes the boundary between character and real reaction.

• The Magic Trick — A bull stunt turns chaotic, sending Knoxville into the air twice before he lands with a concussion and broken ribs, a reminder of the physical toll these bits take.

THE LAST

• Robot Rectal Exam — The gang introduces a new character, Larry the robot voiced by Adam Ray, who facilitates a prank that ends with Steve-O’s discomfort in a decidedly absurd way, including a goofy condom-on-a-finger gag and a playful but cringe-worthy setup with peanut butter.

• Electroshock — Poopies endures a test of nerve as electrodes on his arm trigger Knoxville’s reactions; Steve-O repeats the mischief while trying to tattoo a smiley on Zach Holmes’s chest, turning the moment into a chaotic, messy photograph of their teamwork.

• Extreme Makeover: Poopies Edition — A cosmetic intervention goes overboard as a surgeon injects filler into Poopies’s lips, a visual that’s carried throughout the film with humor and a touch of unease.

• Shock Collar — Poopies navigates a balance beam with a shock collar, activated by Rachel Wolfson, adding a tense edge to the physical comedy.

• The Marionettes — Ehren, Poopies, and Steve-O are dressed as puppets and forced into a crude, improvised play, while receiving a flurry of junk darts and tasers, a staged chaos that tests their endurance and teamwork.

• Pole Vault — Chris Pontius bares it all as he swings naked, propelling himself over a beam with a display of outrageous audacity.

• Ping Pong Trick — Steve-O teams with Tory Belleci from MythBusters to stage a dazzling trick; Steve-O swallows a ping-pong ball and fumbles a reveal, declaring that a second secret ball was inside him, which he finally launches far enough to conclude the gag.

• Hot Potato — Paul Walter Hauser joins as Zach is lowered by a crane, and with each wrong answer, Zach’s movement nudges him perilously close to the group’s faces, producing a blend of discomfort and laughter as Ehren ends up with a cheek-full moment before escaping.

• Human Pretzel — A laxative-fueled Twister game with nudity and body-suits turns into a messy spectacle of confusion, with Steve-O among the first to lose control as the floor becomes a slippery, chaotic mess of bodily functions.

• Escape Room From Hell — Wee Man, Dave England, Ehren, and Dark Shark navigate a brutal escape room filled with ridiculous, painful challenges that include retrieving a coin from Zach’s backside, Dave lying under a mechanism that slams his groin, and an electric chair that tests their nerve.

• The Final Stunt and Emotional Note — Before the closing stunt, Knoxville reflects on the decision to end the Jackass era, acknowledging the weight of the moment as the crew prepares to go out with a final blaze of glory.

• The Opening Recreated — The last stunt mirrors the opening sequence: the crew rides in a giant shopping cart through a minefield of exploding debris, set to My Way, then crashes through a colossal “THE END” sign as puppets representing the team tumble away, signaling that this farewell is, indeed, a grand, explosive send-off.

• The Credits — The usual outtakes and clips roll, punctuated by farewells from the gang, with Poopies visibly emotional as the credits conclude. In the hotel room after the gunshot stunt, Knoxville reflects on the night, insisting that it turned out the way he wanted, no matter what his friends say.

The film, a mix of nostalgia and fresh chaos, holds true to the Jackass spirit while marking a personal and collective goodbye. It blends the beloved pranks with new stunts that push boundaries, and it closes on a note that honors the crew’s bond, their risk-taking, and their unapologetic approach to comedy.