Inch’Allah dimanche 2001

Zouina, Fejria Deliba, sees her life upend when Ahmed leaves Algeria in the 1970s to work in France. Under the 1974 Family Reunification law, passed by Prime Minister Jacques Chirac, Zouina is allowed to join her husband in France. She leaves her mother behind, and together with her mother-in-law, Aïcha and their three children, the family makes the journey to a new life in a country whose customs feel unfamiliar and at times harsh.

The move marks the start of a difficult adjustment. Life in France brings language barriers, cultural gaps, and a sense of isolation as Zouina tries to carve out a place for herself. She becomes a prisoner to the tightening grip of Aïcha and to Ahmed’s failures to shield and protect her, a tension that threads through daily routines and small acts of hope. The new home holds both fragments of welcome and signs of alienation, as neighbors circle in and out, offering help or judgment in equal measure. Among the people who orbit Zouina’s world are Mr. Donze and Mrs. Donze, neighbors who become a mirror for the tension between belonging and estrangement.

On Sundays, when Ahmed routinely takes his mother out for the day, Zouina and the children are left to wander the unfamiliar streets in search of a familiar face or a shared memory of Algeria. The quest to reconnect with another Algerian family becomes a beacon of possible kinship and true human contact, a beacon that shines after several tense weeks of waiting. Eventually, Zouina finds a family that seems to offer the warmth she’s been missing, but that fragile connection is swiftly severed by rejection, echoing the sense of being torn away from the life she knew and the new life she’s trying to build.

This journey unfolds as a hard-won education in resilience. Zouina discovers her own inner strength, drawing courage from the women around her who increasingly form a network of support. The community of women she encounters provides a sense of home and belonging that had been missing, a solace reinforced by conversations on radio programs like Ménie Grégoire. Through these voices, Zouina glimpses a space where feminist dialogue can flourish, offering new ideas and a sense of agency that transcends the daily grind of adaptation. The story threads together immigration, cultural contrast, family duty, and the slow building of self-reliance, painting a portrait of a woman finding steadiness amid upheaval and, in the process, redefining what it means to belong in a place far from where she began.